William Croft (d.1727) He was the guy who wrote ceremonial music for important occasions (thanksgivngs after famous battles, Feasts of the Sons of the Clergy, Royal Funerals, etc) before Handel arrived and did it better. However it is my firm belief that Handel, in adopting the English ceremonial style, used mainly Croft's music as his model. If anyone wants to try Croft's secular music (harpsichord suites and violin sonatas) there's:
British composers of the 18th century
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London Baroque has recorded many interesting CDs, like this one:
English Music of the 18th Century
plus:
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No mention yet of Charles Avison (1710-1770) who was a composer and author on music, organist at Newcastle Cathedral. I've got a nice LP of a selection of his concerti grossi played by the Bournemouth Sinfonietta. Apparently he wrote more than fifty of them, as well as numerous sonatas and string quartets.
The music is very reminiscent of Corelli, and in fact Avison was a pupil of Geminiani, it's very attractive.
John Stanley (1713-1786) was a pupil of Boyce, and was blind since birth. There's a delightful set of organ concertos on the CRD label ( if not deleted) played and directed by Gerald Gifford on the organ of Hexham Abbey with the Northern Sinfonia. This brings memories for me of visits to
this fascinating church, and Cragside is only a short drive away.
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Originally posted by Barbirollians View PostAvison prompted the thread FF see OP
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Originally posted by Ferretfancy View PostI'm sorry, I didn't notice his name in your OP, I'm glad you enjoy the Naxos discs. My old LP uses modern instruments and is probably a bit old fashioned, so I'll look out for the Naxos on your recommendation.
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I haven't listened for quite some time but I have an excellent CD of very interesting music by Capel Bond (1730-1790) and got quite attached to his music, which is skilfully written and quite individual, when I found out he was buried just two miles away in the Coventry suburb of Binley. His Six Concertos in Seven Parts has been recorded by Roy Goodman and The Parley of Instruments on Hyperion Records, and choral work has been performed in this city.
Read about Capel Bond here http://en.wikipedia.org/wiki/Capel_Bond
and listen http://www.hyperion-records.co.uk/al.asp?al=CDA66467
There's a trumpet concerto on youtube (Maurice Andre) https://www.youtube.com/watch?v=tj6h3Y-LXXw
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John W
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I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View PostThis review suggest that the journals of John Marsh might make an interesting read.
Anybody read them?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostI've read the first volume (the one, I believe, that deals with Marsh's Music activities): they are delightful! From his earliest memories (including eating the cherries out of a pie, but leaving the crust extant so that he wasn't discovered - he was about five at the time) to his work for concert clubs in Chichester. Anyone who's ever worked on the committee of an amateur arts club (or indeed anyone who's watched The Vicar of Dibley) will recognize many people they know in these two-hundred + year-old journals.
Wiltshire library have it , but on reference only.
However,better news is that big chunks are available online on google books.
The extensive journals of the English gentleman composer John Marsh, which cover the period from 1752-1828, represent one the most important musical and social documents of the period to have hitherto remained unpublished. Drawing on the recently discovered original (Now in the Huntington Library, San Marino, California), the selection covers the first fifty years of Marsh's life, a period of intense musical activity in the southern cathedral cities of Salisbury, Canterbury and Chichester. But Marsh was far more than a provincial composer and music director; the journals also cast much valuable light on musical life in London-his account of the great Handel Commemoration of 1784 is without parallel for its colorful evocation of the huge event. A lively interest in a wide range of topics gives the journals a scope rare in the writings of a musician and the volume will be of indispensable value not only to the musical but also thesocial historian. The unfailingly vital and often witty writing also ensures considerable appeal to the more general reader with an interest in an eventful period of English history. The volume has been comprehensively annotated and includes illustrations and contemporary maps in addition to the first complete published listing of Marsh's compositions and writings.
Just started, and it really is a cracking read.Last edited by teamsaint; 01-04-15, 20:24.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Barbirollians View PostThe Herschel symphonies recommended by ferny are terrific - ear worms all round . It is more than a little surprising that so few of his other works are recorded - shame Chandos didn't give us a second CD ar least .
Thanks Barbi and ferney!
And yes - Symphonies 2, 8, 12, 13, 14 & 17... What about 1, 3-7, 9-11, 14-16 and 18 to ??????
Astonishing the latter haven't been tackled, especially seeing the endless re-treads given to Vivaldi et al.
But anyway: fab discoveries!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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