John Ogdon - Living with Genius

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • ardcarp
    Late member
    • Nov 2010
    • 11102

    John Ogdon - Living with Genius

    This is a new film about J.O. It is being shown on BBC4 this Friday at 7.30. It is followed by A Musical Tribute, a piano recital by Peter Donohoe.
  • Barbirollians
    Full Member
    • Nov 2010
    • 11680

    #2
    Is it based on Beauclerk's recent biography which received a good review in Gramophone this month ?

    Comment

    • ardcarp
      Late member
      • Nov 2010
      • 11102

      #3
      Pass!

      Comment

      • pastoralguy
        Full Member
        • Nov 2010
        • 7758

        #4
        Originally posted by Barbirollians View Post
        Is it based on Beauclerk's recent biography which received a good review in Gramophone this month ?
        Also not sure but it's a very good read, if, at times, a bit harrowing.

        Comment

        • ahinton
          Full Member
          • Nov 2010
          • 16122

          #5
          Originally posted by Barbirollians View Post
          Is it based on Beauclerk's recent biography which received a good review in Gramophone this month ?
          No; it was made and in the can before Piano Man was published.

          I can certainly recommend Piano Man; my only gripe (if so it is) is that I wish that such a book had been written and published sooner (it's now almost a quarter century since John Ogdon's untimely death at the age of 52)...

          Comment

          • ardcarp
            Late member
            • Nov 2010
            • 11102

            #6
            A point that will no doubt be mentioned (and I will certainly buy Piano Man) is JO's phenomenal ability to learn extremely difficult modern scores very quickly.

            Comment

            • johnb
              Full Member
              • Mar 2007
              • 2903

              #7
              Originally posted by ardcarp View Post
              A point that will no doubt be mentioned (and I will certainly buy Piano Man) is JO's phenomenal ability to learn extremely difficult modern scores very quickly.
              Not to mention being able to sight read them.

              Comment

              • ahinton
                Full Member
                • Nov 2010
                • 16122

                #8
                Originally posted by johnb View Post
                Not to mention being able to sight read them.
                Indeed. But it wasn't mere "sight reading" as that term is generally understood - i.e. the ability to play the score on first reading at the piano - but a facility to "perform" works at first sight in the sense of his seemingly being able to make almost instant interpretative decisions about them whereas even most good "sight readers" would not expect to be capable of that. I can attest to this having worked with him in the 1980s. He had a photographic memory of the kind that I've never encountered elsewhere.

                Comment

                • Stillhomewardbound
                  Full Member
                  • Nov 2010
                  • 1109

                  #9
                  Originally posted by ahinton View Post
                  Indeed. But it wasn't mere "sight reading" as that term is generally understood - i.e. the ability to play the score on first reading at the piano - but a facility to "perform" works at first sight in the sense of his seemingly being able to make almost instant interpretative decisions about them whereas even most good "sight readers" would not expect to be capable of that. I can attest to this having worked with him in the 1980s. He had a photographic memory of the kind that I've never encountered elsewhere.
                  Of course, no one of today's production stuff are aware that a very credible tv drama was made out of John Ogdon's triumphant/tragic life story in 1989 with Alfred Molina.

                  Comment

                  • ardcarp
                    Late member
                    • Nov 2010
                    • 11102

                    #10
                    I remember it:



                    Are you sure the producers of Friday's forthcoming programme don't know about it
                    though?

                    Comment

                    • Eine Alpensinfonie
                      Host
                      • Nov 2010
                      • 20570

                      #11
                      The earlier programme portrayed Brenda Lucas as money-grabbing and selfish, which was said by many to be inaccurate.

                      Comment

                      • johnb
                        Full Member
                        • Mar 2007
                        • 2903

                        #12
                        Originally posted by Eine Alpensinfonie View Post
                        The earlier programme portrayed Brenda Lucas as money-grabbing and selfish, which was said by many to be inaccurate.
                        Outsiders will never know the truth. Even the concept of "truth" in such things is somewhat dubious. However, I do get the impression that Brenda Lucas was much more driven by social standing and wealth than John Ogdon ever was. There were news reports around the time of the Molina film of how John Paul Getty Jnr bought John Ogdon a Steinway grand which them Brenda Lucas commandeered for her laviously decorated flat, leaving JO with an upright to practise on in his basement. Perhaps Brenda Lucas was a very bad fit for JO, perhaps not, we will never know.

                        I thought that the Molina portrayal was quite remarkable, especially when they showed a short film of the real JO and BL in BL's flat after the Molina film. BL was interviewed on TV after the broadcast and she didn't come over very well (IMO).

                        I've just noticed a Daily Mail article about JO and the recent biography of him. The article is fairly excoriating about BL. (Yes, I know - Daily Mail isn't exactly the paper of record and the headline is appalling.)

                        Ogdon’s friends believed he was living in an artificial world that conflicted with who he really was, and this certainly seemed reflected in his behaviour.

                        Comment

                        • ardcarp
                          Late member
                          • Nov 2010
                          • 11102

                          #13
                          Outsiders will never know the truth. Even the concept of "truth" in such things is somewhat dubious.
                          Maybe we were in the same uncertain territory with the Joyce Hatto drama-doc. But we do have living family members to consider here. It is easy to be judgemental, but JO was clearly suffering from a severe psychosis. This mental condition causes huge problems for family and friends...not to mention the sufferer. It is also easy to attribute such mental conditions to family backgrounds (and JO clearly had a tough one) but there is, regrettably, an inborn susceptibility to such illnesses...so probably more nature than nurture.

                          I'm fascinated to know what Friday's programme will make of it all.
                          Last edited by ardcarp; 05-06-14, 11:37.

                          Comment

                          • ahinton
                            Full Member
                            • Nov 2010
                            • 16122

                            #14
                            Originally posted by Stillhomewardbound View Post
                            Of course, no one of today's production stuff are aware that a very credible tv drama was made out of John Ogdon's triumphant/tragic life story in 1989 with Alfred Molina.
                            ...and Alison Steadman; Virtuoso, it was, made in 1988. Ah yes, I remember it well (as the saying goes)...

                            Comment

                            • ahinton
                              Full Member
                              • Nov 2010
                              • 16122

                              #15
                              Originally posted by johnb View Post
                              There were news reports around the time of the Molina film of how John Paul Getty Jnr bought John Ogdon a Steinway grand which then Brenda Lucas commandeered for her lavishly decorated flat, leaving JO with an upright to practise on in his basement
                              Those reports were true. I saw both pianos in their respective apartments, although the grand was in the basement and the upright (which was rented) was on the ground floor.

                              Comment

                              Working...
                              X