i occasionally present evenings of recorded music to a local music society. Sometimes there is a definite theme.
I wonder if others try to create compilations of music which work around one or more themes. Sometimes the effort leads to some interesting discoveries. For example, a current theme is "summer", and one quite quickly discovers that one composer - Delius - seems to have written more pieces centred on summer than anyone else - In a Summer Garden, Song of Summer, To be sung on a summer night on the river, Summer night on the river. Others have also written music related to summer - and I'm deliberately neglecting Vivaldi - examples include Bax, Frank Bridge, Finzi, Tchaikovksy, Grieg and Glazunov, while Beethoven's 6th Symphony can clearly be related, and it may also be of interest to compare that symphony with some parts of Haydn's "The Seasons."
A usual problem is that as one builds up the programme it eventually becomes too long, and potential items have to be cut out, and then there is the temptation to sneak in some new discoveries, perhaps at a late stage, which brings the length problem back.
The whole process of putting together such a compilation can take quite a long time - far in excess of the eventual running time, as pieces are sampled, and listened to. Different versions of the same piece may also be sampled, and discovered to have quite different characteristics, plus one can get side tracked into other music which will never end up on the programme.
It might of course be more reasonable to have more than one theme, and contrast them, or even to have intertwined themes which don't interact, thus Love/Hate could be intertwined with works by (say) Couperin, or another theme could be music for cello.
If you've never tried this you might find it entertaining to give the exercise a go. Here are a few suggestions for themes to get started:
Summer
Water
Heavenly bodies
Anger
I wonder if others try to create compilations of music which work around one or more themes. Sometimes the effort leads to some interesting discoveries. For example, a current theme is "summer", and one quite quickly discovers that one composer - Delius - seems to have written more pieces centred on summer than anyone else - In a Summer Garden, Song of Summer, To be sung on a summer night on the river, Summer night on the river. Others have also written music related to summer - and I'm deliberately neglecting Vivaldi - examples include Bax, Frank Bridge, Finzi, Tchaikovksy, Grieg and Glazunov, while Beethoven's 6th Symphony can clearly be related, and it may also be of interest to compare that symphony with some parts of Haydn's "The Seasons."
A usual problem is that as one builds up the programme it eventually becomes too long, and potential items have to be cut out, and then there is the temptation to sneak in some new discoveries, perhaps at a late stage, which brings the length problem back.
The whole process of putting together such a compilation can take quite a long time - far in excess of the eventual running time, as pieces are sampled, and listened to. Different versions of the same piece may also be sampled, and discovered to have quite different characteristics, plus one can get side tracked into other music which will never end up on the programme.
It might of course be more reasonable to have more than one theme, and contrast them, or even to have intertwined themes which don't interact, thus Love/Hate could be intertwined with works by (say) Couperin, or another theme could be music for cello.
If you've never tried this you might find it entertaining to give the exercise a go. Here are a few suggestions for themes to get started:
Summer
Water
Heavenly bodies
Anger
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