Thanks as always ferney
Something for a Friday: All of Bach
Collapse
X
-
Cheers, Edgey
Did you watch the video of excerpts from the masterclasses as well? Brilliant - these kids, looking very grown-up in the performance videos, get really "kiddy" with excitement as they choose their baroque instruments, and discover what they can do for the Music with them.
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
-
Originally posted by ferneyhoughgeliebte View PostCheers, Edgey
Did you watch the video of excerpts from the masterclasses as well? Brilliant - these kids, looking very grown-up in the performance videos, get really "kiddy" with excitement as they choose their baroque instruments, and discover what they can do for the Music with them.
https://www.youtube.com/watch?time_c...&v=i8UNFbGzFMM“Music is the best means we have of digesting time." — Igor Stravinsky
Comment
-
-
Partita in b minor for solo Violin, BWV 1002
Shunske Sato performing in Haarlem's Light Factory (the old Gas & Electricity factory works - like Tate Modern, now used for concerts and performances):
... and, for youTubers:
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
-
Sonata for Solo Violin in a minor, BWV 1003
Looks like we're getting the entire solo Violin works as a "cycle" (or "traversal") from Shunske Sato. No problem as far as I'm concerned:
... and, for 'Tubers:
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
-
I can't wait (well I will have to) to see what Shunske Sato does with the fugue from the 3rd Sonata BWV1005, as it seems to expose the grip and technique and emotionality and ego of the player more than any other. In my view it combines the happiness of the fugue in the first sonata, with the struggle of the fugue in this one (2nd sonata), in a paradox which only the best violinists can navigate convincingly, and Sato is one of the best.
Comment
-
-
Originally posted by Beresford View PostI can't wait (well I will have to) to see what Shunske Sato does with the fugue from the 3rd Sonata BWV1005, as it seems to expose the grip and technique and emotionality and ego of the player more than any other. In my view it combines the happiness of the fugue in the first sonata, with the struggle of the fugue in this one (2nd sonata), in a paradox which only the best violinists can navigate convincingly, and Sato is one of the best.
I've already had the e mail but haven't listened to the performance yet.
I'll leave it to ferney to post the links on Friday if that's ok“Music is the best means we have of digesting time." — Igor Stravinsky
Comment
-
-
Sonata for Solo Violin in C, BWV 1005
No sooner said than ... waited nine hours then done:
... and, for youTubers:
In this Sonata no. 3, performed by Shunske Sato for All of Bach, Bach appears to have been looking to Italy for inspiration. The mysterious first Adagio, for...
(Don't know why they waited a week to publish this ... but so worth waiting for. New videos seem to be appearing on Thursdays now - but I think keeping the pleasures until Friday on the Forum is a marvellous way of starting the weekend,)[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
-
Partita in d minor for solo Violin, BWV1004
Concluding Shunske Sato's traversal of the complete works for solo violin - with the ordering nicely arranged so that the great Chaconne concludes the project. Tremendissimo!
... and for youTubers:
Shrouded in wistfulness, all the movements of this Partita no. 2, here performed by Shunske Sato for All of Bach, are in a minor key. Bach’s manuscript origi...
... how do you follow that?![FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
Comment