Have just listened to the Brahms Piano Trio in B, in which the first movement is in B major, but the finale is in a definite B minor. It suddenly occurred to me this this can't be all that usual, ie in that "direction" and in the parallel key. Are there any obvious examples that come readily to mind? I expect there may be pieces that change within the movement as well, but seem to have a mental blank! I know little about Nielson, so maybe.... Oh, Mendelssohn's Italian Symphony, how embarrassing!
I guess programmatic pieces may offer more examples: Struass' Don Juan, Also Sprach (sort of, I think)...
Tchaik Piano No 1 would be cheating, I suppose: the 1st mvt starting and ending in the major, the finale starting in the minor, but emphatically not ending in it, as we all know.
I guess programmatic pieces may offer more examples: Struass' Don Juan, Also Sprach (sort of, I think)...
Tchaik Piano No 1 would be cheating, I suppose: the 1st mvt starting and ending in the major, the finale starting in the minor, but emphatically not ending in it, as we all know.
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