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  • Bryn
    Banned
    • Mar 2007
    • 24688

    Originally posted by Richard Barrett View Post
    I look forward to having a listen to those Diotima recordings.

    Now, I hope I will be forgiven for drawing attention to this:



    It's a double CD and contains three pieces:
    life-form for cello and electronics (2012) 56'34"
    nacht und träume for cello, piano and electronics (2007) 22'53"
    Blattwerk for cello and electronics (2002) 30'51"
    played by the amazing Arne Deforce, for whom all of this music was written, with Yutaka Oya on piano in the second piece, and the technical support of the Centre Henri Pousseur in Liège; recorded at the Bruges Concertgebouw mostly last year.
    Though listed as an April release on the Aeon site, there is, as yet, no sign of it on any vendor site I can find, not even jcp.

    Comment

    • MickyD
      Full Member
      • Nov 2010
      • 4723

      Originally posted by vinteuil View Post
      ... the second volume of Christophe Rousset's Well Tempered Clavier (scil. 'Vol 1', 'cos he did Vol 2 earlier... ) is now out

      http://www.amazon.co.uk/dp/B01B7PALKU
      Thanks for this, Vints...do you have Volume 2 already, and if so, what do you think? How does it compare to your other favourites?

      Comment

      • Beef Oven!
        Ex-member
        • Sep 2013
        • 18147

        Originally posted by Bryn View Post
        Though listed as an April release on the Aeon site, there is, as yet, no sign of it on any vendor site I can find, not even jcp.
        What about download?

        I want hard copy, but if it's going to be difficult, it might be best to get a download first and get the CD later.

        They'll need to get their finger out if it's going to be released, potentially in 12 days time.

        P.S. What a great album cover.

        Comment

        • ferneyhoughgeliebte
          Gone fishin'
          • Sep 2011
          • 30163

          Originally posted by Richard Barrett View Post
          It's a double CD and contains three pieces:
          life-form for cello and electronics (2012) 56'34"
          nacht und träume for cello, piano and electronics (2007) 22'53"
          Blattwerk for cello and electronics (2002) 30'51"
          played by the amazing Arne Deforce, for whom all of this music was written, with Yutaka Oya on piano in the second piece, and the technical support of the Centre Henri Pousseur in Liège; recorded at the Bruges Concertgebouw mostly last year.
          This is an absolute "must-buy"! I have been looking forward to a recording of Blattwerk since the first UK performance in Huddersfield over thirteen years ago, during which two of Arne Deforce's 'cello strings broke - neither interrupting the performance. Not that the work needed such a sideshow: it is an astonishing and great achievement, and I remember the sheer elation I felt at its conclusion - a feeling that "shimmered" around me for weeks afterwards (and the hum of which I can feel now at the memory) - at forty-two, I was made to feel as optimistic and enthusiastic as I'd been at twenty. I felt that it marked the beginning of a new genre - making the traditional "Concerto" redundant (in the same way that Stravinsky's Requiem Canticles marked the end of the "large choral society-type Requiem") - and I haven't heard a 'cello Concerto written subsequently that comes near to the power, flexibility and compulsive invention of Blattwerke.

          Apologies to RB in particular for "gushing", but the release of this CD marks the appearance of a recording I've waited over thirteen years for. And it'll be good to hear life-form for (I think) the first time - and nachte und traume, which I did hear at you-know-where about five years ago and was a bit disappointed by
          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

          Comment

          • Bryn
            Banned
            • Mar 2007
            • 24688

            Originally posted by vinteuil View Post
            ... the second volume of Christophe Rousset's Well Tempered Clavier (scil. 'Vol 1', 'cos he did Vol 2 earlier... ) is now out

            http://www.amazon.co.uk/dp/B01B7PALKU
            What tuning regime does Rousset employ in each book/volume?

            Comment

            • MickyD
              Full Member
              • Nov 2010
              • 4723

              Originally posted by Bryn View Post
              What tuning regime does Rousset employ in each book/volume?
              And is he using that wonderful Ruckers instrument in Colmar?

              Comment

              • vinteuil
                Full Member
                • Nov 2010
                • 12662

                Originally posted by Bryn View Post
                What tuning regime does Rousset employ in each book/volume?
                The notes to vol 2 are irritatingly silent on this; my copy of vol 1 has not yet arrived here...

                Originally posted by MickyD View Post
                And is he using that wonderful Ruckers instrument in Colmar?
                ... not this time; here it is the 1628 Ruckers, with ravalement by Blanchet in 1706, at the château de Versailles.

                Comment

                • Richard Barrett
                  Guest
                  • Jan 2016
                  • 6259

                  Thanks for your kind words, fg - they mean a great deal.

                  Originally posted by ferneyhoughgeliebte View Post
                  nacht und träume, which I did hear at you-know-where about five years ago and was a bit disappointed by
                  Have patience, is what I would say. The performance you attended was problematic in several ways I won't bore everyone by listing.

                  I remember Blattwerk in Huddersfield most for being involved at the time with a struggle to cope with a slipped disc - taking twenty minutes to get my socks on in the hotel room that morning and being unable to bow after the performance! For me the studio recording is an enormous improvement on the 2002 tour from both technical and musical points of view, so I hope you still like it... The opening solo for example contains some of the most riveting cello-playing I've ever heard, regardless of repertoire.

                  Trivial fact you might enjoy: all Aeon releases of contemporary music feature cover photos by the same photographer, Dolorès Marat. Arne Deforce and I were given about half a dozen to choose from and decided quickly on the one you see here, feeling that the others were somewhat vague and impressionistic in comparison. I subsequently learned that this same image had been rejected by a certain Brian someone-or-other as a cover for his string quartets...

                  Comment

                  • kea
                    Full Member
                    • Dec 2013
                    • 749

                    Originally posted by Richard Barrett View Post
                    I look forward to having a listen to those Diotima recordings.

                    Now, I hope I will be forgiven for drawing attention to this:



                    It's a double CD and contains three pieces:
                    life-form for cello and electronics (2012) 56'34"
                    nacht und träume for cello, piano and electronics (2007) 22'53"
                    Blattwerk for cello and electronics (2002) 30'51"
                    played by the amazing Arne Deforce, for whom all of this music was written, with Yutaka Oya on piano in the second piece, and the technical support of the Centre Henri Pousseur in Liège; recorded at the Bruges Concertgebouw mostly last year.
                    Great news—congratulations I suppose. I'll definitely be getting this.

                    (I think I remember hearing nacht und träume via 5:4, and enjoying it, but that would have been a couple of years ago)

                    Originally posted by vinteuil View Post
                    The notes to vol 2 are irritatingly silent on this; my copy of vol 1 has not yet arrived here...
                    Notes to Vol 1 don't say, either.

                    Comment

                    • HighlandDougie
                      Full Member
                      • Nov 2010
                      • 3038

                      Originally posted by kea View Post


                      Notes to Vol 1 don't say, either.
                      The Qobuz website, in the notes which accompany Volumes 1 and 2, states in the case of each volume that they were recorded, " ...avec le magnifique clavecin Ruckers du château de Versailles", unlike the Louis Couperin played by CR, also on the Aparté label, which was recorded on a Louis Denis 1658 instrument, loaned by François Badoud (who he?).

                      Comment

                      • vinteuil
                        Full Member
                        • Nov 2010
                        • 12662

                        Originally posted by HighlandDougie View Post
                        The Qobuz website, in the notes which accompany Volumes 1 and 2, states in the case of each volume that they were recorded, " ...avec le magnifique clavecin Ruckers du château de Versailles", unlike the Louis Couperin played by CR, also on the Aparté label, which was recorded on a Louis Denis 1658 instrument, loaned by François Badoud (who he?).
                        ... perhaps :



                        Comment

                        • vinteuil
                          Full Member
                          • Nov 2010
                          • 12662

                          Originally posted by HighlandDougie View Post
                          the Louis Couperin played by Christophe Rousset ...
                          ... the effects of ageing, so sad -


                          .

                          Comment

                          • HighlandDougie
                            Full Member
                            • Nov 2010
                            • 3038

                            Originally posted by vinteuil View Post
                            Oh I don't know - he has matured rather well - still quite "looké", to use that rather awful modern French phrase (and his playing is still wonderful - I saw him a couple of summers ago in Menton: terrific). And, spot-on on the Louis Couperin instrument - immediately recognisable from CR's recording as the same one which one hears on the audio on the website.

                            Comment

                            • vinteuil
                              Full Member
                              • Nov 2010
                              • 12662

                              Originally posted by HighlandDougie View Post
                              Oh I don't know - he has matured rather well - still quite "looké", to use that rather awful modern French phrase (and his playing is still wonderful - I saw him a couple of summers ago in Menton: terrific). And, spot-on on the Louis Couperin instrument - immediately recognisable from CR's recording as the same one which one hears on the audio on the website.
                              ... certainly nothing like the decline of that other interesting claveciniste, Jean-Patrice Brosse, whose Duphly vinyl discs (nla, and the CDs are not the same) were stupendous -


                              .


                              .

                              Comment

                              • HighlandDougie
                                Full Member
                                • Nov 2010
                                • 3038

                                Oo-err - is that what a life dedicated to playing the organ leads to? Or maybe dedicated to sampling the local liquid produce?

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