There's also a version for 8 hands (2 pianos) on the Melba Pantheon label.
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Originally posted by Petrushka View Post
New Kleiber box
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24/96 WAVs. SONY CLASSICAL 2016 New Release. (Qobuz).
In the notes, Kopatchinskaja and Currentzis write poetic loveletters, each to the other, they were both intensely devoted to this recording, at one with the bar-by-bar recreation of this fantastical score - a score which has been hackneyed for too long, over-recorded, overkilled, with too many similarly passive, reverential, literal readings. Bar-by-bar extremes of phrase, tempo, dynamics? You Bet! But there's no showing off here, not even exaggeration really (though the smug bourgeois critics who will hate it need the epater). In place of the notes there is the music - more intensely Russian, more intensely faithful to every shade of sound and mood than any other performance could be. I can't think of any other performers who would dare to do this, to express this essential intensity so completely. Kopatchinskaja sings through her 1834 Pressenda like a husky Gypsy at a village wedding.
That is why they coupled it with Les Noces (which astounds in its own marriage of virtuosity, polish, and raucous drunken villageoise lovemaking, yet so touchingly tender too) - to reflect this marriage of two artistic minds in an act of essentially Russian devotional attendance. Acts of artistic worship with no need for servility to any god.
(and technically - this is as good a hi-res download as I've heard, miraculously textured, tangible and threedimensional...)
Kopatchinskaja on the Tchaikovsky: "After the premiere the newspapers reported that it had "the wretched jollity of a Russian carnival, with savage faces and raw curses". Indeed, rivers of vodka flow in the finale..."
Currentzis to PK:"I ask you for this sound, the "bitter" sound of gut strings, not the fake polished one but the true humble one..."
(I ONLY bought this because of who was performing it - on trust without trying a note of it. Very special artists.)
.Last edited by jayne lee wilson; 15-01-16, 23:19.
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I love the Les Noces here, the best I've heard for years. Not quite as sure about the Tchaik, it's one of those 'maverick' performances that will probably divide people, though I must say I listened through twice, and am about to listen again...Reminds me a bit if that Zimerman Chopin concerto disc a few years ago, where every phrase is re-thought.
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Originally posted by Pianoman View PostI love the Les Noces here, the best I've heard for years. Not quite as sure about the Tchaik, it's one of those 'maverick' performances that will probably divide people, though I must say I listened through twice, and am about to listen again...Reminds me a bit if that Zimerman Chopin concerto disc a few years ago, where every phrase is re-thought.
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Originally posted by vinteuil View Post"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostOnly slightly. Still, it's fun to try and work out what's on the discs by opus numbers and tempo indications.
Originally posted by vinteuil View Post... yes, I thought it was a good little test - especially combining the different info provided on the French and German sites[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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