Originally posted by Black Swan
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Originally posted by amateur51 View Post
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martin_opera
Stumbled across this Anna Moffo recital on Amazon. I had "A Verdi collaboration" on lp and had given up hope of it coming on CD. A very welcome release and it bodes well for Sony delving into the RCA/BMG archive. Moffo in simply glorious voice singing roles that she would not likely sing on the stage. Reminds me of the marvellous Angela Gheorghiu Verdi Arias disc. Would have loved Moffo to have had a go at some of Elisabetta's music from Don Carlo.
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Originally posted by PJPJ View PostSome real gems here, especially the Johanna Martzy collection. The few I've investigated have the CDs replicate the LPs' contents which makes for some discs with very short measure by today's standards.
http://www.prestoclassical.co.uk/s/Korean%2BImports
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I am a great admirer of Madam Haebler's playing. If anyone would like to sample her Schubert, the following may be of interest... http://www.amazon.co.uk/Schubert-Pia...8145483&sr=1-1
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Originally posted by PJPJ View Post
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Eyes down for a new DVD release on Decca; Verdi Requiem, La Scala, Milan/Barenboim with an attractive line-up of soloists: Anja Harteros, Elina Garanca, Jonas Kaufmann and Rene Papa. Available from the river people @ £11+, - bear in mind that prices can vary fairly quickly -delivery later this week.
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I was delighted to learn that the Takacs Quartet have recorded the Britten quartets, and that the disc is due for a November release. Eagerly looking forward to this one
<p>‘Arguably the greatest string quartet before the public today’ (<i>The Sunday Times</i>), the Takács Quartet have recorded much of the great Classical and Romantic quartet repertoire during their fruitful career. Now they turn to three masterpieces of the twentieth century.</p> <p>The three quartets span the composer’s life, the first written in America and the second written at the height of Britten’s fame after the premiere of <i>Peter Grimes</i>. It was written to commemorate the 250th anniversary of Purcell’s death—a composer who was a lifetime inspiration to Britten—and the last movement is cast in the form of a huge Chacony. The third Quartet was written at the end of Britten’s life and refers specifically to his last opera, <i>Death in Venice</i>. Peter Pears described this haunting work as being ‘of a profound beauty more touching than anything else, radiant, wise, new, mysterious—overwhelming’.</p>
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