New releases

Collapse
This is a sticky topic.
X
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • Pulcinella
    Host
    • Feb 2014
    • 11063

    Originally posted by Sir Velo View Post

    I'm with Nick and Jeremy Sams on this one I'm afraid. No problems with boy sopranos per se but this one grates on initial hearing to the extent that I can guarantee I would not want to hear it again!. Marriner and the ASMF still a winner for me in the Pulcinella suite with bags more individuality to the playing than this under characterised performance.
    I had much more of a problem with the adult singers.
    Much preferred the boy to Jennifer Smith for Rattle and Teresa Tourné for Freitas Branco, the two versions I have on CD, and possibly also to my favourite, the old Argenta version I used to have on an Ace of Diamonds LP (now saved for frequent streaming).
    ASMF/Marriner Pulcinella still high up for me too; it was one of the first versions (together with Ansermet) that I got to know. Strange misreading (a 'wrong' note that I've never heard anyone else play, though it might have been in the 'original') in one movement though.
    PS: I don't think that Trujamán is meant to sound very nice! The role doesn't call for refined singing!
    Last edited by Pulcinella; 23-02-24, 16:09. Reason: PS added.

    Comment

    • Pulcinella
      Host
      • Feb 2014
      • 11063

      Originally posted by Nick Armstrong View Post

      It was reviewed on R3 last Saturday morning and the extracts played sounded very good. Jeremy Sams questioned the wisdom of using (for the first time in a recording, I think he said) a boy soprano in the chamber opera, however, on the basis that it didn’t sound very nice…
      The YouTube version given as a link in this very short thread is worth a watch:

      Comment

      • Sir Velo
        Full Member
        • Oct 2012
        • 3261

        Sibelius: Symphony No. 4, The Wood Nymph & Valse Triste. Alpha: ALPHA1008. Buy CD or download online. Gothenburg Symphony Orchestra, Santtu-Matias Rouvali


        Fine performance of the 4th but the Wood Nymph is given an extraordinarily powerful performance. .Rouvali's grasp of the cumulative sense of tragic foreboding is mightily impressive and the playing of the Yoterbury SO is superb. Lovely warm, but detailed sound. Streamed on Qobuz at 24/96.

        Comment

        • Pulcinella
          Host
          • Feb 2014
          • 11063

          Originally posted by Pulcinella View Post
          Just a bit tempted by today's release of the Copland Columbia Collection, though I think I've probably got almost everything already.
          Nice to have it all in one place though.

          https://www.prestomusic.com/classica...bum-collection
          Enthusiasm tempered by an odd omission reported in a comment on Amazon: the Organ Symphony.
          Admittedly it's conducted by Bernstein not Copland himself, but then so are some of the other pieces that are included.
          And the Stravinsky equivalent has a Tashi CD in it.
          I think they could have added the Leo Smit 2CD's worth of piano music too, for that matter.

          Comment

          • Pulcinella
            Host
            • Feb 2014
            • 11063

            Debussy: Jeux - Poème dansé
            Debussy: Prélude à l'après-midi d'un faune
            Stravinsky: Petrushka (1947 version)

            Orchestre de Paris
            Mäkelä, Klaus​​

            Disappointed by the fourth tableau of Petrushka, but otherwise a pretty impressive release, I thought.

            Comment

            • PJPJ
              Full Member
              • Nov 2010
              • 1461

              After quite a lull, some new releases on SA-CD from Dutton

              duttonvocalion.co.uk

              including some interesting VW

              duttonvocalion.co.uk/proddetail.php?prod=CDLX7411

              ​​​​​
              Last edited by PJPJ; 09-03-24, 07:45.

              Comment

              • Pulcinella
                Host
                • Feb 2014
                • 11063

                Duruflé: Requiem, Op. 9
                Poulenc: Quatre motets pour un temps de pénitence
                Choir of Trinity College, Cambridge
                Stephen Layton

                ​Fascinated by the acoustic in St Eustache (Requiem) in the excerpt played in Record Review; so different from that in the first recording I got to know of this beautiful work (St John's, Cambridge).

                But oh dear: the Pie Jesu.

                Completely unsuitable voice, I felt.

                Comment

                • Nick Armstrong
                  Host
                  • Nov 2010
                  • 26574

                  Originally posted by Pulcinella View Post
                  Duruflé: Requiem, Op. 9
                  Poulenc: Quatre motets pour un temps de pénitence
                  Choir of Trinity College, Cambridge
                  Stephen Layton

                  ​Fascinated by the acoustic in St Eustache (Requiem) in the excerpt played in Record Review; so different from that in the first recording I got to know of this beautiful work (St John's, Cambridge).

                  But oh dear: the Pie Jesu.

                  Completely unsuitable voice, I felt.
                  I’m assuming this is a CD release of the performance whose appearance on YouTube was discussed hereabouts:



                  (Indeed I just noticed that the CD cover has been added on the above link in the last few days)

                  "...the isle is full of noises,
                  Sounds and sweet airs, that give delight and hurt not.
                  Sometimes a thousand twangling instruments
                  Will hum about mine ears, and sometime voices..."

                  Comment

                  • Jonathan
                    Full Member
                    • Mar 2007
                    • 952

                    Looking at the timings on the latest Naxos Liszt CD, they seem rather stately. Did a quick calculation and he's 10 minutes slower overall compared to Leslie Howard (the only pianist whose recorded all the pieces on the disc, AFAIK)...
                    Best regards,
                    Jonathan

                    Comment

                    • Sir Velo
                      Full Member
                      • Oct 2012
                      • 3261



                      Of particular interest for many collectors will be the repertoire which Lupu didn't record commercially, viz the Bartok and Copland.

                      Comment

                      • pastoralguy
                        Full Member
                        • Nov 2010
                        • 7802

                        Originally posted by Sir Velo View Post
                        https://www.prestomusic.com/classica...upu-live-vol-4

                        Of particular interest for many collectors will be the repertoire which Lupu didn't record commercially, viz the Bartok and Copland.
                        Yes, I’ve been thinking of purchasing some of these live Lupu recordings. My concern is that the sound quality could be variable.

                        Comment

                        • Mandryka
                          Full Member
                          • Feb 2021
                          • 1565

                          Originally posted by pastoralguy View Post

                          Yes, I’ve been thinking of purchasing some of these live Lupu recordings. My concern is that the sound quality could be variable.
                          The Copland on that CD has listenable sound, though far from ideal. Not sure about the Bartok!

                          Comment

                          • Pulcinella
                            Host
                            • Feb 2014
                            • 11063

                            Originally posted by Mandryka View Post

                            The Copland on that CD has listenable sound, though far from ideal. Not sure about the Bartok!
                            Two versions of performances of the Copland with the score found and posted on the YouTube....thread.

                            Comment

                            • Nick Armstrong
                              Host
                              • Nov 2010
                              • 26574

                              Tuning into last Saturday’s RR where “Julius Drake swaps keyboard for microphone as he shares with Andrew his pick of new releases this week”, I was surprised to hear his ‘sharing’ of the Eric Le Sage complete Fauré chamber music with piano on Alpha - as far as I can see, this was released in 2015 (as a compendium of individual discs released over the preceding years)

                              “Recently reached completion” said AMcG … I’ve found no evidence of that. The performances mentioned and illustrations played were all in that set nearly ten years ago

                              UPDATE: I just found on the Alpha Classics site that the set was re-released last week with the addition of Le Sage’s 2019 recording of the Nocturnes … (so if piano solo counts as ‘chamber music’, it’s not really a ‘complete’ - intégrale - set any more, in the absence of Barcarolles etc etc… )


                              .
                              Last edited by Nick Armstrong; 27-03-24, 15:07.
                              "...the isle is full of noises,
                              Sounds and sweet airs, that give delight and hurt not.
                              Sometimes a thousand twangling instruments
                              Will hum about mine ears, and sometime voices..."

                              Comment

                              • Pulcinella
                                Host
                                • Feb 2014
                                • 11063

                                Another Glasgow Bartok instalment due out tomorrow:

                                Bartók: The Wooden Prince, Divertimento, Romanian Folk Dances. Onyx: ONYX4233. Buy CD or download online. BBC Scottish Symphony Orchestra, Thomas Dausgaard


                                Gets a good review in today's Times:

                                Comment

                                Working...
                                X