Originally posted by vinteuil
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Originally posted by MickyD View PostDo you have all the rest, Vints? I have so much Telemann on my shelves already (including the bargain box 30 CD Sony set with so much treasure within) that I really wonder if I can justify any more! And because of his prolific output, I find it hard to discern what I have already in my collection.
I think I have all the cpo discs :gulp emoticon:
But you must make space for the lovely CD which Richd: Barrett commended here recently :
Originally posted by Richard Barrett View PostTelemann: stuff (overture, concertos) on an Alpha CD performed by Les Ambassadeurs. Absolutely exquisite especially the horn playing (by the Madeuf brothers) - I think forum member Tony would enjoy it a lot.Telemann - Overture & Concertos for Darmstadt | After the success of the Red, Yellow, Blue and Pink collections (a total of fifty-six reissues), which br
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Originally posted by Richard Barrett View PostAlthough I have seen it written that the main part of the movement was intended to evoke the then new industrial age, so it could conceivably have something to do with steam trains!
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Originally posted by Richard Barrett View PostAlthough I have seen it written that the main part of the movement was intended to evoke the then new industrial age, so it could conceivably have something to do with steam trains!
The problem with the steam-train analogy for the Bruckner 9th scherzo is that steam trains are now too familiar, olde-worlde culturally, not demonic or frightening at all... (and the rhythms are wrong in any case) .... which surely Bruckner's music is here, the demons/angels contrast vividly there in the trio. Yes, there is a metal-machine-music threat about it, but a more apt analogy would be found among sci-fi films like Metropolis or any number of the more recent Marvel or Star Wars series.........
Anyway this DCO Bremen Mozart Prom is sounding pretty demonic and heavenly itself... I'm off to pay it proper attention...Last edited by jayne lee wilson; 07-09-19, 19:03.
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Originally posted by jayne lee wilson View PostI was referring to the hoary old idea that "all Bruckner scherzos sound the same"
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Originally posted by Richard Barrett View PostYes but we've got beyond that I think. On the other hand I think it's more appropriate in the present case to put oneself in the mind of someone born in 1824 and encountering steam trains, heavy industry etc. than to evoke 21st century superhero movies! (to which I give a wide berth anyway, so it wouldn't occur to me in the first place...) (not being snobbish, I just don't go for that kind of thing)
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Originally posted by vinteuil View PostI think I have all the cpo discs :gulp emoticon:
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Originally posted by jayne lee wilson View Postthe 9th scherzo seems very fantastical music to me, as in many ways does the whole symphony, inhabiting a startlingly remote, almost alien musical universe compared to the ones that came before... (though you perhaps get a glimpse of it in the 8th's 1st movement development and climax...)
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Originally posted by jayne lee wilson View PostPoint taken obviously, but the 9th scherzo seems very fantastical music to me, as in many ways does the whole symphony, inhabiting a startlingly remote, almost alien musical universe compared to the ones that came before... (though you perhaps get a glimpse of it in the 8th's 1st movement development and climax...)
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Originally posted by vinteuil View Post... I know the feeling, Micky!
I think I have all the cpo discs :gulp emoticon:
But you must make space for the lovely CD which Richd: Barrett commended here recently :
Telemann - Overture & Concertos for Darmstadt | After the success of the Red, Yellow, Blue and Pink collections (a total of fifty-six reissues), which br
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I was rather hoping that the Darmstadt works would be the same as those that I already have on the excellent Harnoncourt set, but no, these are different pieces, so must be had!
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