Back in January 1966, the first commercial recording of Messiaen's Et exspecto resurrectionem mortuorum and Couleurs de la Cité céleste was made in the Eglise Notre-Dame du Liban, Paris. It was released both under the Erato (now part of Warner) and Columbia/CBS (now part of Sony) labels as a "coproduction". No further recordings with Boulez as conductor were released under the Erato label until 1980. Both Sony and Warner boxed sets of Boulez-conducted recordings include the 1960 recordings but with slightly different timings, indicting each company's approach to remastering. Can anyone here offer the circumstances which led to these competing labels coproducing the recordings? Also, which is your preferred remastering, the Columbia/Sony or the Erato/Warner?
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