Originally posted by Pulcinella
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Elgar- In the South
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Originally posted by Alain Maréchal View PostHmm. It occurs to me that it is you who are still with us, but let us turn gratefully aside from that path.
(I'm surprised to find myself still on the forum on All Saints' Day - I had expected to withdraw overnight as gracefully as you all withdrew from a certain other entity).
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I have been listening to Sinopoli’s Elgar 2 - I love its grandeur and sweep but heavens it is slow and sometimes it does seem to place the Symphony slap back in the European tradition and diminish its Englishness . Which it might be said is not a bad thing .
I have enjoyed it but can’t help feeling that Barbirolli in his expansive 1964 recording gives one that sweep but much more idiomatically and with greater emotion and poignancy.
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Originally posted by Barbirollians View PostI have been listening to Sinopoli’s Elgar 2 - I love its grandeur and sweep but heavens it is slow and sometimes it does seem to place the Symphony slap back in the European tradition and diminish its Englishness . Which it might be said is not a bad thing .
I have enjoyed it but can’t help feeling that Barbirolli in his expansive 1964 recording gives one that sweep but much more idiomatically and with greater emotion and poignancy.
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Bournemouth SO/ Silvestri In the South - roots
As I may have said somewhere up-thread, this recording was one of the first two LPs I bought on leaving school and earning a little money, and the BSO was for many years my local band. I've been reading this excellent book
In Stephen Lloyd's paper "Bournemouth - A Microcosm of Musical Engand" I was delighted to read this about Sir Dan Godfrey and his orchestra, "In 1905 came the first of many hearings of Elgar's expansive In the South overture..." (my emphasis).
Something that merited a mention in the LP sleeve-note surely?I keep hitting the Escape key, but I'm still here!
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Originally posted by LeMartinPecheur View PostAs I may have said somewhere up-thread, this recording was one of the first two LPs I bought on leaving school and earning a little money, and the BSO was for many years my local band. I've been reading this excellent book
In Stephen Lloyd's paper "Bournemouth - A Microcosm of Musical Engand" I was delighted to read this about Sir Dan Godfrey and his orchestra, "In 1905 came the first of many hearings of Elgar's expansive In the South overture..." (my emphasis).
Something that merited a mention in the LP sleeve-note surely?I keep hitting the Escape key, but I'm still here!
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Originally posted by silvestrione View PostWhen I first heard it in Bournemouth in the 60s, I had the impression it was unfamiliar repertoire by then (as were certainly the two symphonies at that time?)
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Originally posted by hmvman View PostHaving just heard, and very much enjoyed, Kirill Petrenko's performance of the 2nd symphony on the Berlin Phil's concert archive site, I would love to hear his take on In the South. Maybe that will be a pleasure (hopefully) to come!
Trying to put it into words the best I can do is suggest the performance lacked a sense of struggle.
(BTW I enjoyed the N Jarvi Taneyev 3rd, but I only found out he can smile by watching a 7 minute piece from a summer open air concert.).Last edited by Cockney Sparrow; 28-04-20, 08:09.
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Originally posted by Cockney Sparrow View PostThe first thing I watched when I got access. I have to say, my reaction was different. Similar to The Dream of Gerontius live with the VPO and Rattle. Played with ease, perfectly, but something missing, for me. It just seems too easy - obviously the players have completely mastered their part - it would be unfair to say professional but not very engaged.
Trying to put it into words the best I can do is suggest the performance lacked a sense is struggle.
(BTW I enjoyed the N Jarvi Taneyev 3rd, but I only found out he can smile by watching a7 minute piece from a summer open air concert.).
Muti's take on In the South is very good - there is a good youtube performance with the La Scala Orchestra, and he has done it in Philadelphia.
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