This work is my worse nightmare!
Ravel's Bolero
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Originally posted by Pulcinella View PostThis is partly why I launched the 'Recordings in Discussion' subforum!
Perhaps with Master Jacques' consent (and an obliging host) this thread could be moved there, with the necessary tweaks to the heading (and possibly the first sentence of the original post)?
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Originally posted by BBMmk2 View PostThis work is my worse nightmare!
Thank you hosts for moving this thread to the correct place.
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Originally posted by Master Jacques View PostOh dear! Maybe try Monteux, if you haven't already. There's so much musical interest, so much breathtaking variety of timbre, texture and harmonics (those flutes in sixths at one point, for example) within that looping melody and repeated rhythm, that it might just cure you. Who knows? His version is remarkable for the different character the tune takes on, with all those shifting parameters.
Thank you hosts for moving this thread to the correct place.
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My first experience of Bolero was at a Hallé Industrial Concert in 1960 or ‘61. There was an item in the first half that I wanted to hear. When my father saw the proposed programme, which ended with Bolero, he said (in hid broad Lancashire accent) “Who-ho-ho-ho-ho-hor! Gad! It’s terrible! It goes on and on, the same tune played again and again, getting louder and louder. It drives you mad”. Despite his protestations, he took me to the concert, which was quite an experience. Once the full orchestra had joined in, the conductor, George Weldon, stopped conducting, and even turned round to glance at the audience, resuming conducting shortly before the key shift near the end.
I loved it and still do.
No jokes about repeats, please.
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Originally posted by Eine Alpensinfonie View PostMy first experience of Bolero was at a Hallé Industrial Concert in 1960 or ‘61. There was an item in the first half that I wanted to hear. When my father saw the proposed programme, which ended with Bolero, he said (in hid broad Lancashire accent) “Who-ho-ho-ho-ho-hor! Gad! It’s terrible! It goes on and on, the same tune played again and again, getting louder and louder. It drives you mad”. Despite his protestations, he took me to the concert, which was quite an experience. Once the full orchestra had joined in, the conductor, George Weldon, stopped conducting, and even turned round to glance at the audience, resuming conducting shortly before the key shift near the end.
I loved it and still do.
No jokes about repeats, please.
Love it myself - and I've played 1st side drum in it! (Can make your wrists ache, so I was advised - this is true - to do wrist exercises to make it even with either hand... I was a teenager.)Last edited by Pabmusic; 23-06-19, 10:40.
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Listening now to Boulez and the NYPO.
It's the last item (track number 12) on the last of three CDs in a set I have kept as not all items made it into the 'complete' Boulez Sony box.
I was surprised to see that the CD player registered 29 tracks on the CD: the 'repetitions' (there must be a better word: iterations?) are individually indexed!
The big box version (there too Bolero is the last item on the CD (CD28); track number 10) has only one index point.
I fail to see how anyone can resist getting caught up in the magnificent swirl of this piece!
PS: Mistake corrected: starts at track 12 not 10, so 18 sections, as Alpie pointed out.
Mea culpa.Last edited by Pulcinella; 23-06-19, 11:26.
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Originally posted by Pulcinella View PostIt's the last item (track number 10) on the last of three CDs in a set I have kept as not all items made it into the 'complete' Boulez Sony box.
I was surprised to see that the CD player registered 29 tracks on the CD: the 'repetitions' (there must be a better word: iterations?) are individually indexed!
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