Just for mthe sheer joy of the way Mahler composed this symphony, although, as Barbs said above, it's still quite a work
Our Summer BaL No.31: MAHLER: Symphony No.8
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Roehre
Originally posted by Barbirollians View PostSolti - is enough for me . I do find it the weakest of all the symphonies and the one I least wish to listen to most of the time.
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I know Bernstein has been mentioned quite a few times, but I'd single out the Video (now available on DVD with the Seventh Symphony) of the VPO performance, the film directed by Humphrey Burton. This was the first time I ever heard the work (c1978) and Lennie's contribution helped make this probably my favourite of the Mahler Symphonies: not the "best", but the one that I feel best having heard.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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One that I think hasn't so far been mentioned: the Bertini in what was a ridiculously cheap Complete Symphs + DLfdE on EMI. At least, it was ridiculously cheap but possibly no longer.
I've so far only heard the 8th just the once, but it seemed more than decent alongside Solti, Gielen, Tennstedt and Morris, the other versions on my shelves. The whole box is well worthy of attention IMHO.I keep hitting the Escape key, but I'm still here!
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Originally posted by Ruhevoll View PostThe members of For3 might like to know that Esa-Pekka Salonen is conducting the Philharmonia Orchestra in Mahler's Eighth at the Southbank Centre next June.
And thanks for this - judging by the epic performance of 'Gurrelieder' a few years ago with Salonen and the Phil (I went; it's now on CD), that could be a tremendous concert
I lived for years with Tennstedt's studio recording; then added the Solti and more recently the live Tennstedt
Very very tempted by the new Jansons having heard the extract on CD Review - sounded wonderful."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Petrushka View PostI've only just purchased the RCO/Jansons and it's down for a listen next week, probably Tuesday (a Prom free evening for me)
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View Post.... and did you, Pet? Do post a review please, as and when time permits!
"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostI posted my review on the night I listened to it on the 'What are you Listening to now?' thread. Post 11226 here:http://www.for3.org/forums/showthrea...to-now/page562
This is the direct link to that post: http://www.for3.org/forums/showthrea...554#post325554
Actually, why don't I copy it here - most interesting !
Originally posted by Petrushka View PostMahler: Symphony No 8
Christine Brewer, Camilla Nylund, Maria Espada (sopranos)
Stephanie Blythe (mezzo-soprano), Mihoko Fujiruma (alto)
Robert Dean Smith (tenor), Tommy Hakala (baritone), Stefan Kocan (bass)
Netherlands Radio Choir, State Choir 'Latvija', Bavarian Radio Choir
National Boys Choir, National Childrens Choir
Royal Concertgebouw Orchestra
Mariss Jansons
A notable addition to the Mahler 8 discography but I rather wish I'd watched the DVD that comes with this set first because I miss a sense of epic scale on the CD. The volume was turned up pretty loud but I found the soloists voices fuzzy and too backwardly placed, Oddly, the large choir only felt like a large choir when singing quietly. At full tilt, I found a lack of definition. Generally underwhelmed, I'm afraid.
No, the big, bold sound with soloists well forward and the choir sounding a thousand strong is what is missing here. Solti and Sinopoli win hands down."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Richard Barrett
Kubelik. Sinopoli. Boulez.
I love this work, I think on many levels it's one of Mahler's most original and far-reaching creations (but then they all are!), and my love for it was rekindled on hearing the Boulez recording.
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