Our Summer BAL no 58 Tchaikovsky Violin Concerto
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Originally posted by visualnickmos View PostI was really just curious as to what your pre-2016 a) and b) were - sorry if I misunderstood.
Must be all the Glazunov symphonies I've been 'getting into' over the last few days!
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Originally posted by Brassbandmaestro View PostI don't think I have this!
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Originally posted by Stanfordian View PostGlazunov symphonies. I love them! Especially the First, Seventh (Pastoral) and Ninth (unfinished).
One thing I have discovered on acquainting myself with these magnificent works, is (to my humble ears) their 'closeness' in spirit to Elgar's orchestral voice...
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Originally posted by visualnickmos View Post
One thing I have discovered on acquainting myself with these magnificent works, is (to my humble ears) their 'closeness' in spirit to Elgar's orchestral voice...
There are some slight suggestions on the internet that Elgar may have been familiar with Glazunov's work.
The 8th was completed before Elgar 1, and to my ears also there are striking similarities.
A suggestion here of Glazunov's possible influence on Elgar, for example.
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by visualnickmos View PostA lovely story. It's one the aspects that make this forum so enthralling.
Ida Haendel (in the few recordings of hers, that I have) seems to produce something pure and potent at the same time. Magical. Unique.
I must 'investigate' her Tchaikovsky violin concerto.
The only performance that I have ever heard that makes those big leaps downward from Top of the E string to Bottom of the D string sound effortless.
I've never heard any other performance where the soloist doesn't sound insecure and at full stretch.
Back to Tchaikowsky.
I remember a very tidy performanc by Alan Loveday.
Yes, he did make those cuts in the finale and for me, the continuity of the music is much preferable.
HSLast edited by Hornspieler; 26-08-17, 07:08.
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Originally posted by Richard Tarleton View PostThese days my only recording is Milstein (coupled with Argerich/PC1).
But I also have a Naxos release, coupled with the Mendelssohn (Nishizaki/Slovak Phil/Jean); can't remember now what prompted me to buy it, but the Penguin Guide speaks highly of it (for both concertos) and mentions that the little cuts have been opened out.
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Originally posted by Eine Alpensinfonie View PostWhat? Never?I keep hitting the Escape key, but I'm still here!
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Originally posted by Brassbandmaestro View PostAlpie, I did a general search and couldn't see one! I was hoping for at least a BaL choice.
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Originally posted by Brassbandmaestro View PostI've been searching through on these boards, and I am thinking quite surprisingly, there is no BaL on this work?
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Originally posted by Eine Alpensinfonie View PostAn interesting and very fine version in the Anne Sophie Mutter/VPO/Previn recording, coupled with the Korngold. Apparently ASM was trying to sound "less romantic" and failing miserably in this respect.
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