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Now devouring the 1888 version (ed. Korstvedt) with some relish. This Vanska recording sells it very well. To Hell with Hurwitz's pathetic attempt at a debunk of Kostvedt's work. Take Hurwitz's 'argument' that Bruckner bequeathed to the Imperial Library not this 1888 socre but the 1878/80 version. Why would the composer have needed to thus 'bequeath' the 1888? It was already in print! What a troll among music commentators that Hurwitz is.
This couldn't have anything to with his debunking of the vibrato myths?
This couldn't have anything to with his debunking of the vibrato myths?
Have you actually read his 'paper' on the subject? It's full of bogus 'erudition'. He even classes flutter-tongue as vibrato. Now I know some string players like to disguise their poor intonation by wobbling about, and it does aid projection somewhat, but Mozart pere got it right, as does Norrington, I reckon. Used sparingly it's a very useful expressive technique, but drowning a string section in it is just sickly. Also, when it comes to Norrinton's verbals re. vibrato, it's worth actually listening to performances he conducts. Vibrato is there to be heard, just not used as the standard fall-back approach. If you can't hear it, try looking at the left hands of 'his' string players in readily available videos.
Probably blind, but I can't see that Bruckner 4 has been discussed on these boards. Time to do that?
I've just acquired Matacic with the Philharmonia from 1954 on Testament - claimed to be the first studio recording. (Sounds right to me …)
And I previously have Philharmonia/Klemperer (1965) on LP, and on CD Kolner Rundfunk/Wand (1976), BPO/Barenboim (1992) and LA Phil/Salonen (1997).
What might be a 'library' performance/recording?
In 2014 Stephen Johnson's 1st choice in 'Building a Library' was the Berlin Philharmonic with Gunther Wand.
This discussion could perhaps continue under the 'Bruckner' section of the 'Composers' sub-forum (if that's the correct term). There's nothing specific relating to the 4th at present.
I've just acquired Matacic with the Philharmonia from 1954 on Testament - claimed to be the first studio recording. (Sounds right to me …)
Hmmm - probably literally true, in that it was recorded in a recording company studio, but Karl Böhm made the first complete recording of the (Haas version of) the work with the Dresden State Orchestra for Electrola/HMV in studio conditions in the Semperoper in June 1936 (requiring eight 78 rpm discs). If the later DECCA recordings of the VPO made in the Sofiensaal - or, indeed, all those recordings made in Walthamstow Town Hall and other public/civic buildings - count as "studio" (as opposed to "Live") recordings, then so does this.
(As for "a 'library' performance"; if you can only afford the money/space for just one, then that Klemperer disc you already have will do quite as well as any other. )
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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