Our Summer BAL 51: Elgar's Enigma Variations
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I had the LSO/Boult recording on LP many years ago but have never bought the CD - will have to make amends. That Philharmonia/Barbirolli remains special to me for a whole host of reasons but I definitely crave the majestic weight of the organ in those final bars which gives an added tingle factor.
Mark Elder's recording is interesting in giving the original ending to the work as well as the standard version so you can programme it in if you want. To be honest I think we should be glad that Elgar was talked into making the change as it makes for a thrilling conclusion."The sound is the handwriting of the conductor" - Bernard Haitink
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Well, I'm shocked!
...at the few CD recordings I have: Elgar, BBCNOW/ Otaka on a BBC MM, and the Naxos Bournemouth SO/Hurst.
Back on LP not very many to add either: Barbirolli (of course), Mackerras and Monteux.
Think I've probably got more recordings of In the South, but then that is a very big favourite work. But so of course are these Var's
May have to look to Sir A B...I keep hitting the Escape key, but I'm still here!
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Originally posted by ferneyhoughgeliebte View PostThat's an impressive Guest House you run there, Pulcie!
Perhaps one can acquire such residents on the the same principle as milkmen -
The Milkman skit from The Flying CircusI do not own any of this material it's all courtesy of Monty Python at www.youtube.com/MontyPython .I only upload thes...
Not sure I've ever heard a performance of the Elgar that I haven't enjoyed, but have heard very few compared to most on here I suspect. I was struck by the beginning of Nimrod with Colin Davis with the LSO sounding so distant, that it was more like a daydream than something that actually existed.
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Has anyone else here read Dora Penny's (Dorabella) wonderful little book, Memories of a Variation? She was by then Mrs Richard Powell and it gives a delightful insight into the life, musical and otherwise, of Edwardian England as well as that of the 'friends pictured within' and, naturally, of Elgar himself.
Mandatory reading for all EE fans.
"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by gradus View PostIts Menuhin/RPO for me because of the extraordinarily passionate performance of Nimrod although I have a feeling that the recording engineer did his bit too, never mind it works for me.
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Originally posted by Petrushka View PostHas anyone else here read Dora Penny's (Dorabella) wonderful little book, Memories of a Variation? She was by then Mrs Richard Powell and it gives a delightful insight into the life, musical and otherwise, of Edwardian England as well as that of the 'friends pictured within' and, naturally, of Elgar himself.
Mandatory reading for all EE fans.
https://www.amazon.co.uk/Edward-Elga...of+a+variation
A good read for anyone with an interest in that era IMO,not just Elgarians.
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Perhaps not being a Brit and having only a passing interest in Elgar I've only a couple. Solti was my first , on an lp that I bought for the coupling, the Schoenberg Variations for Orchestra. I don't remember if the Orchestra was the CSO or the LPO...anyway that carried me through the lp era and Monteux has covered it for the duration...
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Originally posted by richardfinegold View PostPerhaps not being a Brit and having only a passing interest in Elgar I've only a couple. Solti was my first , on an lp that I bought for the coupling, the Schoenberg Variations for Orchestra. I don't remember if the Orchestra was the CSO or the LPO...anyway that carried me through the lp era and Monteux has covered it for the duration...
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