Originally posted by Alison
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Our Summer BAL 51: Elgar's Enigma Variations
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Originally posted by richardfinegold View PostPerhaps not being a Brit and having only a passing interest in Elgar I've only a couple. Solti was my first , on an lp that I bought for the coupling, the Schoenberg Variations for Orchestra. I don't remember if the Orchestra was the CSO or the LPO...anyway that carried me through the lp era and Monteux has covered it for the duration...Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Petrushka View PostThe studio version has the organ very nicely prominent at the end but I was present at the 1986 Prom performance so that gets my vote too. Both are fine.
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Originally posted by cloughie View PostA favourite Enigma for me featuring organ and a lovely echo from the acoustics of Guildford Cathedral is Del Mar with the RPO which started life as a Contour LP but graduated to DG.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Have there been any recent additions to the Enigma puzzle? My own feeling is that Variation 13 (***) is of the most central importance to any solution of the puzzle. This variation has usually been acknowledged as Lady Mary Lygon being the friend 'pictured within' on the grounds that she was to embark on a long sea voyage. However, I firmly believe that the real dedicatee of this little piece is Helen Weaver.
Helen Weaver was the daughter of a shoe shop proprietor in Worcester and a violin student at the Leipzig Conservatory and she and Elgar were engaged to be married in 1883. This engagement was broken off, possibly due to religious objections from her family, in 1884. Helen contracted TB and left for New Zealand in 1885. All trace of her after this seems to have vanished.
The 13th variation is a sad, resigned and even tragic little piece that allegedly quotes Mendelssohn's Calm Sea and Prosperous Voyage Overture (though it could equally be the Schumann Piano Concerto, in my view) with the timpani imitating the sound of the ship's engines. Elgar did say re the Variations that the principal character doesn't appear and I believe that this is Helen Weaver. I also contend that she is the real mystery dedicatee of the Violin Concerto, another piece indicated, as in the variation 13, by asterisks."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by cloughie View PostA favourite Enigma for me featuring organ and a lovely echo from the acoustics of Guildford Cathedral is Del Mar with the RPO which started life as a Contour LP but graduated to DG.Originally posted by ferneyhoughgeliebte View PostA favourite of mine, too, cloughie - and the recording (in its Contour incarnation, costing about 50p from Boots!) from which I came to know and love the work and which prompted me to explore Elgar's other works. It was included in my "Enigma-fest" of a couple of weeks ago - the opening variations were a little more relaxed than I'd remembered, but the performance grows in intensity with each successive variation, culminating in a wonderful finale. (And the P&M Marches are the best on record - Pomp without pomposity: "get a move on you 'orrible little man; Quick March!" Real pulse-pacers! )
I think I also have the Menuhin / RPO (a white 'Tring' cd - rather shrill recording I recall, in fact I think I may have got rid of it). My other CD is the Sinopoli - lacks the magic of Del Mar and Oramo, for me.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Zucchini View PostLast month I noticed a quite a long article in The Times detailing a 'solution' by a Police Inspector of the Cleveland force. Didn't read it though
In 1897, the composer Edward Elgar sent a short enciphered letter to his young lady-friend Dora Penny ("Dorabella"), hence the name "The Dorabella Cipher"...
Last edited by Bryn; 21-08-16, 14:41.
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Originally posted by Caliban View PostOooh yes I'd forgotten about that recording - corker! That was my standby for years, must put the CD on again! The marches are terrific too.
I think I also have the/ Menuhin RPO (a white 'Tring' cd - rather shrill recording I recall, in fact I think I may have got rid of it). My other CD is the Sinopoli - lacks the magic of Del Mar and Oramo, for me.
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Originally posted by visualnickmos View PostHope you didn't jettison it; I, too, thought it a little on the shrill side (but not enough to cause angst) but then listened on headphones, and it seems to sound vastly better...
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Originally posted by Brassbandmaestro View PostWhen at least, as far as the first performances were concerned with Elgar's dream of Gerontius, this was very popular with at least in Germany, maybe with Brahms being an influence on Elgar's writing? Give a go, RFG! Treat yourself to a few more Engima's and the rest of Elgar's oeuvre! :)
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Originally posted by richardfinegold View PostI've explored the waters, and like some Elgar, but not felt the need to collect multiple versions of those works, as I do with many other Composers. Elgar does have his following internationally, but in general, most of the appreciation of him resides on your splendid Isle
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