Our Summer BAL 42: Manfred Symphony

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  • Stanfordian
    Full Member
    • Dec 2010
    • 9338

    #16
    Originally posted by cloughie View Post
    I can't guarantee that this is the complete catalogue or that they are all still available but this might be a useful starter list:

    USO Abravanel
    LSO Ahronovitch
    PO Ashkenazy
    CAO Chailly
    LSO Goossens
    CAO Haitink
    OPO Jansons
    LPO Jurowski
    GurnewitzO Kitajenko
    PO Kletzki
    RPO Koizumi
    CSRSO Lenard
    IndianapolisSO Leppard
    BoSO Litton
    VPO Maazel
    LSO Markevitch
    LGO Masur
    PO Muti
    CBSO Nelsons
    PhO Ormandy
    RLPO Petrenko
    RNO Pletnev
    LSO Previn
    LPO Rostropovich
    USSRRTVO Rozhdestvensky
    BudPO Saccani
    FNRO Silvestri
    BoSO Silvestri
    LSO Simonov
    BPO Svetlanov
    USSRSO Svetlanov
    LAPO Tilson-Thomas
    NBCSO Toscanini
    Hiya cloughie,

    Pletnev has released two accounts with the Russian National Orchestra one from c. 1993/96 on Deutsche Grammophon and a more recent 2013 acccount on Pentatone.

    Comment

    • Cockney Sparrow
      Full Member
      • Jan 2014
      • 2293

      #17
      Interested to see Hornspieler's reference to cuts.

      Following my interest in Svetlanov (including in Harold Moore's, yesterday when I resisted a Melodiya purchase pending further research) I've come across reference to his cuts in "Manfred"

      In the customer review (and comments on it)

      and have taken the plunge on the Testament BPO recording
      Evgeny Svetlanov conducts Tchaikovsky, Beethoven & Haydn. Testament: SBT21481. Buy 2 CDs online. Berliner Philharmoniker, Evgeny Svetlanov

      I'll probably also have a listen to some others on Google Play Music All Access and Naxos Music Library.

      Comment

      • ferneyhoughgeliebte
        Gone fishin'
        • Sep 2011
        • 30163

        #18
        I've only ever heard it in concert once - with HS's old band, the Bournemouth SO (Leeds Town Hall, 1980). I was sitting behind the percussion - the best seat in the gig; especially in the Finale - where I did wonder how Peter Illyich was going to create a climax after all the "hit everything in sight as hard as you can" writing of the bulk of the movement. The entry of the organ is one of the funniest things in the repertoire!

        Unlike HS and TB, I don't think the movement needs "trimming" - I think it's a fantastic work; very probably my favourite piece by this composer (the Pathetique - the "yin" to Manfred's "yang" the only real contender).
        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

        Comment

        • Hornspieler
          Late Member
          • Sep 2012
          • 1847

          #19
          Originally posted by ferneyhoughgeliebte View Post
          I've only ever heard it in concert once - with HS's old band, the Bournemouth SO (Leeds Town Hall, 1980). I was sitting behind the percussion - the best seat in the gig; especially in the Finale - where I did wonder how Peter Illyich was going to create a climax after all the "hit everything in sight as hard as you can" writing of the bulk of the movement. The entry of the organ is one of the funniest things in the repertoire!

          Unlike HS and TB, I don't think the movement needs "trimming" - I think it's a fantastic work; very probably my favourite piece by this composer (the Pathetique - the "yin" to Manfred's "yang" the only real contender).
          Berlioz: Ov. Le Corsair
          Delius: Dance Rhapsody No 2
          INTERVAL
          Tchaikowsky: Manfred Symphony
          (encore: Finale from Karelia Suite)

          In 1956, TB played that programme in Sheffield Town Hall and also in Manchester Free Trade Hall the previous night.

          I was not among the foot shufflers because, as a callow deputy, I kept my head down and did not join in some of the mirth which was always a part of a Beecham rehearsal.

          I do remember that in his closing speech, TB made a rather scathing reference to the two Landseer(?) Lions which occupied a large portion of the stage, causing the orchestra to be almost divided into three parts.
          That did not go down well with some of the members of the audience!

          HS

          Comment

          • ferneyhoughgeliebte
            Gone fishin'
            • Sep 2011
            • 30163

            #20
            Oh, they're very fond of their big cats in Sheffield! They even called their Rugby team the "Tigers" (nothing to do with Havergal Brian): unlike Landseer's stone Lions, the Sheffield Tigers are rather wooden!
            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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            • BBMmk2
              Late Member
              • Nov 2010
              • 20908

              #21
              Andris Nelsons and the CBSO are not mentioned! :)
              Don’t cry for me
              I go where music was born

              J S Bach 1685-1750

              Comment

              • cloughie
                Full Member
                • Dec 2011
                • 22225

                #22
                C
                Originally posted by Hornspieler View Post
                Berlioz: Ov. Le Corsair
                Delius: Dance Rhapsody No 2
                INTERVAL
                Tchaikowsky: Manfred Symphony
                (encore: Finale from Karelia Suite)

                In 1956, TB played that programme in Sheffield Town Hall and also in Manchester Free Trade Hall the previous night.

                I was not among the foot shufflers because, as a callow deputy, I kept my head down and did not join in some of the mirth which was always a part of a Beecham rehearsal.

                I do remember that in his closing speech, TB made a rather scathing reference to the two Landseer(?) Lions which occupied a large portion of the stage, causing the orchestra to be almost divided into three parts.
                That did not go down well with some of the members of the audience!

                HS
                I remember well the lions at the City Hall - always a talking point - and with the Marmite factor. Long gone now but I rather liked them. On the question of Manfred My introduction to it was via the PO Kletzki - good mono sound for its age and the Testament reissue is one I revisit often. Many good interpretations since including Muti and Rostropovich. Ahronovitch on DG probably the most idiosyncratic.

                Comment

                • richardfinegold
                  Full Member
                  • Sep 2012
                  • 7793

                  #23
                  I wrote about Manfred recently after seeing a Concert performance with Muti leading the CSO. His Philharmonia recording is my favorite, followed by Ormandy.

                  Comment

                  • vibratoforever
                    Full Member
                    • Jul 2012
                    • 149

                    #24
                    Originally posted by Cockney Sparrow View Post
                    Interested to see Hornspieler's reference to cuts.

                    Following my interest in Svetlanov (including in Harold Moore's, yesterday when I resisted a Melodiya purchase pending further research) I've come across reference to his cuts in "Manfred"

                    In the customer review (and comments on it)

                    and have taken the plunge on the Testament BPO recording
                    Evgeny Svetlanov conducts Tchaikovsky, Beethoven & Haydn. Testament: SBT21481. Buy 2 CDs online. Berliner Philharmoniker, Evgeny Svetlanov

                    I'll probably also have a listen to some others on Google Play Music All Access and Naxos Music Library.
                    I have a 1971 Meloydia recording by Svetlanov, along with the Berlin recording and a later Warner recording. The 1971 is my favourite and appears complete but the other two have substantial cuts in the finale - around 8 minutes worth!

                    Comment

                    • Barbirollians
                      Full Member
                      • Nov 2010
                      • 11828

                      #25
                      Originally posted by vibratoforever View Post
                      I have a 1971 Meloydia recording by Svetlanov, along with the Berlin recording and a later Warner recording. The 1971 is my favourite and appears complete but the other two have substantial cuts in the finale - around 8 minutes worth!
                      I imagine this work really suits Svetlanov .

                      My favourites are the Chailly from which I got to know the work and the Kletzki shame about the cuts but a terrific performance with the vintage Philharmonia .

                      Comment

                      • Eine Alpensinfonie
                        Host
                        • Nov 2010
                        • 20576

                        #26
                        The 1971 Svetlanov was my first recording. A great performance marred by terrible recorded sound.

                        Comment

                        • Cockney Sparrow
                          Full Member
                          • Jan 2014
                          • 2293

                          #27
                          Originally posted by Eine Alpensinfonie View Post
                          The 1971 Svetlanov was my first recording. A great performance marred by terrible recorded sound.
                          Interesting information. I'm afraid that, generally, I'm less tolerant of badly recorded performances than I used to be. Hope the Testament recording isn't too harsh (which I have on order).

                          The streaming services get adverse comment, with their 320kbs mp3 max quality(except some like Qobuz at a premium rate) but where they carry the recording*, they do enable listening to a recording. If it reveals I could live with the sound, then I could decide to go ahead and buy it.

                          *and Hyperion and Testament don't seem to be present on them (which has been said before). Apart from just a few token recordings (or ones that slipped through the net).

                          Comment

                          • clive heath

                            #28
                            On the topic of 320 kbps mp3 you can experience/enjoy the New Philharmonia Orchestra conducted by Lorin Maazel in the "Manfred" possibly broadcast on March 23rd 1971 from the Royal Festival Hall.

                            Clive Heath transcribes 78 records onto CD and gets rid of the crackle.

                            Comment

                            • richardfinegold
                              Full Member
                              • Sep 2012
                              • 7793

                              #29
                              Originally posted by clive heath View Post
                              On the topic of 320 kbps mp3 you can experience/enjoy the New Philharmonia Orchestra conducted by Lorin Maazel in the "Manfred" possibly broadcast on March 23rd 1971 from the Royal Festival Hall.

                              http://www.cliveheathmusic.co.uk/tapes.php
                              Thanks for that, Clive. Maazel is usually interesting, even when he dramatically missed the mark

                              Comment

                              • Eine Alpensinfonie
                                Host
                                • Nov 2010
                                • 20576

                                #30
                                Originally posted by clive heath View Post
                                On the topic of 320 kbps mp3 you can experience/enjoy the New Philharmonia Orchestra conducted by Lorin Maazel in the "Manfred" possibly broadcast on March 23rd 1971 from the Royal Festival Hall.

                                http://www.cliveheathmusic.co.uk/tapes.php
                                Maazel's VPO studio recording appeared not so long after that.

                                Comment

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