Our Summer BAL 41 : Beethoven Piano Concerto No 5 in E Flat Major

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  • gurnemanz
    Full Member
    • Nov 2010
    • 7405

    #31
    I've just crept into my garage to check LP versions. I found Emil Gilels/Szell/Cleveland which I had quite forgotten about. It was a farewell present from a class of German university students I had been teaching English to in the early 70s, signed by all on the back of the sleeve. As far as I can vaguely remember, it is very good.

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    • ferneyhoughgeliebte
      Gone fishin'
      • Sep 2011
      • 30163

      #32
      Originally posted by LeMartinPecheur View Post
      Nakajima still seems to have a considerable following even though her discography remains very small.


      Apparently she continues to play and teach (in the vicinity of Nuremberg, oddly enough...).
      And shares quite a lot of her discography with the late maestro Tschupp. I'm intrigued by the Franck disc - Fabbri edition were the publishers of the "Great Composers" magazine in the very early '70s: the accompanying 7inch LPs were often taken from the VOX & TURNABOUT back catalogues (the first Brendel Beethoven Sonata and Mozart Piano Concerto cycles, for example) - but there were also a few "specially recorded"s, too - Charles Groves & the RPO in Beethoven's First and Sixth Symphonies (both splendid performances), and Tchaikovsky's Violin Concerto beautifully played by Ralph Holmes. The magazines were remarkably well-written, too - Robert Simpson, no less, writing the content for the (?nine?) Beethoven issues, Martin Cooper (Imogen's father) the Tchaikovskys, Ian Kemp the Berliozes, H C Robbins Landon on Mozart and Haydn, etc etc etc
      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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      • ferneyhoughgeliebte
        Gone fishin'
        • Sep 2011
        • 30163

        #33
        Originally posted by Barbirollians View Post
        Any other fans of Barenboim/Klemperer?


        ... along with Kempf/Leitner; Bishop/Kovacevich/Bishop-Kovacevich/Prince & Davis; Perahia/Haitink; Fleischer/Szell and Brendel/Haitink.
        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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        • cloughie
          Full Member
          • Dec 2011
          • 22180

          #34
          Originally posted by ferneyhoughgeliebte View Post
          And shares quite a lot of her discography with the late maestro Tschupp. I'm intrigued by the Franck disc - Fabbri edition were the publishers of the "Great Composers" magazine in the very early '70s: the accompanying 7inch LPs were often taken from the VOX & TURNABOUT back catalogues (the first Brendel Beethoven Sonata and Mozart Piano Concerto cycles, for example) - but there were also a few "specially recorded"s, too - Charles Groves & the RPO in Beethoven's First and Sixth Symphonies (both splendid performances), and Tchaikovsky's Violin Concerto beautifully played by Ralph Holmes. The magazines were remarkably well-written, too - Robert Simpson, no less, writing the content for the (?nine?) Beethoven issues, Martin Cooper (Imogen's father) the Tchaikovskys, Ian Kemp the Berliozes, H C Robbins Landon on Mozart and Haydn, etc etc etc
          Ferney, somewhere on my shelves I have the Nakajima/Schupp Emperor on CD. I'll seek it out. Another favourite of mine is Katchen/Gamba. I agree with previous favourable comments on Katz and Firkusny - the latter is now available in the Steinberg ICON box.

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          • Eine Alpensinfonie
            Host
            • Nov 2010
            • 20572

            #35
            Originally posted by ferneyhoughgeliebte View Post
            And shares quite a lot of her discography with the late maestro Tschupp. I'm intrigued by the Franck disc - Fabbri edition were the publishers of the "Great Composers" magazine in the very early '70s: the accompanying 7inch LPs were often taken from the VOX & TURNABOUT back catalogue...
            I believe the LPs were a little larger than this: 10" as I recall.

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            • ferneyhoughgeliebte
              Gone fishin'
              • Sep 2011
              • 30163

              #36
              Originally posted by Eine Alpensinfonie View Post
              I believe the LPs were a little larger than this: 10" as I recall.
              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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              • verismissimo
                Full Member
                • Nov 2010
                • 2957

                #37
                Originally posted by ferneyhoughgeliebte View Post
                Is that an early post or a late one, ferney?

                I've still got a handful of those fabbri issues, my favourite being a recording of the Franck sonata by Franco Gulli and Enrica Cavallo.
                Last edited by verismissimo; 16-07-15, 08:19.

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                • Bryn
                  Banned
                  • Mar 2007
                  • 24688

                  #38
                  Originally posted by ferneyhoughgeliebte View Post
                  And shares quite a lot of her discography with the late maestro Tschupp. I'm intrigued by the Franck disc - Fabbri edition were the publishers of the "Great Composers" magazine in the very early '70s: the accompanying 7inch LPs were often taken from the VOX & TURNABOUT back catalogues (the first Brendel Beethoven Sonata and Mozart Piano Concerto cycles, for example) - but there were also a few "specially recorded"s, too - Charles Groves & the RPO in Beethoven's First and Sixth Symphonies (both splendid performances), and Tchaikovsky's Violin Concerto beautifully played by Ralph Holmes. The magazines were remarkably well-written, too - Robert Simpson, no less, writing the content for the (?nine?) Beethoven issues, Martin Cooper (Imogen's father) the Tchaikovskys, Ian Kemp the Berliozes, H C Robbins Landon on Mozart and Haydn, etc etc etc
                  Hanae Nakajima's Ravel survey on Colosseum was rather good too, as I recall, Miroirs especially so.

                  Comment

                  • antongould
                    Full Member
                    • Nov 2010
                    • 8831

                    #39
                    Originally posted by Barbirollians View Post
                    Any other fans of Barenboim/Klemperer?
                    Yes me Barbs .......

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                    • BBMmk2
                      Late Member
                      • Nov 2010
                      • 20908

                      #40
                      I like Barenboim/Klemperer too. also Uchida's PC 5 is strongly recommended!
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

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                      • Barbirollians
                        Full Member
                        • Nov 2010
                        • 11751

                        #41
                        Gilels/Szell is very good but I do prefer his earlier recording with Ludwig- the Gilels/Szell recording of the C Minor Concerto is fantastic IMO up in the stratosphere with Annie Fischer and Perahia .

                        Returning to the Fifth Concerto I was not overly impressed with the Andsnes this morning on CD Review- lovely playing but tepid stuff - sounded like a good beethoven conductor was seriously called for .

                        Returning to Barenboim/Klemperer this evening - it always comes up as fresh as paint and what dramatic tension throughout .

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                        • A Robyn
                          Full Member
                          • Jul 2015
                          • 15

                          #42
                          Originally posted by ferneyhoughgeliebte View Post
                          Hanae Nakajima with the Nuremberg SO conducted by Rato Tschupp, anyone?

                          A genuine BaL recommendation - from Joseph Cooper (who was never invited back, I believe) - available from Woolworths and Tesco for 50p in the early - mid '70s. I bought it and learnt the work from it, and for five or six years it was the only version I owned. Subsequent recordings and concert performances suggest that it wasn't at all a bad recording, and I only stopped playing the LP when my audio equipment became a little too expensive to risk what had become a very scratched LP surface. Haven't heard it in about thirty years, now - I would be really interested to be able to do so.
                          Look what YouTube has "auto-generated" for you: https://www.youtube.com/watch?v=ny2D...LNq3HmXjHfCMW6
                          (I think it's just a - not unprecedented - budget label carelessness that's misattributed the conducting credit. Here, for example, is a release of the same performance that manages to get both the conductor and the orchestra wrong: https://www.youtube.com/watch?v=0JfcDZwlgyY)

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                          • ferneyhoughgeliebte
                            Gone fishin'
                            • Sep 2011
                            • 30163

                            #43
                            Originally posted by A Robyn View Post
                            Look what YouTube has "auto-generated" for you: https://www.youtube.com/watch?v=ny2D...LNq3HmXjHfCMW6
                            Gosh! Many thanks - and welcome to the Forum, A Robyn.

                            It's a smashing performance, isn't it - the pianist is wonderful (no wonder Joseph Cooper took to her); less so the orchestra - a couple of extra tuning sessions (for the woodwinds - especially the bassoons - in particular) wouldn't have been wasted before the First Movement. But excellent tempi and balance ensured by the conductor - this would have been terrific to hear in a concert (without the rather restricted recorded sound), and I feel very fortunate to have learnt the work from this work - and very grateful to have heard it again.
                            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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                            • makropulos
                              Full Member
                              • Nov 2010
                              • 1676

                              #44
                              A few worthwhile versions that may not have been mentioned already:

                              Youri Egorov/Sawallisch, Philharmonia (on EMI)
                              This is a particularly eloquent performance, I think, by a very under-rated pianist who died far too young. Sawallisch on very fine form too.
                              And two more:
                              Kovacevich (solo and cond), Australian CO (on CFP)
                              Pizarro/Mackerras, SCO (Linn)

                              Among those that certainly have been mentioned, I too have (and very much like) Fischer/Furtwängler (EMI), Fleisher/Szell (Sony), Bronfman/Zinman (Arte Nova/RCA), Immerseel/Weil (Sony) and Levin/Gardiner (DG), as well as the brilliant if somewhat capricious Schoonederwoerd (Alpha)

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                              • StephenO

                                #45
                                Originally posted by Barbirollians View Post
                                Any other fans of Barenboim/Klemperer?
                                It was the first classical CD I ever bought. Although I also have Perahia/Haitink and Kempff/Leitner on CD, Barenboim/Klemperer is the recording of the Emperor I return most often. Nostalgic reasons, perhaps, or maybe just because it's such a wonderful performance.

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