Our Summer BAL 37: Strauss Four Last Songs

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  • Stanfordian
    Full Member
    • Dec 2010
    • 9322

    #61
    I have collected a number of recordings of this excellent work.

    The accounts that I play the most often are:
    Anja Harteros and Mariss Jansons
    Michaela Kaune and Eiji Oue

    I also admire:
    Jessye Norman and Kurt Masur
    Elisabeth Schwarzkopf and George Szell
    Renée Fleming and Christian Thielemann
    Lucia Popp and Klaus Tennstedt
    Kirsten Flagstad and Wilhelm Furtwangler
    Karita Mattila and Cladio Abbado

    Disappointed with:
    Soile Isokoski and Marek Janowsk
    Anna Netrebko and Daniel Barenboim
    Last edited by Stanfordian; 01-10-15, 08:27.

    Comment

    • gurnemanz
      Full Member
      • Nov 2010
      • 7405

      #62
      Originally posted by Stanfordian View Post
      I have collected a number of recordings of this excellent work.

      The accounts that I play the most often are:
      Anja Harteros and Mariss Jansons
      Michaela Kaune and Eiji Oue



      I also admire:
      Jessye Norman and Kurt Masur
      Elisabeth Schwarzkopf and George Szell
      Renée Fleming and Christian Thielemann
      Lucia Popp and Klaus Tennstedt
      Kirsten Flagstad and Wilhelm Furtwangler

      Disappointed with:
      Soile Isokoski and Marek Janowsk
      Anna Netrebko and Daniel Barenboim
      Just booked for Fleming at Oxford next year. Not many tickets left.

      I also got the excellent Elisabeth Meyer-Topsøe when it was recommended by Cali above (and much admired by Alan Blyth in Gramophone)

      Comment

      • ferneyhoughgeliebte
        Gone fishin'
        • Sep 2011
        • 30163

        #63
        The 4 Last Songs recording isn't available on youTube, but Forumistas wishing to sample Elisabeth Meyer-Topsøe's artistry in Strauss have these tantalizing examples:

        Richard StraussZueignung, op. 10 no. 1Morgen op. 27 no. 4Elisabeth Meyer-TopsoeCopenhagen PhilharmonicHans Bihlmaier


        ... which lead me to wonder what an injustice it is that this artistry isn't more widely recognized (I'd never heard of her before Cali's post) and better represented on record.
        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

        Comment

        • Stanfordian
          Full Member
          • Dec 2010
          • 9322

          #64
          Originally posted by gurnemanz View Post
          Just booked for Fleming at Oxford next year. Not many tickets left.

          I also got the excellent Elisabeth Meyer-Topsøe when it was recommended by Cali above (and much admired by Alan Blyth in Gramophone)
          Hiya gurnemanz,

          Thanks for the tip. I don't know the Elisabeth Meyer-Topsøe. I would have wondered how this orchestra coped with Strauss's music.

          Comment

          • Lordgeous
            Full Member
            • Dec 2012
            • 831

            #65
            I hope the winner of Cardiff Singer of the World (name escapes me) might record it one day. Acknowleging that one might want a more 'mature' singer with more 'life experience', her glorious voice and soaring high notes would surely suit this wonderful music?
            Last edited by Lordgeous; 01-10-15, 15:40.

            Comment

            • Padraig
              Full Member
              • Feb 2013
              • 4250

              #66
              Lovely songs - I've loved them forever. I have to say they improve with age - my age.

              Comment

              • Barbirollians
                Full Member
                • Nov 2010
                • 11751

                #67
                I was just looking at Janowitz's wikipedia page - having gone there after rushing to listen to her Porgi Amor after hearing the very odd performance in the Currentzis version . It suggests that in an article for Vanity Fair which is no longer available it seems online that no less than David Bowie described her Four Last Songs as one of his 25 records of all time !

                It has been republished by VF

                Bowie reveals, in no particular order, the music that changed his life, and why it will surely change yours.

                Comment

                • Barbirollians
                  Full Member
                  • Nov 2010
                  • 11751

                  #68
                  I have managed to get a copy of the Steber/Levine version on VAI . Coupled with some rather dimly recorded extracts from Die Frau ohne Schatten . It is very good quite dramatic( rather than ethereal as in Janowitz) but very well sung and accompanied .

                  Comment

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