Originally posted by waldo
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BaL 8.03.14 - Bernstein: West Side Story
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I am intrigued by this BaL. When there is the original performance (in this case two: the stage and the film versions), how do you compare ‘by-products’ (if the original performance had not been so successful, would there have been any other recordings, though jazz versions may be a different matter?) with the original and what are the criteria for recommendation? Are we looking for an alternative or an addition to the original? I wasn’t going to listen to it but I may change my mind.
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Originally posted by doversoul View PostI am intrigued by this BaL. When there is the original performance (in this case two: the stage and the film versions), how do you compare ‘by-products’ (if the original performance had not been so successful, would there have been any other recordings, though jazz versions may be a different matter?) with the original and what are the criteria for recommendation? Are we looking for an alternative or an addition to the original? I wasn’t going to listen to it but I may change my mind.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Eine Alpensinfonie View PostAnd I've been waiting for someone to complain about the omission of Natalie Wood on the film soundtrack recording. But obviously I under-estimated the knowledge of forumites.
Strongly recommended, if you come across a copy for sensible money.
[Aha! Still available, but on amazon.co.uk you need to search for "American Classics: Charles Ives", as searching for "Charles Ives Marni Nixon" is, to say the least, unhelpful.]
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Originally posted by waldo View PostI read somewhere that Bernstein didn't orchestrate WSS. That (I believe) was done by Sid Ramin and Irvine Kostal - professional stage and screen orchestrators. Does anyone know anything about this?
Oh, and that the original working title was "East Side Story".
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Originally posted by ferneyhoughgeliebte View PostI presume the rationale is that because the original staging (or, at least, the recording of it) did not include all the Music that Bernstein wrote for the work, and because the composer made a recording of it in digital sound, there is room for discussion of the merits of the (small number of) alternative recordings.
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Originally posted by Bryn View PostI have long been an admirer of Marni Nixon's singing. Fortunately I was able to 'upgrade' from my old, severely dished, LP of her recordings, with John McCabe, to their CD manifestation while it was briefly in the EMI catalogue:
Strongly recommended, if you come across a copy for sensible money.
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Originally posted by Bryn View PostOnly that it's true.
Oh, and that the original working title was "East Side Story".[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostYes - Sondheim regularly points this out when people "accuse" him of employing orchestrators for his Theatre works. They all did this, I believe - and the orchestrations had to be flexible enough to work in different sized theatres.
And they do encourage flexible orchestrations.
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What about Porgy and Bess? Did Gershwin orchestrate that? I don't know all that much about it, but I have read competing accounts about this. I could be wrong, but I think it came up in Nicholas Kenyon's astoundingly sycophantic, adulatory biography of Simon Rattle. Rattle was adamant that Gershwin did all the orchestration, but others weren't so sure.......
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Originally posted by Brassbandmaestro View PostI am pretty sure that Ferde Groffe did some orchestrations?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostGrofe arranged Rhapsody in Blue (IIRC for both the Jazzband version and symphony orchestra) - but I believe that Rattle is correct: by the time of P&B, Gershwin was orchestrating as he wrote.Originally posted by Brassbandmaestro View PostI am pretty sure that Ferde Groffe did some orchestrations?
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