I expect many boarders have Mravinsky's electrifying 1982 live account with the Leningrad PO. My 80s Philips CD is a semitone sharp, something which later pressings corrected I believe.
BaL 9.11.13 Shostakovitch Symphony no. 8
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Originally posted by Sir Velo View PostI expect many boarders have Mravinsky's electrifying 1982 live account with the Leningrad PO. My 80s Philips CD is a semitone sharp, something which later pressings corrected I believe.
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Originally posted by Sir Velo View PostI expect many boarders have Mravinsky's electrifying 1982 live account with the Leningrad PO. My 80s Philips CD is a semitone sharp, something which later pressings corrected I believe.
It was my first Shostakovich symphony, completely electrifying - and converted me then to the notion that recordings of live performance could have a vibrancy often missing from ones made in the studio.
And I wonder if it's a semitone sharp?
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Apart from the already well-aired 'Superdrug' Barshai and the Haitink, Kondrashin and Previn, my shelves yield a version not on EA's list: the 'Grand SO of State Radio and Television' under Alexander Gauk (rec. 7/11/59) on the Russia Revelation label, issued 1996. Can't say I've been particularly thrilled by it so far - any contrary views?I keep hitting the Escape key, but I'm still here!
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Originally posted by LeMartinPecheur View PostApart from the already well-aired 'Superdrug' Barshai and the Haitink, Kondrashin and Previn, my shelves yield a version not on EA's list: the 'Grand SO of State Radio and Television' under Alexander Gauk (rec. 7/11/59) on the Russia Revelation label, issued 1996. Can't say I've been particularly thrilled by it so far - any contrary views?
I also have a 1947 recording from Mravinsky and the Leningrad PO in addition to the rightly praised 1982 account and also the live 1960 RFH performance on BBC Legends (sadly ruined by a bronchial audience - such a shame)."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by LeMartinPecheur View PostApart from the already well-aired 'Superdrug' Barshai and the Haitink, Kondrashin and Previn, my shelves yield a version not on EA's list: the 'Grand SO of State Radio and Television' under Alexander Gauk (rec. 7/11/59) on the Russia Revelation label, issued 1996. Can't say I've been particularly thrilled by it so far - any contrary views?
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Originally posted by pastoralguy View PostWell, there was an 'incident' with the Britten violin concerto and one Ida Haendel...
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I have versions by Previn, Haitink, Rozhdestvensky, Mavrinsky, Barshai, and both Rostropovich recordings. Of these my favourite is the Haitink, which also gets a stunning recording. I did buy the Naxos Pretrenko with the RLPO, but was disappointed by it, and I found the Jansons complete symphonies oddly unsatisfying.
I've heard some marvellous live performances of Shostakovich by Jansons, but the set never really takes fire for me. Again, the Petrenko performance, spectacular in its heavily mixed down way doesn't penetrate the music as deeply as Haitink.
I did do some direct comparisons between Haitink and Petrenko, using the last twenty minutes of the symphony. Haitink finds depth and subtlety in the quieter passages, particularly in the lower string details where Petrenko generalises. Perhaps the recording engineers are partly to blame.
After all my pontificating, what's the odds that Stephen Johnson picks Petrenko ? It will be fun to find out. Incidentally his recent Barbican performance of the 15th Symphony with the RLPO was quite wonderful, so this isn't prejudice on my part.
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Originally posted by Ferretfancy View PostI have versions by Previn, Haitink, Rozhdestvensky, Mavrinsky, Barshai, and both Rostropovich recordings. Of these my favourite is the Haitink, which also gets a stunning recording. I did buy the Naxos Pretrenko with the RLPO, but was disappointed by it, and I found the Jansons complete symphonies oddly unsatisfying.
I've heard some marvellous live performances of Shostakovich by Jansons, but the set never really takes fire for me. Again, the Petrenko performance, spectacular in its heavily mixed down way doesn't penetrate the music as deeply as Haitink.
I did do some direct comparisons between Haitink and Petrenko, using the last twenty minutes of the symphony. Haitink finds depth and subtlety in the quieter passages, particularly in the lower string details where Petrenko generalises. Perhaps the recording engineers are partly to blame.
After all my pontificating, what's the odds that Stephen Johnson picks Petrenko ? It will be fun to find out. Incidentally his recent Barbican performance of the 15th Symphony with the RLPO was quite wonderful, so this isn't prejudice on my part.I keep hitting the Escape key, but I'm still here!
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Originally posted by LeMartinPecheur View PostI started a thread a while back on the Petrenko Shoster 8 http://www.for3.org/forums/showthrea...o+shostakovich There would appear to be a fair few boarders who will take a rapid unauthorised exeat should Stephen J pick this one...
Bws Ferret
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