I've added piano versions to the list. Thanks, Bryn, for the suggestion.
BaL 14.09.13 Bartok's Dance Suite
Collapse
X
-
Originally posted by teamsaint View PostI wonder if this is a work that perhaps functions better live, than on record?"The sound is the handwriting of the conductor" - Bernard Haitink
Comment
-
-
Black Swan
Originally posted by verismissimo View PostSounds as though it's to be Kocsis...
Comment
-
Black Swan
Originally posted by Barbirollians View PostThe Dorati sounded best to me .I am not impressed by the idea of having to buy the whole of Mercury's Vol 2 . Perhaps there are some older single disc copies out there .
The sound is excellent why does Cowan feel the need to recommend instead a digital version ?- that is a 1990s attitude !
Comment
-
I have to leap to Rob's defence... if he needs it. He has an ear like a hawk, a thorough knoweledge of recording styles and techniques, and above all he talks clearly and with no psychobabble. OK he doesn't have the Patrician voice of the classic BAL presenters of yesteryear, but I hope that doesn't affect anyone's opinion of a thoroughly knowledgeable presenter.
I'm in no position to comment on whether the SACD digital recording of the winner was necessary...but I liked the version based (admittedly) on what Rob chose to play. I have no Solti axe to grind, but I have to agree that the 2nd dance extract he played (with trombones taking their glissando to burlesque excess) went way OTT and made a mockery of the piece.
Interesting that Boulez's first NY recording was so scrappy, and he renowned for his clarity and accuracy.
Comment
-
-
Black Swan
I don't feel that Cowan needs any defense. My comment was purely I disagree with him on this one. My opinion is like everyone else my opinion. Which is not as high as yours. But again, purely my opinion.
Comment
Comment