BaL 15.06.13 - Verdi's Rigoletto

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20578

    BaL 15.06.13 - Verdi's Rigoletto

    9.30am Building a Library
    Richard Osborne with a personal recommendation from recordings of Verdi's opera Rigoletto.

    Available recordings:-

    NKH SO, Arturo Basile (DVD)
    Royal Opera Chorus and Orchestra, Stockholm, Kurt Bendix
    LSO, Richard Bonynge
    Orchestra del Teatro Regio di Parma, Angelo Campori (DVD)
    RCA Italiana, Robert Shaw Chorale, Renato Cellini
    Coro del Teatro Comunale di Bologna, Riccardo Chailly
    Wiener Staatsoper, Riccardo Chailly (DVD)
    Metropolitan Opera, Fausto Cleva
    Gran Teatre del Liceu, Jesus-Lopez Cobos (DVD)
    Royal Opera, Edward Downes (DVD)
    Operakören, Orchestra of the Royal Opera, Stockholm, Sixten Ehrling
    ENO, Mark Elder
    Metropolitan Opera, Alberto Erede
    Santa Cecilia Academy Rome, Alberto Erede (download)
    Orchestre Symphonique et Choeurs ‘Jesus Etcheverry’, Jesus Etcheverry
    Orchester und Chor der Deutsche Oper Berlin, Ferenc Fricsay
    RIAS-Symphonie-Orchester Berlin, Ferenc Fricsay
    Hungarian State Opera, Lamberto Gardelli
    Maggio Musicale Fiorentino, Gianandrea Gavazzeni
    Teatro Comunale of Florence, Carlo Maria Giulini
    Wiener Staatsoper, Carlo Maria Giulini
    Staatskapelle Berlin, Robert Heger
    New Orleans Opera, Alter Herbert
    Teatro alla Scala,, Rafael Kubelik
    Metropolitan Opera, James Levine (DVD)
    Metropolitan Opera, James Levine (CD)
    Sachsische Staatskapelle Dresden, Fabio Luisi (DVD)
    Metropolitan Opera, Michele Mariotti (DVD/Blu-ray)
    Orchestra and Chorus of the Palacio de Bellas Artes, Umberto Mugnai
    Teatro alla Scala, Riccardo Muti
    Metropolitan Opera, Panizza (download)
    Staatskapelle Dresden, Francesco Molinari-Pradelli
    Teatro San Carlo Naples, Francesco Molinari-Pradelli
    Teatro Comunale Giuseppe Verdi di Trieste, Francesco Molinari-Pradelli
    Metropolitan Opera , Francesco Molinari-Pradelli
    Teatro dell’ Opera di Roma, Francesco Molinari Pradelli
    Rome Opera Orchestra and Chorus, Jonel Perlea
    Buenos Aires, Argeo Quadri
    Orchestra Sinfonica di Torino della RAI. Angelo Questa
    Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Alexander Rahberi
    Opera Australia, Giovanni Reggioli (DVD/Blu-ray/CD)
    Welsh National Opera, Carlo Rizza
    New York City Opera, Julius Rudel
    Opernhaus Zurich, Nello Santi (DVD/Blu-ray)
    Orchestra della RAI Milano, Nini Sanzogno
    Santa Cecilia Academy Orchestra, Nini Sanzogno
    Teatro alla Scala, Tullio Serafin (3 versions)
    Santa Cecilia Academy Orchestra, Giuseppe Sinopoli (download)
    Metropolitan Opera, Cesare Sodero (download)
    Orchestra e Coro dell'Opera di Roma, Georg Solti
    Arena di Verona, Marcello Viotti (DVD)
    Teatro Regio di Parma, Massimo Zanetti (DVD/Blu-ray)
    Last edited by Eine Alpensinfonie; 27-02-15, 22:53.
  • slarty

    #2
    I'll be curious to hear how much of a mention the Maggio Musicale/Gavazzeni recording gets. It is the best of them all and very few people know about it.
    It was originally recorded by RICORDI (bought out by BMG) and it did not have much of a release in Britain but with Alfredo Kraus, Renata Scotto and Ettore Bastianini as the best
    Rigoletto I have ever heard it could hardly go wrong, but it seems to have been forgotten. Bastianini was even better than Gobbi(and that is saying something) and Alfredo Kraus was the prince of tenors and the greatest Duke of Mantua I ever saw or heard. Superbly conducted by Gianandrea Gavazzeni.
    Tremendous!

    slarty

    Comment

    • umslopogaas
      Full Member
      • Nov 2010
      • 1977

      #3
      Well ... I'll look out for the version conducted by Gavazzeni, but I dont have it, have never heard of it and the Rough Guide to Opera doesnt mention it. Neither does the Penguin Guide 2010. I'll take your word that Bastianini was better than Gobbi, and that IS saying something, and by the way, with Gobbi you get Callas: who is Gilda on the Gavazzeni recording?

      Is this Gavazzeni recording currently commercially available? R3 wont consider it if one cant buy it, however good it is, though they have been known to mention versions that arent available just now, but are promised by the companies to come back on the market again soon.

      Comment

      • Il Grande Inquisitor
        Full Member
        • Mar 2007
        • 961

        #4
        Originally posted by slarty View Post
        I'll be curious to hear how much of a mention the Maggio Musicale/Gavazzeni recording gets. It is the best of them all and very few people know about it.
        It was originally recorded by RICORDI (bought out by BMG) and it did not have much of a release in Britain but with Alfredo Kraus, Renata Scotto and Ettore Bastianini as the best
        Rigoletto I have ever heard it could hardly go wrong, but it seems to have been forgotten. Bastianini was even better than Gobbi(and that is saying something) and Alfredo Kraus was the prince of tenors and the greatest Duke of Mantua I ever saw or heard. Superbly conducted by Gianandrea Gavazzeni.
        Tremendous!

        slarty
        I agree with you 100%, slarty. Ettore Bastianini and Renata Scotto are superb - especially in the tremendous 'Si, vendetta' duet to end Act II. Bastianini had a far more beautiful baritone than Gobbi, although the latter was a superb actor. Alfredo Kraus is in remarkably fresh voice, although I confess to preferring Carlo Bergonzi on the DG recording with the same cast, with the unfortunate substitution of Dietrich Fischer-Dieskau (never an ideal Verdian) for Bastianini (the Italian baritone in the advance stages of cancer which was to cruelly cut short his career in its prime). The only drawback to the recording is its sound - terribly boxy, especially in its BMG transfer.

        Originally posted by umslopogaas View Post
        Is this Gavazzeni recording currently commercially available? R3 wont consider it if one cant buy it, however good it is, though they have been known to mention versions that arent available just now, but are promised by the companies to come back on the market again soon.
        Yes, it's currently available on Urania:



        and I find the sound marginally better than the BMG issue. Very wide stereo - in the quartet, you really do get the Duke and Maddalena from one speaker, Rigoletto and Gilda from the other. Mercury recorded this, licensed under Ricordi, so I can't believe that a better transfer isn't available. Philip Hope-Wallace reviewed it very critically in Gramophone with the result that it was never reissued in the UK until its first CD appearance in 2001.
        Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

        Comment

        • Il Grande Inquisitor
          Full Member
          • Mar 2007
          • 961

          #5
          Originally posted by Eine Alpensinfonie View Post
          Teatro Regio di Parma, Massimo Zanetti (DVD/Blu-ray)
          This is part of the Tutto Verdi series on Unitel/ C Major and a performance I praised highly in a recent IRR survey. It features Leo Nucci and Nino Machaidze as Rigoletto and Gilda.
          Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

          Comment

          • mikealdren
            Full Member
            • Nov 2010
            • 1222

            #6
            It's only the last act but Toscanini's live performance is simply one of the best recordings I have of anything and was the performance that persuaded me, many years ago, that I really do love opera.
            Mike

            Comment

            • Eine Alpensinfonie
              Host
              • Nov 2010
              • 20578

              #7
              I'm really quite surprised that one of Verdi's best known operas has attracted so little discussion. Compare this with Brahms's 2nd symphony, which has had more responses than any other BaL since the forum started.

              Comment

              • ferneyhoughgeliebte
                Gone fishin'
                • Sep 2011
                • 30163

                #8
                Originally posted by Eine Alpensinfonie View Post
                I'm really quite surprised that one of Verdi's best known operas has attracted so little discussion. Compare this with Brahms's 2nd symphony, which has had more responses than any other BaL since the forum started.
                I regret that I find it very difficult to get very excited about the work - no, seriously, I do regret this: others whose opinion I greatly value speak of it in awed terms that I just can't get. I don't dislike it (for all its melodramatic bits) and the Quartet is a pulse-quickener; but it's not a work that it would break my heart if I missed a performance due to having a prior engagement.

                My hope is that the glorious RO will reveal wonderfulnesses in the score that have hitherto completely escaped me. Even so, I'd rather he was discussing Otello, Falstaff - or a Bruckner Symphony.
                [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                Comment

                • Barbirollians
                  Full Member
                  • Nov 2010
                  • 11882

                  #9
                  Callas and Gobbi for me - have never felt the need for any other recording.

                  Comment

                  • DracoM
                    Host
                    • Mar 2007
                    • 13005

                    #10
                    Sutherland/Pavarotti / Milnes for me.

                    Comment

                    • verismissimo
                      Full Member
                      • Nov 2010
                      • 2957

                      #11
                      Originally posted by ferneyhoughgeliebte View Post
                      I regret that I find it very difficult to get very excited about the work - no, seriously, I do regret this: others whose opinion I greatly value speak of it in awed terms that I just can't get. I don't dislike it (for all its melodramatic bits) and the Quartet is a pulse-quickener; but it's not a work that it would break my heart if I missed a performance due to having a prior engagement.

                      My hope is that the glorious RO will reveal wonderfulnesses in the score that have hitherto completely escaped me. Even so, I'd rather he was discussing Otello, Falstaff - or a Bruckner Symphony.
                      All of the above.

                      I usually enjoy Verdi's operas when I'm there, and know a handful of them intimately, but I find that I don't ever put them on between times.

                      Recently I've been steeped (again) in the Ring.

                      Comment

                      • Barbirollians
                        Full Member
                        • Nov 2010
                        • 11882

                        #12
                        Originally posted by ferneyhoughgeliebte View Post

                        My hope is that the glorious RO will reveal wonderfulnesses in the score that have hitherto completely escaped me. Even so, I'd rather he was discussing Otello, Falstaff - or a Bruckner Symphony.
                        Or the Brahms 2 !

                        Comment

                        • ferneyhoughgeliebte
                          Gone fishin'
                          • Sep 2011
                          • 30163

                          #13
                          Originally posted by Barbirollians View Post
                          Or the Brahms 2 !


                          EDIT: I have a feeling that RO was in the driving seat last time the Brahms #2 was featured - he (or whomever) thought the Abbado was the best of modern recordings (prompting me to buy it) in the great tradition of Furtwangler. Some glorious great - nay; "stellar" - recordings covered.
                          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                          Comment

                          • HighlandDougie
                            Full Member
                            • Nov 2010
                            • 3131

                            #14
                            Originally posted by ferneyhoughgeliebte View Post

                            I have a feeling that RO was in the driving seat last time the Brahms #2 was featured - he (or whomever) thought the Abbado was the best of modern recordings (prompting me to buy it) in the great tradition of Furtwangler. Some glorious great - nay; "stellar" - recordings covered.
                            I think it was the Abbado/BPO Brahms 3rd (as I then bought it); as referred to somewhere in the Brahms 2nd post, I seem to remember that it was the Concertgebouw/Chailly which was chosen in that work (as I also bought that at the time). But my ever-worsening memory may be at fault .......

                            Back to Rigoletto: BaL at its best. RO deconstructing the opera and its recordings in a masterly fashion.

                            Comment

                            • BBMmk2
                              Late Member
                              • Nov 2010
                              • 20908

                              #15
                              Who won today? I switched to watch Trooping the Colour(see my thread).
                              Don’t cry for me
                              I go where music was born

                              J S Bach 1685-1750

                              Comment

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