Boult was briefly mentioned , complimented and otherwise ignored . Does anyone edit these BALs ?
BaL 1.06.13 - Brahms Symphony no 2 in D
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Originally posted by Barbirollians View PostBoult was briefly mentioned , complimented and otherwise ignored . Does anyone edit these BALs ?It loved to happen. -- Marcus Aurelius
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Originally posted by Thropplenoggin View PostHow much time would you like the reviewer to devote to every extant recording of the work under review exactly?
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Originally posted by Barbirollians View PostBoult was briefly mentioned , complimented and otherwise ignored . Does anyone edit these BALs ?
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Originally posted by Pabmusic View PostYes. What I found frustrating was that, having complimented Boult highly against Karajan over the third movement, SJ didn't give any indication as to whether the other movements matched up. Do we infer that they didn't - if so, why single out the third?
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Originally posted by Barbirollians View PostExactly -especially when this is a recording that has been widely praised since it was first released including on its recent re-release in IRR .
It's one man's opinion about Brahms 2. Get over it.It loved to happen. -- Marcus Aurelius
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Originally posted by Thropplenoggin View PostI'm reminded of Shankly's quote about football: 'Some people believe football is a matter of life and death, I am very disappointed with that attitude. I can assure you it is much, much more important than that.'
It's one man's opinion about Brahms 2. Get over it.. It may be one man's opinion but its purpose is to Build A Library for a novitiate . If the reviewer proposes to put off such buyers from one recording in favour of his own - and has just praised one movement but ignored the other three how does it assist a buyer ? By blindly following the reviewer ?
Hence , I find it perfectly appropriate to criticise SJ's BAL and its editing .
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I wonder if my favourite VPO/Bohm on DG got mentioned.
I have just ordered the earlier Abbado multi-orchestra cycle on DG Japanese CDs from Tower - if only to hear the Third played 'Mantovani-style' by the Staatskapelle Dresden as per Caliban's father...
The set did get quite good reviews from my Gramophone searches.
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Originally posted by Thropplenoggin View Post
It's one man's opinion about Brahms 2. Get over it.
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Originally posted by soileduk View PostSurely this is a valid point. If the purpose of a BAL result is to provide a recommendation for someone new to the work then shouldn't it be a point to expand out from and not,necessarily,focus into . For those of us with far too many versions already then,surely,it would be a point from which to re evaluate our collection. SJ,or any other reviewer for that matter, can only provide that catalyst as they see it. It is then up to the individual to decide how to use it.
I do think that, where it is a close final choice, there is a good argument for a, say, top three or something like that - and that those chosen should all appear in the recommended list, thereafter. They already do it where the recommended version is ancient art and where a modern recording is recommended.
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Originally posted by LaurieWatt View PostAnd I think that the other point which tends to be forgotten amongst the deluge of our favourites is that the last few recordings in the running, as with SJ, are always acknowledged, actually or implicitly, by the reviewer to be outstanding performances, but for BAL, under current practice, he does have to have a single choice.
I do think that, where it is a close final choice, there is a good argument for a, say, top three or something like that - and that those chosen should all appear in the recommended list, thereafter. They already do it where the recommended version is ancient art and where a modern recording is recommended.
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Originally posted by Thropplenoggin View PostI'm reminded of Shankly's quote about football: 'Some people believe football is a matter of life and death, I am very disappointed with that attitude. I can assure you it is much, much more important than that.'
It's one man's opinion about Brahms 2. Get over it.
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Originally posted by makropulos View PostI'd agree with all of that. In fairness to SJ, I distinctly remember a moment near the end when he summed up his top three as Jochum (mono), Haitink (COA) and Jurowski, but - as you say - they don't all usually appear in the recommended list. Still, with a work like Brahms 2, it's never going to be easy. At least half a dozen of my favourite performances weren't mentioned at all, but I thought SJ took an intelligent and fair-minded approach to the thing.) about the missing performances from a BAL . In some cases it may indeed be only personal preference - in others missing out an acknowledged classic would be absurd - consider a BAL of Beethoven 5 that ignored the VPO/Kleiber or a Puccini Tosca that ignored Callas/De Sabata for example . I do feel that Walter in particular called for an explanation of his exclusion in this case .
The point is that when a recording appears as did the Boult - was praised roundly for the movement that was played - only then for no reason to be given as to its discard then surely it is incumbent on the reviewer to give an explanation . A listener might well think - I loved that Boult excerpt - why has he dropped out of the running ? A terrible edit , an absurd tempo in the finale , scrappy wind playing ???
Klemperer also made its way into his list by the way .
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Originally posted by Alison View PostNothing like that admittedly jarring moment in 1(iv)."Not too heavy on the banjos." E. Morecambe
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