Originally posted by ferneyhoughgeliebte
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BaL 13.04.13 - Liszt's Piano Concerto no. 2
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"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by ferneyhoughgeliebte View PostWell, yes ... but let's not leap to the conclusion that somebody doesn't like a composer because of "snobbery". Sometimes people just honestly don't like the stuff s/he writes!
Oh - here I go again!
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Originally posted by visualnickmos View Postenjoying something for the pure sense of enjoyment itself, and without any need of justification
You wanna see me with Rachmaninov's Third PC...
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by visualnickmos View PostThat's not quite how I intended to come across - I certainly hope to goodness that I haven't offended anyone on here.
I was just trying to make the point that perhaps there is in music, indeed, as in many aspects of the arts - a sort of fear (maybe not the exact word) of admitting to enjoying something for the pure sense of enjoyment itself, and without any need of justification.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Richard Tarleton
I find Liszt a fascinating figure - a remarkable life. He has been ill-served by his biographers - a hatchet job by Ernest Newman ("The Man Liszt", New York, 1935) - a book written, in the words of his more recent biopgrapher Eleanor Perényi, "out of uncontrollable hatred for its subject" - odd, considering everything he did for Newman's beloved Wagner, and a friendly but wildly inaccurate biog by Sacheverell Sitwell ("Liszt", London 1934) in which "it is truly astonishing to find so many mistakes in a book long looked on as the standard biography in English" (Perényi). I read both long before coming across Perényi, whose book is excellent as far as it goes but she chooses to stop in 1861 and does not cover Liszt's later years in Rome, being more interested in Liszt's place in the history of Romanticism. Her book in turn was the object of a hatchet job by Robert Craft in the New York Review of Books, to which this was her reply.
Originally posted by Caliban View PostAlbéniz
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is there something we might be told; first Howard Goodall does a job on Liszt on the telly, and then there is a BaL on Lizst ...confess i was not anticipating this with any pleasure but did enjoy Mr De Souza's way with it
i concluded that it was definitely a piece to hear in one go and live, and then revel in the insouciant variability of it and the bravura, thrilling in a hall eh? .... but i was not going to score any mp3's or cd any time soonAccording to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.
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Originally posted by Richard Tarleton View PostI find Liszt a fascinating figure
Buy Liszt: Symphonic Poems, The Sound of Weimar, Vol. 1-5 by Franz Liszt, Martin Haselbock, Orchester Wiener Akademie from Amazon's Classical Music Store. Everyday low prices and free delivery on eligible orders.
is well worth anyone's money - and might even win round Caliban. Much enjoyed the BaL, too.
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Originally posted by Richard Tarleton View Post... He has been ill-served by his biographers ...
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Richard Tarleton
Originally posted by ostuni View PostIll-served by those early biographers, certainly. But what about Alan Walker's magnificent works - the 3-volume biography, the 'Liszt: the Man and his Music' compendium, the 'Reflections' essays?
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Originally posted by HighlandDougie View Post
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Richard Tarleton
Here's Segovia in the Court of Myrtles......(not sure how you feel about transcriptions, but the setting is lovely)
Did Albeniz meet Liszt?
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