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Petrushka - you're normally one of my mentors on these boards where recordings are concerned - quite an extreme dismissal of a concerto which I greatly prefer to Chopin's two efforts, basically piano solos with a bit of orchestration tacked on as an afterthought - the middle movement is lovely. If it was that bad you'd wonder why all these people have bothered to record it, non?
Two versions here - yet another Arrau, with LSO/Colin Davis (1980), and Leslie Howard/Rickenbacker, which as it happens I've recently listened to, it being disc no 97 in the complete Hyperion Liszt piano works which was a Christmas present. I must confess to being a big fan of Liszt, who also occupies a pivotal position in 19th century music.
One of the great things about being on these boards is that you can have long held prejudices overturned when others question them. Perhaps I've not been listening to the right versions. Brendel is one of my favourite musicians and I see he's recorded both PC's with Haitink. There seems to be some powerful advocacy from those I trust on here.
I'll try again.
"The sound is the handwriting of the conductor" - Bernard Haitink
In a major serendipity event... What are the chances of that happening?
.
I once bid on a rare cd of Janos Starker and Rudolph Firkusny playing the Martinu 'cello sonatas on eBay. Alas, it went for over ÂŁ30. Two days later, I walked into the Edinburgh Royal Mile branch of PDSA and go it for ÂŁ1.50!!
In a major serendipity event, my copy of the Brendel Liszt PC's has this very afternoon revealed itself, after a couple of months holiday in a Mahler 4 case it had borrowed. What are the chances of that happening?
Nil, in this house!
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
I once bid on a rare cd of Janos Starker and Rudolph Firkusny playing the Martinu 'cello sonatas on eBay. Alas, it went for over ÂŁ30. Two days later, I walked into the Edinburgh Royal Mile branch of PDSA and go it for ÂŁ1.50!!
Brilliant.
And the little cats were ÂŁ1.50 better off too !!
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
Well, he's still stirred up more comment than Schumann's exquisite Myrthen
I did my valiant bit for Myrthen. I suppose poor old Schumann generally inspired less comment in his lifetime than the more dynamic Liszt (and Mendelssohn).
I'm a late convert to Liszt who at one point I rejected almost completely. I have two good versions of PC2:
Thibaudet, Montreal SO Dutoit and Zimerman, Boston SO, Ozawa
I'm a late convert to Liszt who at one point I rejected almost completely. I have two good versions of PC2:
Thibaudet, Montreal SO Dutoit and Zimerman, Boston SO, Ozawa
I don't think I will need another one.
I used to have Richter, Brendel and Zimmerman, but I found increasingly that the Piano Concertos are Concert pieces for me: I need to see what the performers are doing, and feel the acoustics of a concert hall to enjoy them nowadays. They also have very strong connections with Leeds: the Second was performed (by Witold Malcuzynski with the SNO/Gibson) the very first time I went to Leeds Town Hall; and the First was stunningly played by Ben Frith at a student concert at the University a year or so later (the first time I ever witnessed a piano trembling in fear after the performance! )
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
I used to have Richter, Brendel and Zimmerman, but I found increasingly that the Piano Concertos are Concert pieces for me: I need to see what the performers are doing, and feel the acoustics of a concert hall to enjoy them nowadays. They also have very strong connections with Leeds: the Second was performed (by Witold Malcuzynski with the SNO/Gibson) the very first time I went to Leeds Town Hall; and the First was stunningly played by Ben Frith at a student concert at the University a year or so later (the first time I ever witnessed a piano trembling in fear after the performance! )
Good point this concert business ferney I've got the same versions that you have but rarely (ok, never) play them even though I like the pieces.
You were very fortunate seeing Malcuzynski 'in the flesh'; I've not seen Frith recently, isn't he playing in the Gould piano trio these days?
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