I suppose you could have vibrato on a clavichord.
BaL 23.03.13 - Handel's Suites for keyboard HWV 426-33
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Originally posted by Eine Alpensinfonie View PostI suppose you could have vibrato on a clavichord.
A grand piano might be more resilient though
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Eine Alpensinfonie View PostAs an aside, I notice that the BBC website and CD Review are promoting these as "Handel's Eight Great Suites". Is this of their own invention or is there a precedent for this accolade?
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Originally posted by Eine Alpensinfonie View PostAs an aside, I notice that the BBC website and CD Review are promoting these as "Handel's Eight Great Suites". Is this of their own invention or is there a precedent for this accolade?
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According to my Bible, The All Music Guide (maybe reliable, maybe not......), only two sets were published in Handel's lifetime. One in 1720 (the eight "great" suites), one in 1733 (nine). The 1720 lot were only published to counter the illegal publication of the same works in the Netherlands. Handel, or so it was claimed, didn't really intend to publish any of them. They were primarily for teaching or showing off to his royal mates; too inconsistent, really, to sell to the public at large. The 1733 set may or may not have been published with his approval and certainly contained at least one movement by another (unnamed) composer. In total, he is thought to have set down at least 25 suites.
"Great" suites? That's news to me, but if that's what they are, then so be it.
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Originally posted by waldo View Post
"Great" suites? That's news to me, but if that's what they are, then so be it.
I sat down and tried some of them after years of gathering dust, and the difference between the two editions was considerable. The AB version was the more authentic of the two, but the Augener was more pianistic, with the ornaments incorporated into the text. Reading the AB publication was like walking across a minefield, such was the visual fussiness of the ornamentation/suggestions. The AB editions are becoming more and more like this.
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I have a recording by Laurence Cummings made on a harpsichord in the Handel House in Brook Street (that harpsichord a copy by Bruce Kennedy of one originally in the House and reportedly used by the composer). I like the performances though I haven't heard many of the ones in EA's list to compare them with (though I have the Richter/Gavrilov set which doesn't work for me). It's superb music, imo.
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Originally posted by MickyD View PostHow any baroque scholar or performer could say that was a mystery to me.
I didn't listen to him myself for a long time because my music teachers (at school) had told me not to bother. Bach, yes - a God. But not Handel: he was just a second-rate, plagiaristic magpie. I even went around saying this myself.
Then someone at work handed me a copy of Saul...........
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Originally posted by MickyD View PostThis thread reminds me of a curious fact I learned many years ago about the great Gustav Leonhardt - he said that he never performed any Handel as he just couldn't relate to the composer. How any baroque scholar or performer could say that was a mystery to me.
*musically, that is.
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