Originally posted by Eine Alpensinfonie
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BaL 2.03.13 - Stravinsky's Firebird Suite
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Originally posted by seabright View Post... and looking at the enormous list in #1....
MonteuxParis Conservatoire in 1956, RPO/Vonk on a Decca Phase 4 in 1977 [no CD issue recorded so doesn't count], VPO/v Dohnanyi 1979, Dorati/LSO 1959 [Mercury], Dorati/Detroit 1982, Montreal/Dutoit 1984, and of interest is the St Petersburg and Ashkenazy from 1994 doing the 1911 version. This should at least get a mention. Albert Coates and LSO in 1928 will not get a mention I think . The playing is far from decent and the sound iffy even for its time..
I suspect that the list will be confined to the 1919 as it's the most familiar. Some of the unmentioned ones are available but I suspect that you are right that the reviewer will choose the list himself and it will not necessarily be complete. It has been a bit of an irritation in BALs that reviewers haven't the time to tell us what the field is at the start and then to say that some have been dropped in the shortlisting. At least then we'll know they have been thorough. Maybe there really are too many to deal with [see another BAL thread].
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Just to complete the Stokowski listings: googling reveals a site called The Stokowski Legacy which has a huge discography of all his Philadelphia recordings. It also provides a link to another site, Classical Net, that gives more details of them. In short, his 1924 acoustics of the Firebird Suite are on a Pristine Audio CD; the 1927 set was transferred on Biddulph; and the 1935 set was issued on Pearl. Then came four more recordings, all on CD as previously mentioned above, so he must really have liked that work!
The Classical Net web site offers a comprehensive collection of information and news on classical music subjects including articles and CD reviews, composers and their music, the basic repertoire, recommended recordings and a CD buying guide. The site now features over 9000 files of information including thousands of CD, Book, Concert, DVD and Blu-ray reviews and more than 5500 links to other classical music sites.
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Originally posted by Gordon View Post
....but I suspect that you are right that the reviewer will choose the list himself and it will not necessarily be complete. It has been a bit of an irritation in BALs that reviewers haven't the time to tell us what the field is at the start and then to say that some have been dropped in the shortlisting. At least then we'll know they have been thorough. Maybe there really are too many to deal with [see another BAL thread].
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Originally posted by mikealdren View PostI love the Bernstein New York version but I've only got it on LP. Firebird is certainly a score that benefits from good modern recording but I'd like to get that Bernstein Petrushka/Firebird coupling on CD.
Mike
but with the Rite as coupling."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Il Grande Inquisitor View PostI'd also have added Andrew Litton's Bergen Phil disc, which is foundation-shatteringly wonderful. I've just reviewed their latest disc of Rachmaninov (Symphonic Dances, Isle of the Dead, The Rock) and am convinced this partnership rivals the Jansons/ Oslo/ Chandos team of the 80s/90s.
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Wensleydale Blue
Originally posted by verismissimo View PostGosh! A 1946 recording as the No 1 choice, in a work that you'd think needs the most modern sound, and sounding so vivid. Stravinsky conducting.
How many composers conducting their own work has BaL chosen before this one I wonder. Probably lots but I'm quite new to this game so I'll leave it up the old lags to tell us.
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I got that 1946 recording in its Philips LP manifestation in the early to mid '60s. It is indeed rather special, though I do totally disagree with Mival regarding the whole ballet score as a concert work. I think it works very well and much prefer it to any of the suites derived from it. Must have a list to yesterday afternoon's BBCPO broadcast.
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