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BaL 23.02.13 - Mozart's Divertimento for String Trio K563
A very worthwhile BaL I thought. Salutory demonstrations of how much tiny touches of phrasing convert the earthbound to the magical. Was surprised that the Grumiaux came home so easily in front after some of Donat's earlier strictures, including that missing piano repeat. Such apparently tiny extra touches in their performance as compared with the opposition, yet so much difference in the end result, the wider picture, the feeling and 'afterglow' of the whole performance.
And then the devil nudges me and says, "Are you so-o-o sure those touches are precisely what WAM wanted? Mightn't he say his music was meant to stand on its own feet and speak for itself?"
But I'm happy to stay with the Grumiaux, with the Archibudelli also on the shelves for a change if required!
What pleasure to get to get to grips again with this neglected masterpiece. The adagio second movement is as good as anything Mozart wrote IMO.
And Grumiaux's trio play it superbly, he with intensity and some touching portamento (though less than they would have used 100 years ago).
I'm going to start a Portamento Restoration Society.
I've heard two 'live' performances recently in which discreet portamenti were employed and they sounded great, adding a real frisson to the moment
Interesting that both performances were conducted by relatively young conductors, Edward Gardner in Bridge The Sea and Joshua Weilerstein in Dvorak symphony no 8. Not being a score reader, I don't know if these portamenti were applied or written into the score but they were certainly played and the 'moments' sounded all the better for them :
A very worthwhile BaL I thought. Was surprised that the Grumiaux came home so easily in front after some of Donat's earlier strictures, including that missing piano repeat.
Glad to hear it.
At least I won't need to splash the cash for this week at least.
It occurred to me while listening that if I were young and new to BaL I might be pleasantly surprised that such a long-established performance could still hold the ring; and that BaL might in that way have a broader educational function in an age when (wait for the old-timer) newest is best
As it happens I am new to this work and I shall gladly go with Grumiaux (you know it makes sense )
This one by the Florin Trio is missed off the list - and it's is very good indeed: http://www.florinensemble.co.uk/Listen.html Sorry, just spotted someone else had posted similarly!
Last edited by Guest; 23-02-13, 13:04.
Reason: Duplication of another post.
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