Originally posted by Caliban
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BaL 23.02.13 - Mozart's Divertimento for String Trio K563
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A very worthwhile BaL I thought. Salutory demonstrations of how much tiny touches of phrasing convert the earthbound to the magical. Was surprised that the Grumiaux came home so easily in front after some of Donat's earlier strictures, including that missing piano repeat. Such apparently tiny extra touches in their performance as compared with the opposition, yet so much difference in the end result, the wider picture, the feeling and 'afterglow' of the whole performance.
And then the devil nudges me and says, "Are you so-o-o sure those touches are precisely what WAM wanted? Mightn't he say his music was meant to stand on its own feet and speak for itself?"
But I'm happy to stay with the Grumiaux, with the Archibudelli also on the shelves for a change if required!Last edited by LeMartinPecheur; 23-02-13, 11:02.I keep hitting the Escape key, but I'm still here!
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amateur51
Originally posted by verismissimo View PostWhat pleasure to get to get to grips again with this neglected masterpiece. The adagio second movement is as good as anything Mozart wrote IMO.
And Grumiaux's trio play it superbly, he with intensity and some touching portamento (though less than they would have used 100 years ago).
I'm going to start a Portamento Restoration Society.
Interesting that both performances were conducted by relatively young conductors, Edward Gardner in Bridge The Sea and Joshua Weilerstein in Dvorak symphony no 8. Not being a score reader, I don't know if these portamenti were applied or written into the score but they were certainly played and the 'moments' sounded all the better for them :
May I join PRS too please?
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Originally posted by LeMartinPecheur View PostA very worthwhile BaL I thought. Was surprised that the Grumiaux came home so easily in front after some of Donat's earlier strictures, including that missing piano repeat.
At least I won't need to splash the cash for this week at least.
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amateur51
It occurred to me while listening that if I were young and new to BaL I might be pleasantly surprised that such a long-established performance could still hold the ring; and that BaL might in that way have a broader educational function in an age when (wait for the old-timer) newest is best
As it happens I am new to this work and I shall gladly go with Grumiaux (you know it makes sense )
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Tristan Klingsor
This one by the Florin Trio is missed off the list - and it's is very good indeed: http://www.florinensemble.co.uk/Listen.html
Sorry, just spotted someone else had posted similarly!
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Originally posted by amateur51 View PostI must 'fess up, I don't know it either but having listened to the Grumiaux I can feel it rapidly becoming a favourite - how marvellous at 61"Let me have my own way in exactly everything, and a sunnier and more pleasant creature does not exist." Thomas Carlyle
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Originally posted by ferneyhoughgeliebte View PostOne of Mozza's finest works and, with the Schoenberg, the greatest String Trio in the Austro-German "Classical" tradition...
It certainly is a masterwork - I've listened to it over and over - and the performance and recording strike me as one of Naxos's best.
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amateur51
Originally posted by verismissimo View PostFor some reason I never heard the Schoenberg until recently, courtesy of the Naxos with Rolf Schulte, Richard O'Neill and Fred Sherry.
It certainly is a masterwork - I've listened to it over and over - and the performance and recording strike me as one of Naxos's best.
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Originally posted by verismissimo View PostFor some reason I never heard the Schoenberg until recently, courtesy of the Naxos with Rolf Schulte, Richard O'Neill and Fred Sherry.
It certainly is a masterwork - I've listened to it over and over - and the performance and recording strike me as one of Naxos's best.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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