I did think there was a CD version of Lucerne/Abbado, but apparently not...
BaL 16.02.13 - Mahler's 6th Symphony in A minor
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Originally posted by Julien Sorel View Post
Speaking of damage, I suppose you know about this? http://www.swr.de/orchester-und-ense...kji/index.html
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Originally posted by ferneyhoughgeliebte View PostThe Abbado is probably a front runner in the Alison stakes: it was Claudio's Mahler #8 that JJ chose in his last Seedy Review.
But I don't think JJ hears this piece in the same way that I do: I agreed with everything he said about the work, but felt that his comments weren't illustrated in the excerpts he chose to demonstrate them. I didn't like the Jansens, Fischer, MTT or Chailly performances at all, and have always felt that both Karajan and Bernstein brought out the possibility of a "triumphant" ending superbly! Ho hum.
Paradoxically, his description of the Barbirolli brought me closer to the performance than I've ever felt before, and certainly more than I think he intended ("one-dimensional" seemed rather over-simplified) - though it still sounded like Sisyphus shoving a rock uphill. And I rather enjoyed Sinopoli - the rubato rather well judged and not at all over-indulged.
A curious BaL: many insightful comments on the work, a very good overall choice, but some peculiar "alternatives".[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Wensleydale Blue
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Wensleydale Blue
Glad to see Tennstedt got an honourable mention for his studio version - I am waiting for his 1983 live Proms peformance to arrive in the post - hopefully this morning.
My Gergiev version however, seems to have gone lame before the first fence.
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Thropplenoggin
Originally posted by Wensleydale Blue View PostRather liked the Jansons' clips so just bought it from Zoverstocks for £1.16.
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amateur51
Originally posted by ferneyhoughgeliebte View PostHonest ferney; the tipster you can trust!
But I don't think JJ hears this piece in the same way that I do: I agreed with everything he said about the work, but felt that his comments weren't illustrated in the excerpts he chose to demonstrate them. I didn't like the Jansens, Fischer, MTT or Chailly performances at all, and have always felt that both Karajan and Bernstein brought out the possibility of a "triumphant" ending superbly! Ho hum.
Paradoxically, his description of the Barbirolli brought me closer to the performance than I've ever felt before, and certainly more than I think he intended ("one-dimensional" seemed rather over-simplified) - though it still sounded like Sisyphus shoving a rock uphill. And I rather enjoyed Sinopoli - the rubato rather well judged and not at all over-indulged.
A curious BaL: many insightful comments on the work, a very good overall choice, but some peculiar "alternatives".
Was there any mention of Rattle? His 'live' performances have always blown my socks off
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Wensleydale Blue
Originally posted by Thropplenoggin View PostGood luck with that. A seller I have shunned since a CD never arrived, nor did its replacement. I believe their customer service is operated by a collection of inanimate objects.
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amateur51
Originally posted by Wensleydale Blue View PostBought 4-5 items from them in last few months (mostly Mahler) and never let down yet (touches wooden desk top with elbow!) but they are one of the slowest to dispatch, so maybe not quite inanimate but perhaps the life support system needs a bit of a kick.
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Tennstedt + hammer blows
Originally posted by Wensleydale Blue View PostGlad to see Tennstedt got an honourable mention for his studio version - I am waiting for his 1983 live Proms peformance to arrive in the post - hopefully this morning.
My Gergiev version however, seems to have gone lame before the first fence.
Also on the subject of recorded hammer blows, my two favourite are Haitink with the Chicago Symphony Orchestra and David Zinman and his Zurich Tonhalle (which also did not get a mention in the review). I was at one of the CSO performances in Chicago which comprise Haitink's recording and recall a huge wooden platform to the left of the stage and resting thereon a vast heavy wooden mallet. There were three available percussionists: two great hulking men and this tiny slim little Chinese lady. Guess who was wielding the mallet!!
Finally very odd for a BAL recommendation without apparently a CD version.
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Originally posted by LaurieWatt View PostFinally very odd for a BAL recommendation without apparently a CD version.
K.
Agree about the Tennstedt, though!"Let me have my own way in exactly everything, and a sunnier and more pleasant creature does not exist." Thomas Carlyle
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Originally posted by Karafan View PostWell, in fairness Laurie, the Fischer disc is a hybrid SACD so will play perfectly well in an ordinary CD player (it uses the redbook CD layer).
K.
Agree about the Tennstedt, though!
L
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