BaL 13.10.12 - Bach's Concerto for 2 Violins in D minor

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20585

    BaL 13.10.12 - Bach's Concerto for 2 Violins in D minor

    9.30am Building a Library
    Nicholas Anderson with a personal recommendation from recordings of Bach's Concerto for 2 violins.


    [I]Available versions:-[/I]

    Midori (violin), St Paul Chamber Orchestra, Pinchas Zukerman
    Henryk Szeryng & Maurice Hasson, Academy of St. Martin in the Fields, Neville Marriner
    Váša Príhoda, Franco Novello, Orchestra Sinfonica di Torino della RAI, Ennio Gerelli
    Fritz Kreisler, Efrem Zimbalist
    Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim
    Igor Oistrakh, David Oistrakh, English Chamber Orchestra, Colin Davis – DVD
    David and Igor Oistrakh, Gewandhausorchester Leipzig, Franz Konwitschny
    Monica Hugget & Claire Duff, Irish Baroque Orchestra, Monica Huggett
    Nigel Kennedy, Daniel Stabrawa, Berliner Philharmoniker
    Anne-Sophie Mutter, Salvatore Accardo, English Chamber Orchestra, Salvatore Accardo
    Yehudi Menuhin & George Enescu, Orchestre Symphonique de Paris
    Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane
    Joji Hattori, James Clark, Scottish Chamber Orchestra
    Isaac Stern, Itzhak Perlman, New York Philharmonic Orchestra, English Chamber Orchestra
    Nigel Kennedy, Daniel Stabrawa, Berlin Philharmonic Orchestra
    Oscar Shumsky, John Tunnell, Scottish Chamber Orchestra
    Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gerecz
    Vesco Eschkenazy, Tjeerd Top, Concertgebouw Chamber Orchestra
    Sini-Maaria Simonen and Réka Szilvay, Helsinki Strings, Géza Szilvay
    Pekka Kuusisto, Jaakko Kuusisto, Tapiola Sinfonietta
    Catherine Mackintosh and Elizabeth Wallfisch, The King’s Consort, Robert King
    Devy Erlih, Henri Merckel, The Pro Arte Chamber Orchestra, Munich, Kurt Redelti
    Günter Körner, Richard Lester, Camerata Romana, Eugen Duvier
    Richard Tognetti, Helena Rathbone, Australian Chamber Orchestra
    Daniel Hope, Marieke Blankestjin, Chamber Orchestra of Europe
    Adolf Busch, Frances Magnes, Adolf Busch Chamber Players
    Karl Suske, Griorgio Krohner, Leipzig Gewandhaus Orchestra, Kurt Masur
    Szeryng & Hasson, Academy of St Martin in the Fields, Neville Marriner
    Carl Flesch, Joseph Szigeti
    Natsumi Wakamatsu, Ryo Terakado, Bach Collegium Japan, Masaaki Suzuki
    Simon Standage & Elisabeth Wilcock, The English Concert, Trevor Pinnock
    Simon Standage (violin and direction), Micaela Comberti, Miles Golding, Collegium Musicum 90
    Christoph Poppen, Isabelle Faust, Stuttgart Bach Collegium Orchestra, Helmuth Rilling
    Gregor Hollmann, Rudolf Innig, Musica Alta Ripa
    Yehudi Menuhin, Alberto Lysy, Camerata Lysy Gstaad
    Arcangeli Baroque Strings, Michael Sand
    Alexander Jablokov, Takako Nishizaki, Capella Istropolitana, Oliver Dohnanyi
    Kolja Blacher (violin), Christine Pichlmeier (violin), Lisa Stewart (violin), Cologne Chamber Orchestra, Helmut Muller-Bruhl
    Pekka Kuusisto, Jaakko Kuusisto , Tapiola Sinfonietta, Tero Latvala
    Leonid Kogan, Elizaveta Gilels, Philharmonia String Orchestra, Otto Ackermann
    Soloists of Zagreb, Antonio Janigro
    Ferdinand Helman, Louis Zimmermann, Willem Mengelberg
    Lucy van Dael, La Petite Bande, Sigiswald Kuijken (violin/director)
    Yehudi Menuhin, Christian Ferras Bath Festival Orchestra
    Erick Friedman, New Symphony Orchestra of London, Sir Malcolm Sargent
    Helge Rosenkranz, Collegium Mozarteum Salzburg, Jürgen Geise
    Marieke Blankestjin, Chamber Orchestra of Europe
    Soloists of Zagreb, Antonio Janigro
    Nishizaki Jabloko, Capella Istropolitana - DVD
    Oscar Shumsky, Scottish Chamber Orchestra, Yan Pascal Tortelier
    Mikhail Vaiman
    Pavel Šporcl, Prague Philharmonia
    Jascha Heifetz, RCA Victor Chamber Orchestra, Franz Waxman
    Anne Akiko Meyers (violin), English Chamber Orchestra, Stephen Mercurio
    Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim
    Rachel Podger, Academy of Ancient Music, Andrew Manze
    Julia Fischer (violin), Academy of St Martin in the Fields
    Nigel Kennedy, Irish Chamber Orchestra
    Jonathan Rees, Scottish Ensemble
    Jaime Laredo, Scottish Chamber Orchestra
    Elfa Run Kristinsdottir, Solistenensemble Kaleidoskop
    Rut Ingólfsdóttir, Reykjavik Chamber Orchestra
    Monica Huggett, Amsterdam Baroque Orchestra, Ton Koopman
    Gidon Kremer (violin/director), Academy of St. Martin-in-the-Fields
    Olga Martinova, St Petersburg Soloists, Mikhail Gantvarg
    Last edited by Eine Alpensinfonie; 28-02-15, 14:42.
  • ferneyhoughgeliebte
    Gone fishin'
    • Sep 2011
    • 30163

    #2
    Glorious, glorious work: the second movement is one of the most sensuous, even erotic, pieces that JSB ever wrote. I have Enescu & Menuhin and Manze & Prodger: both exquisite - but my Kuijken & van Dael (possibly my favourite) disc seems to have vanished from my shelves!
    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

    Comment

    • Tony Halstead
      Full Member
      • Nov 2010
      • 1717

      #3
      Originally posted by ferneyhoughgeliebte View Post
      Glorious, glorious work: the second movement is one of the most sensuous, even erotic, pieces that JSB ever wrote. I have Enescu & Menuhin and Manze & Prodger: both exquisite - but my Kuijken & van Dael (possibly my favourite) disc seems to have vanished from my shelves!
      Hmmm... how can ANY Bach work ever be described as 'erotic'?

      Comment

      • ferneyhoughgeliebte
        Gone fishin'
        • Sep 2011
        • 30163

        #4
        Originally posted by waldhorn View Post
        Hmmm... how can ANY Bach work ever be described as 'erotic'?
        Oh, listen to it! The sensuous, interweaving lines, the undulating lower parts, the caressing interplay between the two soloists, the throbbing climaxes ...
        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

        Comment

        • gurnemanz
          Full Member
          • Nov 2010
          • 7468

          #5
          Originally posted by waldhorn View Post
          Hmmm... how can ANY Bach work ever be described as 'erotic'?
          You can have Gidon Kremer playing with himself. It's rather good.

          Comment

          • Thropplenoggin

            #6
            Originally posted by Eine Alpensinfonie View Post
            9.30am Building a Library
            Nicholas Anderson with a personal recommendation from recordings of Bach's Concerto for 2 violins.
            Is this BWV 1043 or BWV 1060? They're both listed as Concerto for 2 Violins in D Minor.

            In any case, I only have Julia Fischer. I dare say I was swung by the alluring pose she strikes on the cover I expect they're are probably far more profound versions out there. Therefore, I'm looking forward to this one...

            EDIT:
            Originally posted by ferneyhoughgeliebte View Post
            ...but my Kuijken & van Dael (possibly my favourite) disc seems to have vanished from my shelves!

            Comment

            • Eine Alpensinfonie
              Host
              • Nov 2010
              • 20585

              #7
              Um. A list at last, but I find it hard to believe that so many players have overdubbed themselves.

              Comment

              • vinteuil
                Full Member
                • Nov 2010
                • 13169

                #8
                Originally posted by Thropplenoggin View Post
                Is this BWV 1043 or BWV 1060? They're both listed as Concerto for 2 Violins in D Minor.



                ]

                BWV 1043 is the D minor concerto for two violins
                BWV 1062 is Bach's reworking of this as a concerto for two harpsichords, in C minor
                BWV 1060 is another C minor concerto for two harpsichords, probably a reworking by Bach of a now-lost concerto for oboe and violin
                Last edited by vinteuil; 05-10-12, 20:37.

                Comment

                • Thropplenoggin

                  #9
                  Originally posted by vinteuil View Post
                  BWV 1043 is the D minor concerto for two violins
                  BWV 1062 is Bach's reworking of this as a concerto for two harpsichords, in C minor
                  BWV 1060 is another C minor concerto for two harpsichords, probably a reworking by Bach of a now-lost concerto for oboe and violin
                  Thanks, vinteuil. But if you click here and scroll down to the samples, you'll see why I'm still confused!

                  Comment

                  • Thropplenoggin

                    #10
                    Originally posted by Eine Alpensinfonie View Post
                    Um. A list at last, but I find it hard to believe that so many players have overdubbed themselves.
                    Thanks, EA. The overdubbing does seem like the last word in vanity, doesn't it? And surely contravenes every principle in the HIPP tome!

                    Comment

                    • vinteuil
                      Full Member
                      • Nov 2010
                      • 13169

                      #11
                      Originally posted by Thropplenoggin View Post
                      Thanks, vinteuil. But if you click here and scroll down to the samples, you'll see why I'm still confused!
                      ... on that CD, Andrew Manze and Rachel Podger perform a reconstruction of the BWV 1060 two harpsichord concerto in C minor as an attempt to imagine what an 'original' two violin concerto (in D minor) might have sounded like - an attempt to reverse Bach's reworking of BWV 1043 into BWV 1062. Simples!

                      Comment

                      • Eine Alpensinfonie
                        Host
                        • Nov 2010
                        • 20585

                        #12
                        Originally posted by Thropplenoggin View Post
                        Thanks, EA. The overdubbing does seem like the last word in vanity, doesn't it? And surely contravenes every principle in the HIPP tome!
                        True, but I don't get too upset about that.

                        Comment

                        • Thropplenoggin

                          #13
                          Originally posted by vinteuil View Post
                          ... on that CD, Andrew Manze and Rachel Podger perform a reconstruction of the BWV 1060 two harpsichord concerto in C minor as an attempt to imagine what an 'original' two violin concerto (in D minor) might have sounded like - an attempt to reverse Bach's reworking of BWV 1043 into BWV 1062. Simples!
                          Much obliged for your patient and thorough explanation, sir.

                          Comment

                          • amateur51

                            #14
                            Originally posted by ferneyhoughgeliebte View Post
                            Glorious, glorious work: the second movement is one of the most sensuous, even erotic, pieces that JSB ever wrote. I have Enescu & Menuhin and Manze & Prodger: both exquisite - but my Kuijken & van Dael (possibly my favourite) disc seems to have vanished from my shelves!
                            Wonderful, ferney!

                            Comment

                            • ferneyhoughgeliebte
                              Gone fishin'
                              • Sep 2011
                              • 30163

                              #15
                              Originally posted by amateur51 View Post
                              Wonderful, ferney!
                              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                              Comment

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