An excellent overview of this piece today. I felt sure ol' Throppers had called it with Queyras/Tharaud but, alas, no. Not sure why he couldn't recommend a period performance and pick a first choice out of the three modern performances he preferred.
BaL 6.10.12 - Schubert's Arpeggione Sonata
Collapse
X
-
Thropplenoggin
-
amateur51
Originally posted by verismissimo View PostI had for years the Shafran recording, which I loved, but it seems to have gone the way of some old vinyl.
Now I have nothing at all - so roll on Saturday.
I'm secretly hoping that one of the arpeggione recordings does well.
This may be the recording that you used to own?
Comment
-
Thropplenoggin
Originally posted by Eine Alpensinfonie View PostI missed the programme. What was the verdict?
Comment
-
Originally posted by Brassbandmaestro View PostIndeed, Thropp,!i rather liked Mischa Maisky and Martha Argerich.
That was the version that grabbed me most too, to my surprise because even though I love Argerich, I've always steered clear of the flamboyant-looking Mr Maisky. I suppose there's a reason St. Martha is happy to accompany him. The Wispelwey was very good as well.
The playing by Queyras and Tharaud was very good, I thought, but it seemed to me yet another case of top French musicians being let down by their recording engineers (or perhaps their own technical recording preferences) - like the recent-ish complete Fauré chamber music box from Virgin, I found the boxy, reverberant recording a real let-down - makes it a non-starter for me.
Always a treat to hear Mr Philip presenting, and there were some interesting insights into a piece I don't know well - including hearing the shortcomings of the only version I possess, the Rostro-Britten recording. Likewise the wincing intonation of the Bylsma version)
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
-
Originally posted by Thropplenoggin View PostWispelwey/Giacometti: http://www.onyxclassics.com/cddetail...umber=ONYX4046 was first choice, though he did like (but not nominate) three modern recordings, include Queyras/Tharaud.
I think you'll find its the Channel classics disc, Channel - CCS9696. not the Onyx disc
Comment
-
-
Originally posted by soileduk View PostThropp and Eine Alpensinfonie
I think you'll find its the Channel classics disc, Channel - CCS9696. not the Onyx disc
EDIT - I see on the sleeve notes to the Onyx flagged up in #21 above Peter W refers to 'the opportunity of playing with Paolo G and with the same fortepiano as on their earlier recording of thirteen years previously' - so it wd seem two totally different performances.
This was not made clear at all on BAL - I cannot now remember whether it was the reviewer or the presenter who came next who referred to the couplings or the record company (I think they said coupled with the 'violin' sonatinas - wh wd mean the Channel Classics - but I also seem to remember they said it was on Onyx, the other one.)
The Onyx is the more recent (2009 I think) - wd that have been more likely to have been the one available for review than the 1996 Channel Classics??
EDIT EDIT - have listened again - Andrew McGregor did specify the Channel Classics, with the sonatinas coupling. The couplings on the Onyx look more tempting...Last edited by vinteuil; 06-10-12, 17:37.
Comment
-
-
Thropplenoggin
Comment