BaL 22.09.12 - Brahms: A German Requiem

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    BaL 22.09.12 - Brahms: A German Requiem

    09:30 Building a Library
    Jeremy Summerly with a personal recommendation of recordings of Brahms's A German Requiem.

    Available versions:-


    Cheryl Studer (soprano) & Andreas Schmidt (baritone)
    Schwedischer Rundfunkchor, Eric-Ericson-Kammerchor & Berliner Philharmoniker, Claudio Abbado

    Barbara Bonney (soprano), Bryn Terfel (baritone)
    Berliner Philharmoniker, Swedish Radio Choir, Eric Ericson Chamber Choir, Claudio Abbado (DVD)

    Inger Dam-Jensen (soprano), Bo Skovhus (baritone)
    Danish National Choir & Symphony Orchestra, Gerd Albrecht

    Ruth Ziesak (soprano) & Konrad Jarnot (baritone)
    Munchener Bach Chor & Orchestra, Hansjorg Albrecht

    Helen Watts (mezzo-soprano), Agnes Giebel (soprano), Hermann Prey (baritone)
    L'Orchestre de la Suisse Romande. Choeur de la Radio Suisse Romande, Choeur Pro Arte de Lausanne, Ernest Ansermet

    Janet Williams (soprano) & Thomas Hampson (baritone)
    Chicago Symphony Orchestra & Chorus, Daniel Barenboim

    Juliane Banse (soprano), Stephan Genz (baritone)
    Deutsches Symphonie-Orchester Berlin, Windsbacher Knabenchor, Karl-Friedrich Beringer

    Julia Borchert (soprano), Michael Volle (baritone)
    Stuttgart Chamber Choir & Stuttgart Classical Philharmonic Orchestra, Frieder Bernius

    Arleen Auger (soprano) & Franz Gerihsen (baritone)
    with Philharmonischer Chor Munchen,
    Munich Philharmonic Orchestra, Sergiu Celibidache

    Agnes Giebel (soprano) & Hans Hotter (baritone)
    Cologne Radio Orchestra, Sergiu Celibidache


    Agnes Giebel (soprano) & Hermann Prey (baritone)
    Orchestra Sinfonica e Coro di Milano della RAI, Sergiu Celibidache (Download)

    Nicole Car (soprano) & Teddy Tahu Rhodes (bass-baritone)
    Melbourne Symphony Orchestra, Johannes Fritzsch

    Elisabeth Schwarzkopf (soprano), Hans Hotter (bass)
    Lucerne Festival Orchestra & Chorus, Wilhelm Furtwängler

    Kerstin Lindberg-Torlind (soprano), Bernhard Sönnerstedt (baritone)
    Stockholm Konsertförenings Orkester, Musikalista Sällskapet Kör, Wilhelm Furtwängler


    Charlotte Margiono (soprano) & Rodney Gilfrey (baritone)
    Monteverdi Choir & Orchestre Révolutionnaire et Romantique, John Eliot Gardiner

    Katharine Fuge (soprano), Matthew Brook (bass)
    Monteverdi Choir & Orchestre Révolutionnaire et Romantique, John Eliot Gardiner

    Solveig Kringelborn (soprano) & Mariusz Kwiecien (baritone)
    Swedish Radio Choir & Rotterdam Philharmonic Orchestra, Valery Gergiev (DVD)

    Barbara Bonney (soprano), Andreas Schmidt (baritone)
    Wiener Philharmoniker, Wiener Staatsopernchor, Carlo Maria Giulini

    Ileana Cotrubas (soprano) & Dietrich Fischer-Dieskau (baritone)
    Edinburgh International Festival Chorus & London Philharmonic Orchestra, Carlo Maria Giulini

    Malin Hartelius (soprano), Dietrich Henschel (bass-baritone)
    Czech Philharmonic, Enoch zu Guttenberg

    Genia Kühmeier (soprano) & Thomas Hampson (baritone)
    Arnold Schoenberg Choir & Vienna Philharmonic Orchestra, Nikolaus Harnoncourt

    Siri Karoline Thorhill (soprano), Klaus Mertens (baritone)
    Bremen Cathedral Choir & Bremen Chamber Symphony, Wolfgang Helbich

    Christiane Oelze (soprano) & Gerald Finley (baritone)
    La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs Élysées, Philippe Herreweghe

    David Wilson-Johnson (baritone), Felicity Lott (soprano)
    London Symphony Chorus, London Symphony Orchestra, Richard Hickox

    Camilla Tilling (soprano), Detlef Roth (baritone)
    Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin, Marek Janowski

    Natalie Dessay (soprano) & Ludovic Tézier (baritone)
    Frankfurt Radio Symphony Orchestra & Swedish Radio Choir, Paavo Järvi

    Janice Chandler (soprano), Nathan Gunn (baritone)
    Utah Symphony Orchestra, Mormon Tabernacle Choir, Craig Jessop

    Elisabeth Schwarzkopf (soprano) & Hans Hotter (baritone)
    Choral Society of the Friends of Music, Vienna & Vienna Philharmonic Orchestra, Herbert von Karajan

    Gundula Janowitz (soprano), Eberhard Wächter (baritone)
    Wiener Singverein & Berliner Philharmoniker, Herbert von Karajan

    Gundula Janowitz (soprano), José van Dam (bass-baritone)
    Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan (DVD)

    Barbara Hendricks (soprano) & José van Dam (baritone)
    Wiener Singverein & Wiener Philharmoniker, Herbert von Karajan

    Mari Anne Häggander (soprano) & Siegfried Lorenz (baritone)
    Rundfunk-Sinfonie-Orchester Leipzig & Rundfunkchor Leipzig, Herbert Kegel

    Elisabeth Grummer (soprano) & Dietrich Fischer-Dieskau (baritone)
    Berlin Philharmonic & St Hedwig's Cathedral Choir, Rudolf Kempe

    Nadezhda Krasnaya (soprano), Sergei Yakovenko (baritone)
    Yurlov State Academic Chorus & Moscow Philharmonic Orchestra, Dmitri Kitayenko

    Wilma Lipp (soprano), Eberhard Wachter (baritone)
    Vienna Philharmonic Orchestra, Otto Klemperer

    Elisabeth Schwarzkopf (soprano) & Dietrich Fischer-Dieskau (baritone)
    Philharmonia Chorus & Orchestra, Otto Klemperer

    Elisabeth Grümmer (soprano) & Hermann Prey (baritone)
    Kölner Rundfunkchor & Kölner Rundfunk-Sinfonie-Orchester, Otto Klemperer

    Maria Stader (soprano) & Dietrich Fischer-Dieskau (baritone)
    Choeur de la RTF & Orchestre National de Paris, Paul Kletzki

    Anna Tomowa-Sintow (soprano), Günther Leib (baritono)
    Rundfunkchor Berlin, Runfunk Sinfonieorchester Berlin, Helmut Koch

    Edith Mathis (Soprano), Wolfgang Brendel (Baritone)
    Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Rafael Kubelik

    Kathleen Battle (soprano), Håkan Hagegård (baritone)
    Chicago Symphony Chorus, James Levine

    Ileana Cotrubas (soprano), Hermann Prey (baritone)
    New Philharmonia Orchestra, Lorin Maazel

    Sylvia McNair (soprano) & Hakan Hagegard (baritone)
    Westminster Symphonic Choir & New York Philharmonic, Kurt Masur

    Chen Reiss (soprano) & Hanno Müller-Brachmann (baritone)
    Gary Bertini Israeli Choir & Israel Philharmonic Orchestra, Zubin Mehta

    Jo Vincent (soprano), Max Kloos (baritone)
    Amsterdam Toonkunst Choir, Concertgebouw Orchestra, Willem Mengelberg

    Elizabeth Watts (soprano) & Stéphane Degout (baritone)
    London Philharmonic Orchestra and Choir, Yannick Nézet-Séguin

    Harolyn Blackwell (soprano), David Wilson-Johnson (baritone)
    London Symphony Orchestra & Chorus, André Previn

    Margaret Price (soprano) & Samuel Ramey (baritone)
    Royal Philharmonic Orchestra & Ambrosian Singers, André Previn

    Miriam Gauci (soprano), Eduard Tumagian (baritone)
    Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari

    Dorothea Röschmann (soprano) & Thomas Quasthoff (baritone)
    Berliner Philharmoniker & Rundfunkchor Berlin, Simon Rattle

    Evelyn Lear (soprano), Thomas Stewart (baritone)
    Orchestre Philharmonique et Choeurs de l’ORTF, Karl Richter (DVD)

    Donna Brown (soprano), Gilles Cachemaille (baritone)
    Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling

    Margaret Price (soprano) & Thomas Allen (baritone)
    Chor und Orchestra des Bayerischen Rundfunks, Wolfgang Sawallisch

    Elfride Trotschel (soprano) & Heinz Rehfuss (baritone)
    Orchestra de la RTF, Carl Schuricht

    Maria Stader (soprano), Hermann Prey (bass-baritone)
    Stuttgart Vokalensemble, Frankfurt Choir, Radio-Sinfonieorchester Stuttgart, Carl Schuricht

    Twyla Robinson (soprano) & Mariusz Kwiecien (baritone)
    Atlanta Symphony Orchestra & Chorus, Robert Spano

    Lucia Popp (soprano) & Thomas Allen (baritone)
    London Philharmonic Choir & London Philharmonic Orchestra, Klaus Tennstedt

    Christine Schäfer (soprano), Christian Gerhaher (baritone)
    Munich Philharmonic Orchestra, Christian Thielemann (DVD)

    Vivian Della Chiesa (soprano), Herbert Janssen (baritone)
    NBC Symphony Orchestra, The Westminster Choir, Arturo Toscanini

    Irmgard Seefried (soprano) & George London (bass)
    Westminster Chorus, New York Philharmonic Orchestra, Bruno Walter


    Piano – 4 hands

    Claire Seaton (soprano), Colin Campbell (baritone), Jeremy Filsell & Roderick Chadwick (piano duet)
    Vasari Singers, Jeremy Backhouse

    Josef Wagner (baritone), Heidi Meier (soprano)
    Maulbronn Chamber Choir, Musica Sacra, GrauSchumacher Piano Duo, Jurgen Budday
    (Download)

    Julie Cooper (soprano), Eamonn Dougan (bass) & Gary Cooper, Christopher Glynn (piano)
    The Sixteen, Harry Christophers

    Fionnuala McCarthy (soprano), Michael Volle (baritone), Jonathan Alder (piano), Thorsten Kaldewei (piano), Benjamin Heil (timpani)
    EuropaChorAkademie, Joshard Daus

    Sandrine Piau (soprano), Stéphane Degout (baritone), Brigitte Engerer (piano), Boris Berezovsky (piano)
    accentus Chamber Choir, Laurence Equilbey

    Philip Mayers, Philip Moll (piano), Marlis Peterson (soprano) & Konrad Jarnot (baritone)
    Rundfunkchor Berlin, Simon Halsey

    Simone Nold (soprano), Kay Stiefermann (baritone), Ian Pace and Mark Knoop (piano), Peter Stracke (kettle drums)
    WDR Rundfunkchor Köln, Rupert Huber (arr. Heinrich Poos)
    Last edited by Eine Alpensinfonie; 28-02-15, 14:53.
  • teamsaint
    Full Member
    • Nov 2010
    • 25225

    #2
    Promises to be great. luckily for me, JLW has already picked me a winner, so I can just be an interested bystander. !
    What a work it is.
    I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

    I am not a number, I am a free man.

    Comment

    • Simon

      #3
      Good heavens!

      I'd guess that the Celib at Munich gets a good mention. Herreweghe is also superb at this sort of choral repertoire, too.

      And what about Schwarzkopf and DFD with Klemperer? Wow! And Rattle.

      Wonder what the Windsbach boys made of it, too.

      I have two versions, but the only one I can find now is the Koch with the Berlin radio lot.

      Thank you for the listing, Alpen.

      Comment

      • ferneyhoughgeliebte
        Gone fishin'
        • Sep 2011
        • 30163

        #4
        Like teamsaint, JLW has whetted my appetite for Jegger's most recent recording.

        Of "traditional" performances, I love all of Karajan's: the VPO from the late 40s is (in the best sense of the word) appalling (reputedly Toscanini's favourite recording) - a monument to the destruction of the Second World War. His middle two recordings are very good if more "comfortable" and it is only the last recording (put onto disc the day before he underwent surgery that he knew he might not survive) that recaptures the terror of the first.
        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

        Comment

        • teamsaint
          Full Member
          • Nov 2010
          • 25225

          #5
          Bought a copy of the Leisdorf/ New England Conservatory version on a whim years ago. It appears to be unavailable....unsurprisingly !!
          I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

          I am not a number, I am a free man.

          Comment

          • gurnemanz
            Full Member
            • Nov 2010
            • 7405

            #6
            A long and intriguing list from which I have only the classic Klemperer/Philharmonia. It is a work in which, other things being more or less equal, I think I would tend to prefer native German speakers as soloists. Our choir was doing the work ten years ago just after my mother died. I remember being moved to tears listening to Elisabeth Schwarzkopf in "Ihr habt nun Traurigkeit", having heard it many times before but coming to it with a deepened appreciation.
            She's on YouTube:
            Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

            Comment

            • BBMmk2
              Late Member
              • Nov 2010
              • 20908

              #7
              I would love also to hear the Rattle(Berlin), and the two Abbado's recordings I have the Kurt Amsur recording at the moment.
              Don’t cry for me
              I go where music was born

              J S Bach 1685-1750

              Comment

              • Barbirollians
                Full Member
                • Nov 2010
                • 11752

                #8
                Klemperer still in a class of its own IMO . Though that late 40s Karajan has a special charge and the Gardiner is very fine for Hippites. Those three are more than enough for me in this work.
                Last edited by Barbirollians; 14-09-12, 21:26.

                Comment

                • Don Petter

                  #9
                  Originally posted by Barbirollians View Post
                  Klemperer still in a class of its own IMO.
                  Agreed! His opening of the second movement, Denn alles Fleisch , (with the Philharmonia) is one of the great passages in recorded music. Not to be sampled too often, in case it becomes diluted by over-familiarity.

                  Comment

                  • ferneyhoughgeliebte
                    Gone fishin'
                    • Sep 2011
                    • 30163

                    #10
                    A word of appreciation, too, for Previn's two recordings - not repertoire for which he is most known, he nevertheless shows himself to be completely "in" the Music: two of his finest achievements, I think. (He was also the conductor of the only concert in which I've heard the work - c. 1984.)
                    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                    Comment

                    • BBMmk2
                      Late Member
                      • Nov 2010
                      • 20908

                      #11
                      Barbirollians, any thoughts on Kurt Masur's?
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

                      Comment

                      • Barbirollians
                        Full Member
                        • Nov 2010
                        • 11752

                        #12
                        Don't know it I am afraid BBM.

                        Comment

                        • Eine Alpensinfonie
                          Host
                          • Nov 2010
                          • 20572

                          #13
                          Originally posted by Barbirollians View Post
                          Don't know it I am afraid BBM.
                          I have Furtwangler and VPO/Giulini. I find the latter to be sincere, but rather ponderous, and not helped by the DG recording of that time.

                          Comment

                          • jayne lee wilson
                            Banned
                            • Jul 2011
                            • 10711

                            #14
                            Klemperer's EMI stereo recording is a great one, but there are 2 live versions, with the Vienna Phil in 1958 (sadly locked away in the Testament VPO box) and Cologne radio forces in 1955 (ICA, current).

                            These both gain a lot from faster tempi (ca.65' in Vienna, 61"(!) in Cologne - EMI is 69') and the urgency of live performance. The Philharmonia legend shares their directness but I wonder if the slower tempi are a product of studio conditions... for me, the quicker performances give a truer representation of his view of the piece. (You can sample the ICA one at Classicalshop etc...)

                            Once I'd heard the later Gardiner or the earlier Klemperer I found it impossible to return to anything heavier or slower.

                            Comment

                            • verismissimo
                              Full Member
                              • Nov 2010
                              • 2957

                              #15
                              As a lover of ancient recordings, I always want to like Karajan's DR from 1947 more.

                              But the sound on my LP is far too congested. Is it better on CD? Or is this a work that really needs modern recording?

                              Comment

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