To call du Pre hysterical calls to mind Tchaikovsky's famous quip about Brahms: "he doesn't know how to exult!"
BaL 21.06.14 - Elgar's Cello Concerto
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VodkaDilc
A very satisfying survey, with a good variety of extracts and not too much chat. I was quite happy with her conclusions.
I just wondered what prevented the Julian Lloyd Webber/Menuhin recording form being mentioned, in view of its Elgarian credentials.
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When being passionate is described as hysterical it would seem that all appreciation of youthful playing has died .
I enjoyed the Wispelwey . I love his tone but I did not get the Mork at all.There was some lovely playing but it was all a bit generalised and rather low voltage to my ears albeit as I said on another thread the recording sounds a bit dull and distant .Last edited by Barbirollians; 21-06-14, 21:37.
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This is was an exemplary BaL, as apart from making a recommendation, left the door open for questioning the final choice, and made excellent comparisons with other available recordings. This proves that sometimes one can make a choice based on the recommendation, but which is not the recommendation itself... if you follow me. A bit like the old Penguin Guide where, say, it would praise a Karajan to bits, and for those very plaudits would make me want an alternative. Full marks to her. I hope she is invited more often.
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Originally posted by Bryn View Post[Wispelwey] is a very fine cellist indeed. His various recordings of the Bach Suites and Beethoven Piano and Cello sonatas are well worth investigating too. I have his Elgar in a boxed set of concertos etc. That too is worth seeking out.
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Originally posted by visualnickmos View PostThis is was an exemplary BaL, as apart from making a recommendation, left the door open for questioning the final choice, and made excellent comparisons with other available recordings.
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amateur51
Originally posted by akiralx View PostYes, as a cello player I have been saying for years that Wispelwey's account of the Elgar is superb, certainly my favourite version. His SACD of the Beethoven sonatas with Lazic is phenomenal too, as well as stunningly recorded.
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Originally posted by amateur51 View PostI have and admire all Wispelwey's accounts of Bach cello suites but I have not tried his recording of the Beethoven sonatas - many thanks silvestrione
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Originally posted by Bryn View PostAs with the Bach suites, he has recorded using both period and modern(ized) instruments (amazon.co.uk ASINs: B0007Z47YI and B000003UXZ), both times for the Channel Classics label.
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Originally posted by ostuni View PostI know Bylsma has recorded the Bach suites on both period & modernized cellos, but I thought that all of Wispelwey's 3 recordings were on Baroque equipment. But yes, his later recording (modernized cello, Lazic on a Steinway) of the Beethoven sonatas is superb: for my tastes, way ahead of any competition.
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Originally posted by Bryn View PostYou are right re. the commercial recordings of the Bach Suites by Wispelwey, but IIRC for those broadcast by Radio 3 from Wigmore Hall a few years back he used a cello with modern reinforcement and wirewound strings. I was not aware that Bylsma has recorded the suites using a modern instrument. I only know the 'Servais' Strad., and one other on baroque instruments.
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Originally posted by visualnickmos View PostI realise that my knowledge of cellists is even less than I'd thought! Again, a cellist I know only by name, and not by work. Bylsma, I'm referring to. Apart from Bach, what other of the recorded oeuvre (if any) would be a suitable introduction? BTW I am not flushed enough with spondoolies at the moment to rush out and buy a barrowload! I'm thinking more on the lines of radar for the future...
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