My top recommendation is for the Swedish Radio Symphony Orchestra, conducted by Celibidache.
BaL 16.06.12 - Sibelius Symphony no. 5
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amateur51
Originally posted by Roehre View PostSibelius seems not to be really universally recognized as a great composer:
Where are the recordings stemming from?
Scandinavia (incl. Denmark), Britain, USA, 2 Russian, 3 German (2 Karajan), 2 VPO, 1 Swiss, 1 NZ and 1 Ozzie.
No Concertgebouw, no other German-speaking orchestras, only one French speaking (the Swiss), further no club med or Eastern European orchestras whatsoever.
Conductors: Scandinavian, Baltic, Russian, British, American and 1 Austrian. That's it.
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Paavo Berglund, conductor
Japan Philharmonic Orchestra
10 December 1971
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Beef Oven
Originally posted by ferneyhoughgeliebte View PostOn holiday in a cottage in the Lincolnshire Wolds this time last year they had the CBS CD of Bernstein's earlier NYPO recording, which I thought very fine and much better than the more mannered VPO DG version.
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Originally posted by pastoralguy View PostThanks. Sibelius has always been a composer who appeals to the Scottish psyche!
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Yes, the new Vanska Minneapolis 5th is glorious listening - but perhaps a bit too much of a Rolls-Royce ride? Deeply churlish, to listen is to be grateful...
More tension, drama and sheer individuality with Barbirolli and the Halle (Kingsway, Boyling, Kinloch-Anderson, vintage 1966 - and the finale really knocks you for six...) or the startling Rozhdestvensky with the Moscow Radio SO in 1973 (a true pet favourite). Love Berglund's Bournemouth SO version too, his later accounts perhaps became a little too objective or "plain-spoken".
Always fond of Bernstein's NYPO cycle - but for me the outstanding reading there is the swift, stunningly dramatic No.1.
To choose one seems impossible...
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Originally posted by PJPJ View Post
Missed the end of the review - the winner was?
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Originally posted by cloughie View PostMissed the end of the review - the winner was?
(don't think the RCA version was mentioned and the Phillips BSO was dismissed with a "Impressive or Laboured?" comment about the transition between the first two movements. "Impressively laboured", I thought - the tension and struggle laid bare so that the release of the climax was all the more powerful. Doesn't do shading, our Stevie!)[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by HighlandDougie View PostAnd who on earth could say that Sibelius is not a great composer? Even if the only work he ever wrote was, say, Tapiola he is up there in Valhalla with Scarlatti, Rameau, Schubert, Beethoven, Debussy etc etc...
... that's my kind of Valhalla!
A shame that he was only able to illustrate a very few of the marvellous recordings that are out there.
I shd have liked to have heard his views on the Berglund/Bournemouth, and particularly on the Celibidache/RAI [1970] and on the Celibidache/Swedish Radio [1971], one of my faves (along with Vänskä/Lahti)...
But I found it a useful and instructive BAL
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