Originally posted by Barbirollians
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BaL 9.06.12 - Dvorak's Cello Concerto (merged threads)
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Roehre
Originally posted by Dave2002 View PostClemens Krauss was Austrian, having been born in Vienna, though during WWII that could be considered as part of Germany after its annexation.
Apart from the fact that in Austria the NSöAP was as active as the NSDAP in Germany itself.
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Originally posted by Dave2002 View PostClemens Krauss was Austrian, having been born in Vienna, though during WWII that could be considered as part of Germany after its annexation.Originally posted by Dave2002 View PostI guess the original mention of Ansermet (msg 113) has now been corrected. He was, of course, Swiss.
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Originally posted by ferneyhoughgeliebte View PostFournier/BPO/Szell.
Excellent choice."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Roehre View PostThe Thauer/Macal recording is my absolute favourite, as released on a DGG LP in the early 1970s.
That one and Rostropovich/Karajan (on DGG) are the only ones in my collection, even though this concerto -and certainly the middle mvt- is for me one of the most cherished and treasured works.
It is marvellous - there is something about her tone that absolutely pulls on the heart strings and it is superbly accompanied . Various details in the orchestration I am hearing as never before .
I might say I am not all that surprised after hearing it that you felt you did not need many other performances . It has gone right up to the top table in my numerous recordings of the piece.
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Roehre
Originally posted by Barbirollians View PostThauer's recording has been re-released expensively on a small German label and I got a copy through Amazon - but for the very positive mentions on here I would never have thought to buy it .
It is marvellous - there is something about her tone that absolutely pulls on the heart strings and it is superbly accompanied . Various details in the orchestration I am hearing as never before .
I might say I am not all that surprised after hearing it that you felt you did not need many other performances . It has gone right up to the top table in my numerous recordings of the piece.
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Originally posted by Richard Tarleton View PostQuestionable use of wind machine though.
But clicking the link, I see what you mean.
Looks like La Derham's hair presenting that Peter Donohoe Ogdon tribute concert....
PS: great use of the word "questionable", Richard!
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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