Thanks to you both fhg and EA. I too have Fournier/Szell in its old incarnation with Bloch and Bruch couplings, a wonderful CD, as well as Rostropovich/Karajan, Casals/CPO/Szell, Ma/Masur, Ma/Maazel and Wispelwey/Renes. All have their merits, though I find I come back to Fournier, Rostropovich and Ma/Masur most frequently. I must LA to the programme I think, as I love the piece and would be keen to hear excerpts from other performances - don't know the Wallfisch recommended as the single CD version, for example, nor the more recent Wispelwey recording with Fischer.
BaL 9.06.12 - Dvorak's Cello Concerto (merged threads)
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Originally posted by Black Swan View PostHaving grown up in Bloomington, Indiana, I was fortunate to hear Starker perform the work live 2 times, as he was on the faculty of Indiana University. My favorite recording is Fournier and Szell. I also have a recording of Slava with Ozawa and the Boston Symphony which includes the Variations on a Rococo theme.
J
Any views?
It seems I should certainly invest in the Fournier / Szell, I liked what I heard this morning."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Richard Tarleton
Originally posted by Caliban View PostI find the only CD I have of the piece is Starker with the LSO and Dorati on Mercury Living Presence. I didn't hear it get a mention and no one's referred to it here although it is mentioned above.
Any views?
It seems I should certainly invest in the Fournier / Szell, I liked what I heard this morning.
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Originally posted by Richard Tarleton View PostCalibs he did mention the Starker (I love Janos Starker) and played an extract but referred to the conductor as Antal Dorrity (which may well be correct, I wouldn't dream of arguing with him, but it took me a moment to realise who he was talking about). He also didn't mention Tortelier/Previn, or Tortelier at all - he was my first live perf., cond. Horenstein.
Interesting, about Dorati and Hungarian names - thanks, rauschwerk too. My upstairs neighbour pianist is certainly VASary...I'd never thought of extrapolating to other names!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Richard Tarleton
Originally posted by Caliban View PostInteresting, about Dorati and Hungarian names - thanks, rauschwerk too. My upstairs neighbour pianist is certainly VASary...I'd never thought of extrapolating to other names!
Not T Vasary, Caliban?
I hope your bed is not positioned immediately under a Steinway concert grand
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Originally posted by rauschwerk View PostThat's more or less correct as all Hungarian names are accented on the first syllable. He didn't mind being called Dorati though.
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Originally posted by Richard Tarleton View PostThanks from me too, rauschwerk.
Not T Vasary, Caliban?
I hope your bed is not positioned immediately under a Steinway concert grand"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Il Grande Inquisitor View PostYes, that's the pressing I bought, still available and going for a song:
http://www.amazon.co.uk/Dvorak-Cello...9243148&sr=8-1
My excuse to Mrs LMP will be that I only had one cheap and not very spendid CD version, and I'll obviously now have to throw out my Rostropovich/Karajan LP version as it got pulled up before the first fence this morning.I keep hitting the Escape key, but I'm still here!
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Originally posted by gurnemanz View PostThat's worth knowing and it makes sense since two of the few facts I know about Finnish are that words are stressed on the first syllable and that it is related to Hungarian as a Finno-Ugric language. It was pointed out to me by a Finn a long time ago when I misplaced the stress on "Kalevala" and it has been a simple and useful rule ever since.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostOh! So should the name Sibelius (which I've always heard pronounced with an accent on the second syllable) properly be pronounced with the accent on the "Sib"? (Sybl-yus?)
EDIT - don't know if this helps...
Last edited by vinteuil; 09-06-12, 15:47.
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Richard Tarleton
Originally posted by LeMartinPecheur View Post
My excuse to Mrs LMP will be that I only had one cheap and not very spendid CD version, and I'll obviously now have to throw out my Rostropovich/Karajan LP version as it got pulled up before the first fence this morning.
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Originally posted by rauschwerk View PostThat's more or less correct as all Hungarian names are accented on the first syllable. He didn't mind being called Dorati though.
Hungarian names should begin with surname; should we refer to him as Dorati Antal?
That aside, I wouldn't be without Fournier in the Dvorak, Bloch and Elgar even though he is too forwardly balanced.
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