Originally posted by ardcarp
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BaL 26.05.12/25.02.23 - Messiaen: Turangalila Symphony
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Originally posted by Bryn View PostIn my early teens, I used to record from the kitchen valve radio by attaching a cable to the speaker leads and feeding it to a reel-to-reel recorder my father sometimes brought home from work. I knew nothing of the dangers I was exposing myself and the recorder to. The radio incorporated ac/dc circuitry with a hot chassis.
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Originally posted by Goon525 View PostThough did anyone else think it odd that having dismissed several versions for dated sound (and I agree that sound quality really matters in this work), she then went back nearly half a century for her winner? I guess it is pretty well recorded.
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Originally posted by Ein Heldenleben View PostFull marks for electrical bravery . I used carbon granule mic in front of transistor radio to grundig cassette recorder. When I read I a book that this was “scarcely to be considered as a means of authentic sound recording “ I think I Experimeted with splitting the leads on a headphone and running that out of the transistor earpiece socket and into an amp . After a year of this I gave up and bought a proper hifi .bong ching
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Originally posted by Bryn View PostIn my early teens, I used to record from the kitchen valve radio by attaching a cable to the speaker leads and feeding it to a reel-to-reel recorder my father sometimes brought home from work. I knew nothing of the dangers I was exposing myself and the recorder to. The radio incorporated ac/dc circuitry with a hot chassis.bong ching
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Originally posted by Retune View PostI suppose the Penguin Guide's verdict stands up well today: 'Previn's vividly direct approach, helped by recording of spectacular amplitude and dynamic range, certainly creates tingling electricity from the first bar to the last'.
Strangely, given that at least one of the options on the DVD-A has 24-bit quantisation, all downloads from QOBUZ of that recording are restricted to 16 bits.
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Originally posted by Opinionated Knowall View PostI know that there has to be a shortlist, but surprised that Rattle/Donohoe/Murail/CBSO didn't even make that.
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Originally posted by ardcarp View PostA live performance of almost everything is surely best?
I really did enjoy today's BAL, I longed for more extracts, but that is the limitation of BAL as it stands. I agree that Gillian Moore gave it a good (and well-infirmed) shot. I'd never have guessed that Previn would have 'won' but from what we heard it was a good choice. I wish I could afford to order the final three...
anecdote, now, re the hoary old live vs. recorded question. A well-regarded record producer sent a pre-master edit consisting of hundreds of
spliced chunks of audio to an internationally-lauded soloist for final approval. The artist called the producer to give his blessing "Sounds marvellous,doesn't it ?"...pause before the long-suffering producer replied " Yes. Don't you wish you could play it like that ?"
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Originally posted by Bryn View Post... I knew nothing of the dangers I was exposing myself and the recorder to. The radio incorporated ac/dc circuitry with a hot chassis.
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Originally posted by Frances_iom View Postvery unlikely to be a danger - the valve radio would 99.99% certain to have a transformer coupled output which would have to be insulated to mains voltage - some larger radios might even have the speaker connections brought out so a speaker in another room could be connected.
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Originally posted by CallMePaul View Post
to name but a few. Turangalila would certainly not be my suggestion as an introduction to his work for those new to Messiaen. I would suggest Vingt Regards or l'Ascension as a first port of call for newbies. The first of these has been covered but there is plenty of scope for BAL producers to consider!
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