Originally posted by Don Basilio
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BaL 7.04.12 - Bach's St Matthew Passion
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Panjandrum
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Panjandrum
I thought JS was a touch confrontational. While I wouldn't argue that Erbarme Dich is Bach's finest melody, for the simple expedient that Bach was no melodist (whatever else he may have been), to say that the St Matthew Passion is the finest Christian work "no argument" is risible persiflage. How anyone could dismiss the 1610 Vespers, Missa Solemnis, Brahms and Verdi Requiems (whatever the religious beliefs of these composers, the texts are undeniably "Christian"), Die Schöpfung, Bruckner 8 and 9 (yes, I do mean the symphonies), St Francois d'Assise, is beyond me. I'm afraid that that kind of dogmatism undermines the credibility of the reviewer; as does the complete failure to consider Gardiner's extraordinary recording, one of the clearest Gramophone Records of the Year of all time.
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Originally posted by Panjandrum View Postrisible persiflage
I must say I find Gardiner's recording far too hard-driven, theatrical rather than spiritual and hence missing the point albeit - true - extraordinary and a technical tour-de-force. Same goes for his other large-scale Bach. I tried them all when they came out, but returned them all - they left me cold and rather irritated."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Panjandrum
Originally posted by Caliban View PostI must say I find Gardiner's recording far too hard-driven, theatrical rather than spiritual and hence missing the point .
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Originally posted by Caliban View Post
Your view about the length of this BAL is spot on too, I made a similar point somewhere above. Shame, I'd have MUCH preferred that to the double helping of Verdi they ladled in at the end of the programme
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#82 reinerfan
That's a very interesting (to me) point: religiously based works to the non-religious, and that includes me, can leave a nasty taste. But, if we the enlightened reject the works of those inspired by what we regard as superstitious gibberish, we will throw out almost the entire works of JS Bach, and that I am not prepared to do. So I enjoy the music of JSB and at the same time reject the source from which it flowed. JSB was a genius, religiously devout, completely sincere and entirely mistaken. It didnt stop him writing the most glorious paeans to the human spirit that have ever been composed. And I dont even believe in that spirit.
Discuss.
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Originally posted by umslopogaas View Post#82 reinerfan
That's a very interesting (to me) point: religiously based works to the non-religious, and that includes me, can leave a nasty taste. But, if we the enlightened reject the works of those inspired by what we regard as superstitious gibberish, we will throw out almost the entire works of JS Bach, and that I am not prepared to do. So I enjoy the music of JSB and at the same time reject the source from which it flowed. JSB was a genius, religiously devout, completely sincere and entirely mistaken. It didnt stop him writing the most glorious paeans to the human spirit that have ever been composed. And I dont even believe in that spirit.
Discuss.
Do this exercise: write "spirit" in the centre of a piece of paper, and then write around it, as many meanings or associations of the word "spirit" as you can; you could do the same with "God" too. I have never had any religion, formal or otherwise, but I see such phenomena as manifestations of human creativity, the search for meaning in what can seem like the "chaos" of nature. This is, sadly, also true of the most violent acts of fundamentalists and extremists.
If you are compelled by your dismissiveness to reduce human emotion and behaviour to an interplay of helpless appetites in a spirit-less world, how can you enjoy human creativity without self-deception and hypocrisy?
Aren't you clinging to something irrational, mysterious, perhaps something you yourself can't grasp, the very impulse that led to religious belief itself?
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Originally posted by Panjandrum View PostI thought JS was a touch confrontational. While I wouldn't argue that Erbarme Dich is Bach's finest melody, for the simple expedient that Bach was no melodist (whatever else he may have been), to say that the St Matthew Passion is the finest Christian work "no argument" is risible persiflage. How anyone could dismiss the 1610 Vespers, Missa Solemnis, Brahms and Verdi Requiems (whatever the religious beliefs of these composers, the texts are undeniably "Christian"), Die Schöpfung, Bruckner 8 and 9 (yes, I do mean the symphonies), St Francois d'Assise, is beyond me. I'm afraid that that kind of dogmatism undermines the credibility of the reviewer; as does the complete failure to consider Gardiner's extraordinary recording, one of the clearest Gramophone Records of the Year of all time.
And does that mean that I have to go and find a copy of the Gardiner recording...? I`m trying to slim the collection not expand it!
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Originally posted by ARBurton View Postdoes that mean that I have to go and find a copy of the Gardiner recording...?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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