BaL 11.02.12 Verdi's Otello

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  • ferneyhoughgeliebte
    Gone fishin'
    • Sep 2011
    • 30163

    #16
    Originally posted by Il Grande Inquisitor View Post
    Never discard, but frequently hear a performance I'd like to add to the collection (though it's by no means always the one which comes out 'top'...).
    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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    • ferneyhoughgeliebte
      Gone fishin'
      • Sep 2011
      • 30163

      #17
      Originally posted by kernelbogey View Post
      I'll raise you a Don Carlos, Ferney! (IMO, of course.)
      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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      • BBMmk2
        Late Member
        • Nov 2010
        • 20908

        #18
        Originally posted by Il Grande Inquisitor View Post
        As in the complete Verdi operas, BBM? He didn't record many - Otello (twice - Cossutta in Vienna and Pavarotti in Chicago, but his DVD with Domingo at Covent Garden is very fine); Aida, Traviata, Ballo, Don Carlo, Rigoletto, Boccanegra and Falstaff.

        For those looking for a performance on DVD, Muti's in Salzburg is very good. Aleksandrs Antonenko sings the role of Otello and is scheduled to perform it at Covent Garden this summer. Domingo is always going to be there or thereabouts in any consideration of the opera, but I marginally prefer Mario del Monaco for Karajan.
        Ah , right. Thank you IGI. I will have tohave a scourge of the sites and see what comes up!!
        Don’t cry for me
        I go where music was born

        J S Bach 1685-1750

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        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20578

          #19
          I'm not a great Verdi fan, but this opera is somehow different and I look forward to the programme.

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          • Chris Newman
            Late Member
            • Nov 2010
            • 2100

            #20
            My first ever live opera; early sixties, at Covent Garden naturally. James Mackracken, Vivien Townley and Tito Gobbi with Ted Downes. Not on a record as far as I am aware. But I was smitten and never looked back.

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            • DracoM
              Host
              • Mar 2007
              • 13005

              #21
              Same Otello for me. Vickers' anguish IMO has never been bettered on record.

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              • BBMmk2
                Late Member
                • Nov 2010
                • 20908

                #22
                Not long to go now! Who will be the runners and riders for this one?

                I forgot that i have the one with Placido Domingo!
                Last edited by BBMmk2; 11-02-12, 09:41.
                Don’t cry for me
                I go where music was born

                J S Bach 1685-1750

                Comment

                • Eine Alpensinfonie
                  Host
                  • Nov 2010
                  • 20578

                  #23
                  Originally posted by Brassbandmaestro View Post
                  I forgot that i have the one with Placido Domingo!

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                  • Nick Armstrong
                    Host
                    • Nov 2010
                    • 26601

                    #24
                    Originally posted by Brassbandmaestro View Post
                    I forgot that i have the one with Placido Domingo!
                    I thought there were at least 5 with him.... Or am I missing your joke / irony?

                    I listened to this with interest, as I try to do when the music isn't up my street. I shan't be investing. From that first chord which sounds (and I know this isn't Giuseppe's fault) like the start of a glamorous RKO Pictures movie, I can't get inside Verdi's head at all. The only bit that I found gripping was Sherrill Milnes's "e poi" s ... I can see why people rave about him.

                    What a shame Jon Vickers's Desdemona sounded more like his mum than his vulnerable bride.

                    But a well-illustrated BAL, I thought, as one of the uninitiated...
                    "...the isle is full of noises,
                    Sounds and sweet airs, that give delight and hurt not.
                    Sometimes a thousand twangling instruments
                    Will hum about mine ears, and sometime voices..."

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                    • BBMmk2
                      Late Member
                      • Nov 2010
                      • 20908

                      #25
                      Unfortunately, that was bad grammer on my part! I have therecording he made with Myun-Chung!
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

                      Comment

                      • Flosshilde
                        Full Member
                        • Nov 2010
                        • 7988

                        #26
                        Originally posted by Flosshilde View Post
                        I've got the Domingo/Scotto/Levine recording (which, coincidentally, I've just recently listened to).

                        I wonder; if you have one of the recordings discussed in BaL, & it doesn't come out well in the critic's/presenter's review, what would your reaction be? Ignore the critic, or discard your recording & replace it with the recommended one?
                        No problem - the recording I've got was the final choice!

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                        • visualnickmos
                          Full Member
                          • Nov 2010
                          • 3617

                          #27
                          DracoM (msg 21) Are you referring to the RCA Vickers/Rysanek recording? That is the only recording I have of this powerful work. I find it incredibly 'strong'.... brilliant!

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                          • Il Grande Inquisitor
                            Full Member
                            • Mar 2007
                            • 961

                            #28
                            An interesting BaL from Christopher Cook, illustrating much marvellous singing. The only point where I'd take serious issue with him is over the Iago of Sergei Leiferkus, on the Domingo, Studer/ Chung account. I find his Iago wonderfully sinuous, the slavic-accented Italian marking him as an outsider, with a huge chip on his shoulder.
                            Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

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                            • Barbirollians
                              Full Member
                              • Nov 2010
                              • 11882

                              #29
                              Just listened to the Domingo/Scotto/Milnes /NPO/Levine - recording. No wonder it won . I thought it was fantastic and was transfixed throughout .

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