Originally posted by Il Grande Inquisitor
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BaL 11.02.12 Verdi's Otello
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Originally posted by Il Grande Inquisitor View PostAs in the complete Verdi operas, BBM? He didn't record many - Otello (twice - Cossutta in Vienna and Pavarotti in Chicago, but his DVD with Domingo at Covent Garden is very fine); Aida, Traviata, Ballo, Don Carlo, Rigoletto, Boccanegra and Falstaff.
For those looking for a performance on DVD, Muti's in Salzburg is very good. Aleksandrs Antonenko sings the role of Otello and is scheduled to perform it at Covent Garden this summer. Domingo is always going to be there or thereabouts in any consideration of the opera, but I marginally prefer Mario del Monaco for Karajan.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View PostI forgot that i have the one with Placido Domingo!
I listened to this with interest, as I try to do when the music isn't up my street. I shan't be investing. From that first chord which sounds (and I know this isn't Giuseppe's fault) like the start of a glamorous RKO Pictures movie, I can't get inside Verdi's head at all. The only bit that I found gripping was Sherrill Milnes's "e poi" s ... I can see why people rave about him.
What a shame Jon Vickers's Desdemona sounded more like his mum than his vulnerable bride.
But a well-illustrated BAL, I thought, as one of the uninitiated...
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Flosshilde View PostI've got the Domingo/Scotto/Levine recording (which, coincidentally, I've just recently listened to).
I wonder; if you have one of the recordings discussed in BaL, & it doesn't come out well in the critic's/presenter's review, what would your reaction be? Ignore the critic, or discard your recording & replace it with the recommended one?
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An interesting BaL from Christopher Cook, illustrating much marvellous singing. The only point where I'd take serious issue with him is over the Iago of Sergei Leiferkus, on the Domingo, Studer/ Chung account. I find his Iago wonderfully sinuous, the slavic-accented Italian marking him as an outsider, with a huge chip on his shoulder.Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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