BaL 5.11.11 Beethoven's Pastoral Symphony

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20564

    BaL 5.11.11 Beethoven's Pastoral Symphony

    9.30 Building a Library: John Deathridge with a personal recommendation from the available recordings of Beethoven's Symphony no.6 ('Pastoral')

    Available versions:

    Orchestra del Teatro alla Scala di Milano, Arturo Toscanini
    BBC SO, Arturo Toscanini
    NBC SO. Arturo Toscanini
    RIA SO Turin, Victor De Sabata
    Pittsburgh Symphony Orchestra, William Steinberg
    Sinfonia Varsovia, Yehudi Menuhin
    NDR Symphony Orchestra, Günter Wand
    Vienna Philharmonic, Christian Thielemann
    Gewandhausorchester Leipzig, Franz Konwitschny
    Willem Van Otterloo
    Rudolf Kempe
    Boston Symphony Orchestra, Pierre Monteux
    Saarbrücken Radio Symphony Orchestra, Stanislaw Skrowaczewski
    Russian National Orchestra, Mikhail Pletnev
    Anima Eterna, Jos van Immerseel
    Staatskapelle Berlin, Daniel Barenboim
    New York Philharmonic Orchestra, Leonard Bernstein
    Philadelphia Orchestra, Riccardo Muti
    Czech Philharmonic Orchestra, Paul Kletzki
    Staatskapelle Dresden, Sir Colin Davis
    Hanover Band, Roy Goodman
    Ensemble Orchestral de Paris, John Nelson
    Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
    Pro Musica Symphony de Vienne, Jascha Horenstein
    Berlin State Opera Orchestra, Hans Pfitzner
    Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
    London Symphony Orchestra, Wyn Morris
    Royal Flemish Philharmonic, Philippe Herreweghe
    Gewandhausorchester Leipzig, Riccardo Chailly
    Minnesota Orchestra, Osmo Vänskä
    The Academy of Ancient Music, Christopher Hogwood
    Scottish Chamber Orchestra, Sir Charles Mackerras
    Orchestre et Choeur de la Francophonie, Jean-Phillipe Tremblay
    Vienna State Opera Orchestra, Hermann Scherchen
    Zagreb Philharmonic Orchestra, Richard Edlinger
    La Chambre Philharmonique, Emmanuel Krivine
    Berliner Philharmoniker, André Cluytens
    New York Philharmonic-Symphony Orchestra, George Szell
    Concertgebouw Orchestra, Amsterdam, Willem Mengelberg
    Nicolaus Esterhazy Sinfonia, Bela Drahos
    Paris Conservatoire Orchestra, Charles Münch
    Boston Symphony Orchestra, Charles Munch
    Berliner Philharmoniker, Carl Schuricht
    Staatskapelle Dresden, Herbert Blomstedt
    Budapest Symphony Orchestra, Tamás Vásáry
    Budapest Philharmonic, Stephen Pomerantz
    New York Chamber Symphony, Gerard Schwarz
    Swedish Chamber Orchestra, Thomas Dausgaard
    Royal Philharmonic Orchestra, Felix Weingartner
    Wiener Philharmoniker, Bruno Walter
    New York Philharmonic, Bruno Walter
    Berlin Philharmonic Orchestra, Wilhelm Furtwängler (3 versions)
    Wiener Philharmoniker, Wilhelm Furtwangler
    RAI Rome & Turin, Wilhelm Furtwängler
    London Symphony Orchestra, Bernard Haitink
    Royal Concertgebouw Orchestra, Bernard Haitink
    Philharmonia Orchestra, Otto Klemperer (3 versions)
    Vienna Symphony Orchestra, Otto Klemperer
    Orchestre Philharmonique de Berlin, Otto Klemperer
    Symphonie-Orchester des Bayerischen Rundfunks, Rafael Kubelik
    Wiener Philharmoniker, Karl Böhm
    Chicago Symphony Orchestra, Sir Georg Solti
    Royal Phiharmonic Orchestra, Marc Ermler
    Royal Concertgebouw Orchestra, Erich Kleiber
    Concertgebouw Orchestra, Erich Kleiber
    London Philharmonic Orchestra, Erich Kleiber
    Kölner Rundfunk-Sinfonie-Orchester, Erich Kleiber
    Kammerphilharmonie Bremen, Paavo Järvi
    Minnesota Orchestra, Osmo Vänskä
    Haydn Orchestra Of Bolzano And Trento, Gustav Kuhn
    London Philharmonic Orchestra, Sir Adrian Boult
    Chamber Orchestra of Europe, Nikolaus Harnoncourt
    The Cleveland Orchestra, Christoph von Dohnanyi
    Chamber Orchestra of Basel, Giovanni Antonini
    Radio-Symphonieorchester Wien, Bertrand de Billy
    Leipzig Gewandhausorchester, Hermann Abendrot
    Musica Viva Orchestra Moscow, Alexander Rudin
    Israel Philharmonic Orchestra, Zubin Mehta
    London Symphony Orchestra, Yondani Butt
    Orchestra Sinfonica di Milano della RAI, Sergiu Celibidache
    Münchner Philharmoniker, Sergiu Celibidache
    Bayerisches Staatsorchester, Carlos Kleiber
    Leningrad Philharmonic Orchestra, Evgeny Mravinsky
    New Philharmonia Orchestra, Carlo Maria Giulini
    Los Angeles Philharmonic Orchestra, Carlo Maria Giulini
    Berlin Philharmonic Orchestra, Lorin Maazel
    Tafelmusik Baroque Orchestra, Jeanne Lamon
    Zurich Tonhalle Orchestra, David Zinman
    Orchestra di Padova e del Veneto, Peter Maag
    Royal Concertgebouw Orchestra, Wolfgang Sawallisch
    London Philharmonic Orchestra, Klaus Tennstedt
    Gewandhaus Orchestra Leipzig, Kurt Masur
    WDR Sinfonieorchester Köln, Kurt Sanderling
    Berliner Philharmoniker, Herbert von Karajan (5 versions)
    Philharmonia Orchestra, Herbert von Karajan
    L'Orchestre de la Suisse Romande, Ernest Ansermet
    Royal Flemish Philharmonic, Philippe Herreweghe
    Manchester Camerata, Douglas Boyd
    RSO Stuttgart, Roger Norrington
    London Classical Players, Sir Roger Norrington
    Orchestre Symphonique de Montréal, Kent Nagano
    Budapest Festival Orchestra, Ivan Fischer
    Wiener Philharmoniker, Sir Simon Rattle
    Netherlands Symphony Orchestra, Jan Willem de Vriend
    Wiener Philharmoniker, Claudio Abbado
    Berlin Philharmonic Orchestra, Claudio Abbado

    arr. Liszt
    Idil Biret
    Konstantin Scherbakov


    DVD
    Wiener Philharmoniker, Christian Thielemann
    Wiener Philharmoniker, Leonard Bernstein
    Berliner Philharmoniker, Claudio Abbado
    Berlin Philharmonic Orchestra, Herbert Von Karajan
    Chamber Orchestra of Europe, Nikolaus Harnoncourt
    SWR-Sinfonieorchester, Michael Gielen
    Slovak Radio Symphony Orchestra, Michael Halasz
    Orchestre de Radio-Canada, Igor Markevitch
    Last edited by Eine Alpensinfonie; 27-02-15, 13:36.
  • Nick Armstrong
    Host
    • Nov 2010
    • 26445

    #2
    Excellent, it will be interesting to see how my Cluytens/BPO version fares, in the set newly acquired thanks to the Dvorak 8 thread

    Cluytens's "Pastoral" seems to be regarded as one of the very best.

    I have always clung to Bruno Walter with the Columbia SO - it breathes and flows and sings like no other I've heard, and there's something about the way he shapes the very first phrase, with a slight pause after, that's like opening a door and taking in the first lungful of fresh spring morning air...

    Ahem, I wax lyrical.

    The French CD critics programme considered the piece last year. The blind tasting consisted of 7 versions, Kleiber fils being chosen as the best:

    VERSION NO 1
    Orchestre Philharmonique de Berlin
    Direction : Claudio Abbado
    [Enregistré à l’Académie Nationale de Sainte-Cécile de Rome en février 2001]
    DGG 00289 477 5864

    VERSION NO 2
    Orchestre Philharmonique de Vienne
    Direction : Wilhelm Furtwängler
    [Enregistré au Musikverein de Vienne, les 24 et 25 novembre 1952]
    EMI CDH 7 630342 MONO

    VERSION NO 3
    Orchestre du Concertgebouw d’Amsterdam
    Direction : Erich Kleiber
    [Enregistré au Concertgebouw d’Amsterdam, en 1952]
    DECCA 417 637-2 MONO

    VERSION NO 4 VERSION CHOISIE****
    Orchestre de l’Etat de Bavière
    Direction : Carlos Kleiber
    [Enregistré en concert à l’Opéra d’Etat de Bavière à Munich, le 7 novembre 1983]
    ORFEO C 600 031 B

    VERSION NO 5
    Orchestre de Chambre d’Europe
    Direction : Nikolaus Harnoncourt
    [Enregistré à la Stefaniensaal de Graz (Autriche) le 1er juillet 1990]
    TELDEC 2292-46452

    VERSION NO 6
    Orchestre Révolutionnaire et Romantique
    Direction : John Eliot Gardiner
    [Enregistré à Londres en octobre 1992]
    ARCHIV/DGG 439 900

    VERSION NO 7 VERSION EXCELLENTE***
    Orchestre de la Tonhalle de Zurich
    Direction : David Zinman
    [Enregistré à la Tonhalle de Zurich les 25 et 26 mars 1997]
    ARTE NOVA 74321 49695


    The Carlos Kleiber did indeed sound pretty spiffing but I wasn't tempted to invest over and above my beloved Bruno Walter
    "...the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices..."

    Comment

    • Eine Alpensinfonie
      Host
      • Nov 2010
      • 20564

      #3
      It should be interesting, as the reviewer is something of a Beethoven expert.
      Of the recordings I own, I have a particular affection for the VPO/Abbado.

      Comment

      • Biffo

        #4
        There are so many excellent Pastorals available it is odd (perverse?) of the French critics to choose C Kleiber, you only have to listen to his father for a better performance. If pushed I would say Bohm but probably only out of habit, he might be a bit on the slow side for modern tastes. Like Caliban I have a strong affection for Walter/Columbia (coupled with an equally good No 4). In the recent much discussed Chailly set the Pastoral is one of the highlights but I don't much care for what I have heard of the rest. Cluytens is also excellent.

        Comment

        • silvestrione
          Full Member
          • Jan 2011
          • 1671

          #5
          I am left almost speechless that CD Review are doing the 'Pastoral' again, when I can remember some of the detail of the last programme, it was so recent (for example, the VPO/Bohm was only not chosen because of a bad edit; Abbado's Berlin BPO version was chosen), and they have still not done the 'Eroica' for, it must be at least over 25 years.

          Nevertheless I shall be all ears. My favourites are Karajan EMI Philharmonia, and the Toscanini live version with BBC Sym. Have a soft spot for Furtwangler's post war performance, very slow and heartfelt.

          Comment

          • silvestrione
            Full Member
            • Jan 2011
            • 1671

            #6
            I am left almost speechless that CD Review are doing the 'Pastoral' again, when I can remember some of the detail of the last programme, it was so recent (for example, the VPO/Bohm was only not chosen because of a bad edit; Abbado's Berlin BPO version was chosen), and they have STILL not done the 'Eroica' for, it must be at least over 25 years.

            Nevertheless I shall be all ears. My favourites are Karajan EMI Philharmonia, and the Toscanini live version with BBC Sym. Have a soft spot for Furtwangler's post war performance, very slow and heartfelt.

            Comment

            • Barbirollians
              Full Member
              • Nov 2010
              • 11519

              #7
              That was a lousy BAL as I remember - Bohm and Klemperer airily dismissed and far too much Zinman ! so maybe that is why they are doing it again .

              I suggest they get RO in to do the Eroica especially after his response to the Chailly .

              Bohm , Boult, Cluytens and Furtwangler for me . Though I hear very good reports of the Kletzki .

              Comment

              • Biffo

                #8
                I have retrieved the Carlos Kleiber Pastoral from the archives and played it again. The first movement is very brisk, possibly too fast for Allegro ma non troppo but there is a highly dramatic storm and a faster than usual Finale (with the occasional obbligato coughing). The case bears a sticker 'Preis der deutschen Schallplaten Kritik' so they liked it as much as the French; I seem to remember our local critics were fairly tepid.

                It is always disappointing/annoying when a favourite is ignored or casually dismissed but BaL is very subjective. Last year when they reviewed Wagner's Ring over four programmes with a different critic each leg, Keilberth came out on top in Rheingold and Siegfried but was dismissed with barely a mention in the other two parts.

                Comment

                • Chris Newman
                  Late Member
                  • Nov 2010
                  • 2100

                  #9
                  I heard Sir Adrian conduct this symphony twice (with the LPO and BBCSO) and have never since heard such a gratifying mixture of gentle sunny bucolics and passing power. For me most others get too loud and try to plumb emotional depths that this symphony never seeks. I imagine Davis, Haitink or Mackerras would achieve similar pastorality with chamber orchestras but have not heard them yet.

                  I do have a soft spot for Walt Disney's version with Stokowski. My Gran took me to see Fantasia when I must have been about six or seven. I never saw the Rite of Spring sequence until I was 21 years old and the film re-released. In the early 50s the film was a U classification in the daytime where children were admitted whilst evenings were X classification and the Rite was shown. But Boult is the man for me.

                  Comment

                  • Parry1912
                    Full Member
                    • Nov 2010
                    • 963

                    #10
                    Bohm, Walter or Ashkenazy for me.
                    Del boy: “Get in, get out, don’t look back. That’s my motto!”

                    Comment

                    • Barbirollians
                      Full Member
                      • Nov 2010
                      • 11519

                      #11
                      I have not heard the Ashkenazy - I was very fond of his recording of the 7th though.

                      As for the Carlos Kleiber the recording quality is pretty ropey but I like the performance a lot. Very invigorating.

                      Comment

                      • Bryn
                        Banned
                        • Mar 2007
                        • 24688

                        #12
                        I recall buying an LP of the Pastoral conducted by Boult back in my early youth. The purchase was made in Woolworths and the disc was of their own bargain basement label IIRC. The orchestra was named as something like the 'London Philharmonic Festival Orchestra'. It was a very fine recorded performance, as I recall.

                        Ah, this must be it, the 'Philharmonic Promenade Orchestra of London':

                        Last edited by Bryn; 28-10-11, 18:45. Reason: Update.

                        Comment

                        • Roehre

                          #13
                          Originally posted by Barbirollians View Post
                          As for the Carlos Kleiber the recording quality is pretty ropey but I like the performance a lot. Very invigorating.
                          The original recording has badly deteriorated. For the bits which were beyond repair a cassette tape in possession of the Kleiber family has been used. That explains the recording quality.
                          I think it is one of the most naturally developing and evolving pastorals, pity of that ropey recording indeed.

                          Comment

                          • Colonel Danby
                            Full Member
                            • Nov 2010
                            • 356

                            #14
                            I think that we all have a soft spot for our earliest purchases in classical music: I still play Colin Davis's account of the "Pastoral" with the BBC Symphony Orchestra, but I will always plump for Roger Norrington on EMI Reflexe: this is an excellent issue that I always return to. It will be interesting to hear our critic's choice tomorrow, but I reckon it will be probably be Kleiber. Just a hunch...

                            Comment

                            • Alison
                              Full Member
                              • Nov 2010
                              • 6437

                              #15
                              No mention of the Rattle version there, Colonel ...

                              Comment

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