BaL 15.10.11 - Berlioz: Symphonie Fantastique

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20577

    BaL 15.10.11 - Berlioz: Symphonie Fantastique

    Stephen Johnson with a personal recommendation from the available recordings of Berlioz's Symphonie fantastique

    Available recordings:

    Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
    Royal Philharmonic Orchestra, Charles Mackerras
    Kölner Rundfunk Sinfonie Orchester, Gary Bertini
    Saito Kinen Orchestra, Ozawa
    Vancouver International Festival Orchestra, Bruno Walter
    Boston Symphony Orchestra, Charles Munch
    Orchestre de Radio-Canada, Charles Munch
    Sydney SO, Willem van Otterloo
    New York Philharmonic, Leonard Bernstein
    Radio Sinfonie Orchester Frankfurt, Eliahu Inbal
    San Francisco SO, Pierre Monteux
    Saarbrücken Radio Symphony Orchestra, Stanislaw Skrowaczewski
    Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelik
    Baltimore Symphony Orchestra, David Zinman
    Orchestre National de la Radiodiffusion Français, André Cluytens
    Berliner Philharmoniker, Kempe
    San Diego Symphony Orchestra, Yoav Talmi
    New Jersey Symphony Orchestra, Zdenek Macal
    Paris Conservatory Orchestra, Bruno Walter
    Cleveland Orchestra, Pierre Boulez
    Hungarian State Orchestra, János Ferencsik
    New Philharmonia, Leopold Stokowski
    Dresden Philharmonic Orchestra, Herbert Kegel
    Concertgebouw Orchestra of Amsterdam, Eduard van Beinum
    The NBC Symphony, Bruno Walter
    Cleveland Orchestra, Lorin Maazel
    Radio-Sinfonieorchester Stuttgart, Roger Norrington
    London Philharmonic Orchestra, Zubin Mehta
    Orchestre de Paris, Christoph Eschenbach
    Orchester der Komischen Oper Berlin, Rolf Reuter
    Cologne Radio Symphony Orchestra, Andre Cluytens
    Orchestra Sinfonica di Torino della RAI, Sergiu Celibidache
    Slovak Philharmonic Orchestra, Zdenek Kosler
    RIAS SO Igor Markevitch
    Halle Orchestra, Sir John Barbirolli (2 versions)
    Vienna Philharmonic Orchestra, Lorin Maazel
    Orchestre de la Suisse Romande, Ernest Ansermet (2 versions)
    Philharmonia Orchestra, Esa-Pekka Salonen
    Les siecles, François-Xavier Roth
    Royal Philharmonic Orchestra, Yehudi Menuhin
    Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky
    Orchestre Lamoureux, Paris, Igor Markevitch
    Cincinnati Symphony Orchestra, Paavo Jarvi
    Utah Symphony Orchestra, Varujan Kojian
    Orchestre National de l’ORTF, Jean Martinon
    Hungarian Radio and Television Orchestra, Charles Munch
    London Symphony Orchestra, Sir Colin Davis (studio version)
    London Symphony Orchestra, Sir Colin Davis (live version)
    Concertgebouw Orchestra, Sir Colin Davis
    RNRO, Sir Thomas Beecham
    Berliner Philharmoniker, Sir Simon Rattle
    Les Musiciens du Louvre & Mahler Chamber Orchestra, Marc Minkowski
    London Symphony Orchestra, André Previn
    Anima Eterna, Jos van Immerseel
    San Francisco Symphony, Michael Tilson Thomas
    Philadelphia Orchestra, Muti
    Berliner Philharmoniker, Mariss Jansons
    Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin
    Chicago Symphony Orchestra, Daniel Barenboim
    Orchestre de Paris, Daniel Barenboim
    Pittsburgh Symphony Orchestra, Marek Janowski
    London Classical Players, Sir Roger Norrington
    Slovak Radio Symphony Orchestra, Pinchas Steinberg


    Piano, arr. Liszt
    Idil Biret
    Roger Muraro
    Leslie Howard
    Nikolai Petrov (revised Petrov)
    Antony Peebles
    Last edited by Eine Alpensinfonie; 28-02-15, 15:12. Reason: More recordings added
  • makropulos
    Full Member
    • Nov 2010
    • 1685

    #2
    Long list! And yet even with all those, my favourite recording seems not to be available at the moment - Paul Paray on Mercury.

    Comment

    • Petrushka
      Full Member
      • Nov 2010
      • 12375

      #3
      Last time this featured in BaL I think that the Concertgebouw/Colin Davis version took the palm. It's still a hard act to follow and as a library version will do for me. Other favouritss not listed are Solti and Abbado both with the Chicago SO and Myun-Whun Chung with the Bastille Opera Orchestra. I have 14 versions altogether most of which don't appear on the above listing!
      "The sound is the handwriting of the conductor" - Bernard Haitink

      Comment

      • Eine Alpensinfonie
        Host
        • Nov 2010
        • 20577

        #4
        There are also a VPO/Davis and a VPO/Haitink, both with great merit, that are not generally available.

        Comment

        • Barbirollians
          Full Member
          • Nov 2010
          • 11833

          #5
          The Concertgebouw /Davis is still one hell of a great record and available for less than £4 on Amazon ! I am also a fan of the missing Abbado , Beecham and Barbirolli's recordings.

          Comment

          • vinteuil
            Full Member
            • Nov 2010
            • 13030

            #6
            ... well, of course, performances without ophicleides to be rejected before we start.

            Comment

            • Richard Tarleton

              #7
              Is John Eliot Gardiner's version currently available? (Orch.R&R) - recorded in the original room in Paris.....I listen to it occasionally. My only other recording on CD is Mackerras/RPO. I also have an old LP of Barenboim with the Orchestre de Paris.

              Comment

              • Richard Tarleton

                #8
                Originally posted by vinteuil View Post
                ... well, of course, performances without ophicleides to be rejected before we start.
                And yes JEG has an ophicleide

                Comment

                • Eine Alpensinfonie
                  Host
                  • Nov 2010
                  • 20577

                  #9
                  Originally posted by vinteuil View Post
                  ... well, of course, performances without ophicleides to be rejected before we start.
                  That should see off all the best performances.

                  Comment

                  • John Skelton

                    #10
                    I have Markevitch (very characterful & very French as it was then orchestral sound), Martinon, Boulez LSO (with Lélio), Minkowski (Les Musiciens du Louvre & Mahler Chamber Orchestra), two Norrington's (LCP & Stuttgart) & Gardiner Orchestre Révolutionnaire et Romantique. I think the first I bought was Martinon (c. 1989), then Gardiner, then Norrington LCP. Which might give an entirely misleading impression of stability & organisation in my life .

                    I didn't set out to collect seven versions. But I do like the piece very much.

                    Comment

                    • Biffo

                      #11
                      The Mercury/Paray version is available from Amazon but only at silly prices. The CD version is on sale at £26.95 and the hybrid SACD from £38.99 with one copy at £45.53. Fortunately, I bought a copy when it was available at a sensible price. Why were so many of the Mercury re-releases available for such a short time and does anybody pay these silly prices?

                      The Paray is a fine peformance but my favourite is Martinon/ORTF Orchestra with Barbirolli and Davis very close behind.

                      Comment

                      • Nick Armstrong
                        Host
                        • Nov 2010
                        • 26598

                        #12
                        Originally posted by vinteuil View Post
                        ... well, of course, performances without ophicleides to be rejected before we start.
                        mais bien évidemment....

                        The France-Musique 'critics forum' programme (now called for reasons which elude all rational people, "Le Jardin des Critiques") considered the piece a couple of weeks ago.

                        The two recordings which emerged on top were by Les siècles, under François-Xavier Roth (2009, Musicales Actes Sud) and the Thomas Beecham performance with the Orchestre national de l'ORTF in 1959 for EMI.

                        With commendable lack of chauvinism, they chose Beecham as the best of the best, for its sheer vigour and style and hallucinatory brilliance, relegating their compatriot because the orchestra, ophicleides and all no doubt, just didn't have the 'oooomph'. I actually loved the grainy, woody, visceral sounds of Les siècles...
                        "...the isle is full of noises,
                        Sounds and sweet airs, that give delight and hurt not.
                        Sometimes a thousand twangling instruments
                        Will hum about mine ears, and sometime voices..."

                        Comment

                        • LeMartinPecheur
                          Full Member
                          • Apr 2007
                          • 4717

                          #13
                          I can field an obscure CD version that hasn't had a mention yet: European Community Youth Orch under James Judd, live in Stockholm, 14/8/89, on something called the Digital Classics Collection. On the same label and also with the ECYO I have a decent Prokofiev 3rd pf conc with Barry Douglas. If the booklet is to be believed he also conducts!

                          These were given to me IIRC and I know nothing about their origins. Might they be an orchestra own label, perhaps just for performers and their families? They look quite professionally produced and are associated with something called the Digital Equipment Corporation.

                          Back on topic, the groaning shelves would also yield Concertgebouw/ Davis and, LCP/ Norrington on CD plus Orch Nat de l'ORTF/ Martinon on quadraphonic LP. I'd probably reach first for the Norrington, if only to avoid members' crushing disdain for lack of ophicleides!
                          I keep hitting the Escape key, but I'm still here!

                          Comment

                          • Eine Alpensinfonie
                            Host
                            • Nov 2010
                            • 20577

                            #14
                            Whatever its alleged qualities, I don't think I'd ever consider the LCP/Norrington, simply because the conductor was at his most pompous when he was promoting it when it was first issued - "everyone will have to take account of my version..." What arrogance!

                            The tuba sounds quite good too.

                            Comment

                            • vinteuil
                              Full Member
                              • Nov 2010
                              • 13030

                              #15
                              o good, I knew I was right to have Norrington as my favourite.

                              Comment

                              Working...
                              X