I was fortunate enough to hear Haitink conduct Bruckner 8 with the LPO twice; the first time was the performance of a lifetime. I also heard Giulini with the Philharmonia in Nottingham. For some reason I found it unsatisfactory, for one thing I was too near the orchestra; possibly it was just me. Giulini/VPO is a magnificent performance but I am not sure if it is available on CD; I bought it as a FLAC download.
BaL 1st October 2011 - Bruckner's 8th Symphony
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Biffo
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Am sooooooo excited! Have 38(?) Recordings of this.
Love Jochum's Bruckner but not sure his 8ths show him @ his best. Best of them is perhaps the 1949 Hamburg (Haas - Nowak wasn't published then)
I like HvK's late 50s EMI more than either DG version.
Love Tennstedt's Mahler but the Bruckner is too brassy for me.
The Orfeo Kubelik (1966?) is pretty special
Horenstein is tremendous
Celi / Munich is amazing but not a library choice. Ditto Furtwangler.
Gielen is good but I can't see him "winning
Am dreading him leaving out some "unavailable" versions
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Have heard numerous good comments about the Boulez. Never at all thought of him as a Bruckner conductor! Mind you, as he has recorded Symanoskiw now, the mind just boggles! I should think it be the clarity of line, would be Boulez's recording?Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by mathias broucek View PostHave 38(?) Recordings of this.
Was glad to hear the Tennstedt studio version get an honourable mention. I love it.
Gielen showed strongly but then dropped back. I don't know either the Giulini or the Wand.
Very good, sound and insightful BAL though. Such a blessed relief after the inane gabblings and gimmicks of weekday mornings..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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amateur51
I missed the beginning and came away with the impression that Bernard Haitink has never recorded this work. Did he get a mention?
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Never at all thought of [Boulez] as a Bruckner conductor!
He's very good, Bbm: if you like his Wagner recordings (as I do) you'll hear the same scrupulous attention to the score, a superb ear for Bruckner's counterpoint, and powerful momentum. Plus a "new" element in PB's conducting, one that, if I were talking about any other figure, I would call "mellowing"!
Another very good BaL, I was thinking until I read Am51 and Bert's comments: if Haitinck and/or Goodall were mentioned, they didn't stay in "the mix" for long. RO is such a good broadcaster: erudite without being "lofty"; passionate without gushing; welcoming without being "pals-y": and magnificent command of language.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by amateur51 View PostI missed the beginning and came away with the impression that Bernard Haitink has never recorded this work. Did he get a mention?Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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Biffo
I also missed the beginning but didn't notice any mention of Haitink either. I have the earlier live Kubelik recording (from 1963), presumably it didn't come into contention as it is mono. The Giulini version I own is with the Vienna Philharmonic, not the final choice Berlin version. Of the other contenders I have Karajan with the BPO, not the favoured Vienna version but I do have the Wand performance that was highly praised. I also have the Boulez recording, recommended as the best single-disc version but must admit to not having listened to it very much.
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Originally posted by ferneyhoughgeliebte View PostRO is such a good broadcaster: erudite without being "lofty"; passionate without gushing; welcoming without being "pals-y": and magnificent command of language.
I had thought I had enough Bruckner 8s (tho' not in the Petrushka/Broucek league ) - but was convinced by the broadcast that I also need (as I shall explain to Mme Vinteuil later... ) to add both the Giulini and the Boulez to the collection...
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I'm looking forward to catching the item on the iPlayer, though I'm disappointed that the Goodall version (which I think was from a Prom) didn't last long in the running, or perhaps even get a mention. I've never heard Boulez's Bruckner: it still sounds like an uneasy combination to me, though that was also true of him and Wagner which I did eventually come to appreciate if not actually love.
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