BaL 18.03.23 - Chopin: Piano Concerto no. 2 in F minor

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  • MickyD
    Full Member
    • Nov 2010
    • 4875

    #16
    Originally posted by Bryn View Post
    https://www.prestomusic.com/classica...ver-a-majorque

    Also available from QOBUZ in 48/24.
    That's the one! A lovely recital. The CD format seems to have disappeared, maybe a limited run of copies.
    The museum in Valdemossa, Mallorca is well worth a visit, lots of scores on display and as you might expect, the villa and gardens are absolutely delightful, a real haven of peace.
    Last edited by MickyD; 12-03-23, 09:53.

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    • Pulcinella
      Host
      • Feb 2014
      • 11239

      #17
      Vasary/BPO/Kulka and Szekely/Budapest SO/Nemeth here.
      Surprisingly, perhaps, neither of the Chopin PCs (nor either of the Liszt) has appeared on a BBC MM CD.

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      • Wolfram
        Full Member
        • Jul 2019
        • 291

        #18
        Originally posted by richardfinegold View Post
        I listen to a lot of Chopin, but the PCs with their Orchestra obligatto parts don’t do much for me.
        I am afraid I think this is correct. After an extremely arresting, almost Brahmsian, opening orchestral tutti the orchestra sinks back into the role of passive accompanist. You could almost describe it as a sonata for solo piano with obligatto orchestra. I do like it though.

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        • Darloboy
          Full Member
          • Jun 2019
          • 340

          #19
          Last covered by BaL in October 2000 when Piers Lane chose Argerich/Dutoit, with Perahia/Mehta as 2nd choice & Rubinstein/Wallenstein as mid price choice.

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          • Barbirollians
            Full Member
            • Nov 2010
            • 11882

            #20
            Originally posted by Darloboy View Post
            Last covered by BaL in October 2000 when Piers Lane chose Argerich/Dutoit, with Perahia/Mehta as 2nd choice & Rubinstein/Wallenstein as mid price choice.
            Hard to argue with any of those three - all excellent.

            I would add the Vasary, Pires/Previn,Argerich/Rostropovich , Fliter and Grosvenor .

            Struck that no recordings by Howard Shelley who has recorded so many other romantic concertos and made an excellent HIPP recording of the Second and Third Sonatas.

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            • mikealdren
              Full Member
              • Nov 2010
              • 1222

              #21
              Originally posted by Darloboy View Post
              Last covered by BaL in October 2000 when Piers Lane chose Argerich/Dutoit, with Perahia/Mehta as 2nd choice & Rubinstein/Wallenstein as mid price choice.
              These are what I have (plus Argerich/Rostropovich) so maybe I don't need to listen!?!?!

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              • gurnemanz
                Full Member
                • Nov 2010
                • 7445

                #22
                Originally posted by Darloboy View Post
                Last covered by BaL in October 2000 when Piers Lane chose Argerich/Dutoit, with Perahia/Mehta as 2nd choice & Rubinstein/Wallenstein as mid price choice.
                I have the BBC Legends box with Rubinstein/Giulini/Philharmonia rec live in Festival Hall. It came out in 2002 so wouldn't have figured in that BaL. Jed Distler at Classsics Today wrote:

                "Here Rubinstein’s animated, characterful, and flexible phrasing reaches levels of inspiration and poetry that easily transcend the pianist’s four studio efforts." https://www.classicstoday.com/review/review-8631/

                I've just played it again after not hearing it for a while and agree with those comments.

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                • LeMartinPecheur
                  Full Member
                  • Apr 2007
                  • 4717

                  #23
                  Originally posted by Padraig View Post
                  I have the version with Krystian Zimerman and The Polish Festival Orchestra, which I bought about 20 years ago after hearing him interviewed on the radio. The CD is still in its sellophane wrapping. Now would be a good time to listen.
                  Give yourself plenty of time - it's so slo-o-o-ow

                  But still worth hearing I guess, as Wolfram says.
                  I keep hitting the Escape key, but I'm still here!

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                  • ardcarp
                    Late member
                    • Nov 2010
                    • 11102

                    #24
                    I listen to a lot of Chopin, but the PCs with their Orchestra obligatto parts don’t do much for me.
                    I agree with that. For me Chopin is unsurpassed in his Waltzes, Mazurkas, Ballades, Impromptus, etc, etc (some of which I attempt to play) but I get a gut feeling that he struggles a bit with orchestration and the concerto format. Would he be known for the latter if he were not famous for the former?

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                    • RichardB
                      Banned
                      • Nov 2021
                      • 2170

                      #25
                      Originally posted by ardcarp View Post
                      I get a gut feeling that he struggles a bit with orchestration
                      He doesn't so much struggle with it as not really bother with it at all! But the piano writing is as beautiful as ever, don't you think? especially in the slow movements.

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                      • jayne lee wilson
                        Banned
                        • Jul 2011
                        • 10711

                        #26
                        I guess you all know about Pletnev's reorchestrations?

                        Idiosyncratic readings, passing through the landscape full of wonder. Trifonov as ever the hypnotic magician, spinning shining webs across dawn's Left Field...
                        Chopin's spirit tells me he loves them; so I absent myself, into my dreams...





                        Chopin: Concerto For Piano And Orchestra No. 1 in E Minor, Op.11; No. 2 In F Minor, Op. 21 (Arr. By Mikhail Pletnev).
                        Daniil Trifonov (Piano).
                        Released on 04/08/2017 by Deutsche Grammophon (DG)
                        Last edited by jayne lee wilson; 13-03-23, 04:30.

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                        • smittims
                          Full Member
                          • Aug 2022
                          • 4587

                          #27
                          Chopin's orchestration has never been a problem for me. For him, the orchestra was there simply to provide a 'backing', when he needed to appear at an orchestral concert. I'd much rather this that that he made some clumsy overdone attempt at rich-and-subtle. It's part of his whole view of life. He knew what he was good at and stuck to it.

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                          • MickyD
                            Full Member
                            • Nov 2010
                            • 4875

                            #28
                            Originally posted by smittims View Post
                            Chopin's orchestration has never been a problem for me. For him, the orchestra was there simply to provide a 'backing', when he needed to appear at an orchestral concert. I'd much rather this that that he made some clumsy overdone attempt at rich-and-subtle. It's part of his whole view of life. He knew what he was good at and stuck to it.
                            I fully agree.

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                            • Barbirollians
                              Full Member
                              • Nov 2010
                              • 11882

                              #29
                              Originally posted by MickyD View Post
                              I fully agree.
                              Me too - and for what its worth I find the orchestration in particular the horn solo of the slow movement rather lovely.

                              On the other hand I do remember PG saying they are horrible concertos for the first and second violins to play.
                              Last edited by Barbirollians; 13-03-23, 15:43.

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                              • gurnemanz
                                Full Member
                                • Nov 2010
                                • 7445

                                #30
                                I came across a lovely rendition of the slow movement from Ingrid Fliter at the Warsaw Chopin Competition in 2000. She came second.

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