Same problem playing it through the computer but could try that.
BaL 4.03.23 - Walton: Viola Concerto
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Originally posted by Nick Armstrong View PostSorry HighlandD, but I’m with ardcarp on this - and…
… please God, no
OK, I wasn't being wholly serious about TS. Next time that A McG has a Saturday off, perhaps TS might stand in for him with DON doing the review ...
Anyway, does anyone have any ideas on how to acquire the Pearl CD (Pearl GEM 0171) with the Riddle/Walton/LSO Decca recording? I have so far failed to do so.
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Originally posted by HighlandDougie View PostAnyway, does anyone have any ideas on how to acquire the Pearl CD (Pearl GEM 0171) with the Riddle/Walton/LSO Decca recording? I have so far failed to do so.I keep hitting the Escape key, but I'm still here!
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Originally posted by LeMartinPecheur View PostHD, one here if you're quick! https://www.discogs.com/release/2543...Premi%C3%A8res (unless it's the authentic surface noise on Pearl that you want!).
Many thanks - will follow up on Saturday when back in France as I see that the seller is based in the Netherlands
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Originally posted by HighlandDougie View PostLMP
Many thanks - will follow up on Saturday when back in France as I see that the seller is based in the NetherlandsI will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by HighlandDougie View PostBah! Humbug! At least he's not dull but it's the incessant playing to the gallery and being such a clever clogs that I find so irritating. No surprise to learn that he has a stage show.
OK, I wasn't being wholly serious about TS. Next time that A McG has a Saturday off, perhaps TS might stand in for him with DON doing the review ...
Anyway, does anyone have any ideas on how to acquire the Pearl CD (Pearl GEM 0171) with the Riddle/Walton/LSO Decca recording? I have so far failed to do so.
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Originally posted by Nick Armstrong View PostI too was reminded how much I love this piece. String concertos aren’t usually among my favourites, but this one - thanks to the Kennedy/Previn recording which I played times without number back in the day - used to vie for a place on the desert island… and might do so still. It helps that by some margin, I prefer the viola as a solo instrument to the violin or cello…
DON astutely pointed to the fact that Menuhin "does a lot" with the work. Too much? Not when the artistry is so deeply satisfying. For me he makes every phrase 'conversational' to a degree which only Nigel Kennedy approaches. I enjoy Power on Hyperion, too, but that disc's special place in my collection is for the sublime case the soloist makes for Rubbra's concerto. But it's also good to have, for the original version of the Walton.
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Originally posted by Master Jacques View PostSpoken from the heart, and speaking for me also. For me, it was the Menuhin/Walton recording which started my love affair with a work which - unusually for string concertos - still moves and excites me, many years and hearings later.
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. I enjoy Power on Hyperion, too, but that disc's special place in my collection is for the sublime case the soloist makes for Rubbra's concerto. But it's also good to have, for the original version of the Walton.
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