Here's the slow movement of Haydn's d minor trio, so you can decide whether you can hear Mozart's influence in the music.
BaL 18.02.23 - Mozart: String Quartet no. 19 in C major, K. 465 ’Dissonance’
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I went to hear this on Monday lunchtime (along with the Schubert 'Rosamunde' Quartet) in the Nice Opera House and, having read the various posts about the possible influence of Haydn, rather think that it is possible to hear such in this quartet. Whatever, it's wonderfully absorbing music in its own right so I'm afraid that I don't really care about influences or not. I have had the Chiaroscuro version since it appeared having heard them in the flesh (Wigmore Hall?) but nowadays rather prefer the Van Kuijk Quartet recording.
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SO looking forward to this BAL. I've had the opening bars (hence the Dissonance name) in my head permanently since it was an A-level set work over 55 years ago! Anyone else have it? I think we had a crackly old LP of the Amadeus SQ....that didn't bother us. I dare say there will not be any versions displaying the Amadeus's
now unfashionable style.....but OMG they were good in their day.
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Originally posted by HighlandDougie View PostI went to hear this on Monday lunchtime (along with the Schubert 'Rosamunde' Quartet) in the Nice Opera House and, having read the various posts about the possible influence of Haydn, rather think that it is possible to hear such in this quartet. Whatever, it's wonderfully absorbing music in its own right so I'm afraid that I don't really care about influences or not. I have had the Chiaroscuro version since it appeared having heard them in the flesh (Wigmore Hall?) but nowadays rather prefer the Van Kuijk Quartet recording.
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Originally posted by MickyD View Post
I have the dissonance from a 90s release on Brilliant Classics, now going for £0.09 second hand (not my copy, of course, I'd only sell that for £146...):
I just listened again to the Chilingirian "dissonance" and still find it a great library choice. It's a very warm, but lively, performance in great sound. Definitely not "period". It's so smooth and elegant that it had me wondering "where's the dissonance", definitely one to listen to when you want a relaxing half hour rather than a dissonant one. I also have the Alban Berg, which I bought to hear more rumination and dissonance going on. It has that, but I still love the warmth & elegance of the Chilingirians, so I'm glad to have both.Last edited by Mal; 18-02-23, 10:08.
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Originally posted by MickyD View Post
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Originally posted by MickyD View PostLucky you, Bryn!
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Originally posted by Mal View PostI just listened again to the Chilingirian "dissonance" ... It's a very warm, but lively, performance in great sound... I also have the Alban Berg, which I bought to hear more rumination and dissonance going on. It has that, but I still love the warmth & elegance of the Chilingirians, so I'm glad to have both.
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I'm prepared to forgive any reviewer who is both articulate and engaging, even, God help us, DON. On Alison's point above about, "overall qualities", we complain about there being too few versions and then when there are quite a few, mildly complain about lack of comment when I suspect that there wasn't a lot of time to do so. It's a work I know well so I much enjoyed the illustration of the contrasts among different approaches to it, from the Ébene (which I agree tends to overdo the "Dissonance" angle at the expense of the music's simple charm) to the Italiano being a bit plodding in the Minuet. Good choice - the Modigliani's Schubert cycle is a favourite so ordered post-haste from Ebay.
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