BaL 22.10.22 - Mozart: Symphony no. 31 in D "Paris" (K.297)

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  • french frank
    Administrator/Moderator
    • Feb 2007
    • 30573

    #76
    Originally posted by smittims View Post
    I don't know where they were recorded but I suspect St. John's Smith Square or Kingsway Hall, though the AAM recorded at various churches and halls in the London area..
    Information received:"According to the back of the CD (410 197-20), recorded at the Kingsway Hall in February/March 1982."
    It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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    • Lordgeous
      Full Member
      • Dec 2012
      • 837

      #77
      Originally posted by french frank View Post
      Information received:"According to the back of the CD (410 197-20), recorded at the Kingsway Hall in February/March 1982."
      To audiophiles, in partucular, recording details are fascinating. Mercury were excellent in this respect but Decca sometimes even more so, The CD of the Maltings recording of Britten/ECO of English string music lists, from memory, even the microphones used and recorder employed, maybe even the tape stock! Can't find the CD at the moment to check.

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      • richardfinegold
        Full Member
        • Sep 2012
        • 7785

        #78
        Originally posted by Nick Armstrong View Post

        A revelation when I discovered this set of performances when living in Paris (at the time they were more or less unavailable here, and never talked about - and still don’t seem to be, e.g. in this BAL)

        The Mackerras is one of those recordings I’ve tried a few times over the years but never understood why everyone got so enthusiastic about it - it’s fine but… …doesn’t float my boat.

        Simon H knows how to do a BAL and this one was a cut above most of late. The selected recording sounded a bit of alright to me, will listen to the complete performance with interest
        The Krips recordings were released as the HIPP movement was gaining ascendancy. I remember a critic here dismissing the Krips in a few sentences as something that dinosaurs might have enjoyed. I think in those times the world of critical opinion was more binary, with love for one approach having to be accompanied with disdain for the other. Or are we still in that mode?

        I purchased the first set of Mozart symphonies from Mackerras because they were released on SACD. I agree, they certainly listenable, but I tend to defer to Walter, Abaddo, Pinnock and Hogwood

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        • Nick Armstrong
          Host
          • Nov 2010
          • 26592

          #79
          Originally posted by richardfinegold View Post
          The Krips recordings were released as the HIPP movement was gaining ascendancy. I remember a critic here dismissing the Krips in a few sentences as something that dinosaurs might have enjoyed.

          Interesting historical perspective, Richard, which had never occurred to me
          "...the isle is full of noises,
          Sounds and sweet airs, that give delight and hurt not.
          Sometimes a thousand twangling instruments
          Will hum about mine ears, and sometime voices..."

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          • MickyD
            Full Member
            • Nov 2010
            • 4856

            #80
            I noticed that once Eloquence started reissuing vintage AAM recordings, full details of recording locations were given.

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